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| | Gentility and Gender in Margaret Mitchell's Gone With the Wind (Site not responding. Last check: 2007-10-14) |
 | | Scarlett and Melanie, Mitchell's two main female characters, are polar opposites: Melanie is a lady, Scarlett is not; Melanie is traditionally feminine, while Scarlett adheres to a traditionally masculine way of thinking and acting. |
 | | Scarlett, though cast out by everyone else, is treated by Melanie with "love and outspoken trust" when suspected of having an affair with Ashley; Melanie believes Ashley and Scarlett love each other only as brother and sister, to the contrary of what she has been told (853). |
 | | This manner, this grasping of traditions, is still excusable in Melanie, as she is, after all, a woman, and made strong through the "inner grace" she possesses as a woman. |
| ripley.wo.sbc.edu /departmental/dean/www/neef.html (2733 words) |
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