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| | Metaphor, Metonymy, and Ethics in The Portrait of a Lady |
 | | For Jakobson, too, metaphor and metonymy are shorthand terms for what he calls the “two different semantic lines” along which a stretch of discourse may develop: “one topic,” he writes, “may lead to another either through their similarity [belonging to the same paradigm] or their contiguity [belonging to the same syntagm]” (63). |
 | | Metonymy for its part deals in items that are intimately linked to one another in real, syntagmatic contexts, without anyone claiming that they share a paradigmatic quality—not even temporarily, not even for the duration of the figure of speech. |
 | | When you say “The White House has decided,” the White House is a metonymy for the American President, not because that mansion would somehow (magically) enjoy the same power as this political leader, but because the White House happens to be the executive residence of the President of the United States. |
| mockingbird.creighton.edu /english/Buelens.htm (3702 words) |
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