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| | Meiji Nationalism |
 | | Kiyochika, for example, was the most popular and prolific designer of prints of the Sino-Japanese War (1894-95), which typically depicted the Chinese enemy as a primitive and colorful horde, and the outnumbered Japanese as solemn, fearless heroes who broke through their ranks regardless. |
 | | War prints, like those of historical warriors in Meiji, were an open affirmation of the greatness of the nation, but superior to warrior prints in depicting present and immediate heroes, the Japanese (of any class) who had excelled just days before on the battlefield. |
 | | Albums of prints assembled by their owners and surviving from the Meiji Period show that the audience for these different genres of prints was not necessarily divided, but that the same gatherer might display a kabuki actor on one page, a print of the emperor on the next, and a war scene later on. |
| www.artelino.com /articles/meiji_nationalism.asp (877 words) |
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