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| | Journal of Seventeenth-Century Music | Vol. 7 No. 1 | Review |
 | | Franck’s sacred works, written during a period of almost forty years, reflect the major stylistic changes in German music during the first decades of the seventeenth century. |
 | | Their prophetic imagery allows the composer many opportunities for expressive word painting; Franck frequently uses virtuoso passages, ornaments, dissonances, meter changes and changes of texture for his highly evocative musical interpretation of these biblical texts, which invites comparison to sacred concertos by his contemporaries Schütz, Schein and Scheidt. |
 | | Today, Melchior Franck is mostly known for his instrumental ensemble music, secular vocal music, and a few of his sacred works, leaving many of his early and late collections of sacred music largely unedited. |
| sscm-jscm.press.uiuc.edu /jscm/v7/no1/Spohr.html (1401 words) |
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