| |
| | village voice > specials > What's Stranger Than Paradise? by J. Hoberman |
 | | But from his earliest days at American-International, the hallmark of Demme's career has been an appreciation for lower-class kitsch and the mass-produced, reified fantasy it embodies: theme restaurants and motels, while-u-wait wedding chapels and the accoutrements of an L.A.-style Christmas. |
 | | Based on the case of Melvin Dumar, mystery beneficiary of Howard Hughes's contested will, Melvin and Howard (1980) treats the contemporary West—Vegas, SoCal, Utah (with utopian intimations of Hawaii)—as a land of failed schemes and sweet disorder. |
 | | The film is the real Rocky, Americans as feckless, media-blitzed dreamers and natural performers who think nothing of marrying each other twice, then spending their honeymoon playing nickel slots. |
| www.villagevoice.com /specials/0543,50thhoberman,69276,31.html (3077 words) |
|