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| | TIME.com: Poor Blighters -- Jul 9, 1951 -- Page 1 |
 | | Last week in London, Ayrton, now 30, closed the most successful show of his career: drawings and paintings in somber greys, yellows, and greens of hollow-eyed men, women and children with thin, bony figures and a quality of patient loneliness. |
 | | Ayrton's best work concerns "the greatest human tragedy, the failure to communicate." In Mirror Image, a young man stares at a silent girl whose unhappy face is reflected in a mirror over his shoulder. |
 | | In The Indomitable Bather, Ayrton catches the humor and pathos of a more familiar subject, "a small boy who finds it bloody cold in the water, but his passionate desire to stay there is greater than the physical discomfort. |
| www.time.com /time/magazine/article/0,9171,806144,00.html (539 words) |
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