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Topic: Michel Corboz

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	[No title] (Site not responding. Last check: 2007-10-09)
		Corboz uses a chamber-sized ensemble, but whatever gains this might have carried with it in clarity of line are totally undone by the engineering: the recording sounds as though it was made in an airplane hangar that just happened to be available.
		Corboz observes such big retards at the ends of sections that it is difficult to get a grasp of the continuity of the whole.
		Corboz also commits the rather astonishing boner of assigning the continuo in the brighter numbers to a closely miked harpsichord, rather than the imore appropriate porta- tive organ.
	www-tech.mit.edu /archives/VOL_095/TECH_V095_S0023_P016.txt (2019 words)

	Mass in B minor BWV 232 - conducted by Michel Corboz
		Both his B Minor recordings use modern instruments, and yet in a sense his performances are informed by historical practices (small forces, controlled use of vibrato, use of mezza di voce, rather brisk tempos,...).
		The Corboz rendition of the BWV 232 is a late Nineties recording and I cannot tell if it's on period-instruments or not.
		The original Corboz recording from the early '70s is a favorite.
	www.bach-cantatas.com /Vocal/BWV232-Corboz.htm (1164 words)

	Michel Corboz (Conductor) - Short Biography
		The Swiss conductor Michel (Jules) Corboz was educated at the École Normale in Fribourg (Switzerland), where he studied solo singing and composition.
		After having worked several years in the wake of the modern music and the rebirth, lengthily attended Monteverdi, Vivaldi, Bach, Michel Corboz turned with happiness to the great traditional and romantic oratorios.
		Michel Corboz received the Prize of Critics at the time of his two last rounds in Argentina, 1995 and 1996.
	www.bach-cantatas.com /Bio/Corboz-Michel.htm (414 words)

	Michel Corboz, les voix de la passion
		Né en 1934 à; Marsens (canton de Fribourg, Suisse), Michel Corboz doit beaucoup à son oncle, André Corboz, qui lui a enseigné à la fois le chant, le piano, l’harmonie, l’improvisation et l’accompagnement.
		Michel Corboz consacre aujourd’hui tout son temps à la direction et à l’enseignement.
		Ce qui fascine Michel Corboz chez l’être humain, c’est la voix, au premier chef la voix parlée, «cri de nature» au même titre que le rire.
	www.ccsparis.com /old/corboz.html (897 words)

	Site officiel de l'Ensemble Vocal de Lausanne
		Michel Corboz reçut une première formation au Conservatoire de Fribourg (Suisse), où il étudia le chant soliste et la composition.
		Michel Corboz a reçu le Prix de la Critique lors de ses deux dernières tournées en Argentine, en 1995 et en 1996.
		Michel Corboz, en savoir plus, Ensemble Vocal de Lausanne, 1982 (tiré à part de l'ouvrage précédent).
	www.evl.ch /corboz.html (473 words)

	Dilatory Effect of Furosemide on Rat Tracheal Arterioles and Venules -- CORBOZ et al. 156 (2): 478 -- American Journal ...
		Dilatory Effect of Furosemide on Rat Tracheal Arterioles and Venules -- CORBOZ et al.
		MICHEL R. and AUBREY E. Department of Physiology, College of Medicine, University of South Alabama, Mobile, Alabama
		Correspondence and requests for reprints should be addressed to Michel Corboz, Ph.D., Department of Physiology, MSB 3024, University of South Alabama, Mobile, AL 36688.
	ajrccm.atsjournals.org /cgi/content/full/156/2/478 (2882 words)

	Amazon.ca: Gloria/Magnificat/Kyrie/Credo: Music: Antonio Vivaldi,Michel Corboz,Ensemble Instrumental de ... (Site not responding. Last check: 2007-10-09)
		~ Antonio Vivaldi (Composer), Michel Corboz (Conductor), Ensemble Instrumental de Lausanne (Performer), Philippe Huttenlocher (Performer), Nicole Rossier (Performer), et al.
		with Ensemble Instrumental de Lausanne, Philippe Huttenlocher, Nicole Rossier, Hanna Schaer, Jennifer Smith, Uta Spreckelsen, Philippe Corboz, Verena Schweizer, Wally Staempfli
		Be the first person to review this item.
	www.amazon.ca /Gloria-Magnificat-Kyrie-Antonio-Vivaldi/dp/B000026BCY (575 words)

	classical music - andante - sandrine piau
		Sandrine Piau first came the public's attention through her much praised performances of baroque repertoire, most notably of Handel.
		From there she has gone on to encompass a far wider repertoire, performing regularly with conductors such as William Christie, Ivor Bolton, Philippe Herreweghe, Christophe Rousset, Gustav Leonhardt, Kurt Masur, Sigiswald Kuijken, Myung-Whun Chung, Frans BrÃ¼ggen, Daniel Harding, Paul McCreesh, Ton Koopman, RenÃ© Jacobs, Marc Minkowski, Fabio Biondi, Michel Corboz, Josep Pons and Louis LangrÃ©e.
		Ms Piau's repertoire includes such roles as Pamina in Mozart's Die ZauberflÃ¶te, Lucia in Britten's The Rape of Lucretia and Titania in his Midsummer Night's Dream, Amor/Drusilla in Monteverdi's L'Incoronazione di Poppea, Aennchen in Weber's Der FreischÃ¼tz and Servilia in both Mozart's and Gluck's La clemenza di Tito.
	www.andante.com /article/article.cfm?id=23279 (357 words)

	pbase Artist Michel CORBOZ
		View Galleries : Michel CORBOZ has 184 galleries and 6669 images online.
		These pages have been viewed a total of 1149831 times.
		Tant pis pour celui qui s'en fait un devoir.
	www.pbase.com /zobroc/profile (31 words)

	Amazon.com: Honegger - Le Roi David / Michel Corboz: Music: Arthur Honegger,Michel Corboz,Lambert Wilson,Brigitte ... (Site not responding. Last check: 2007-10-09)
		This item is not eligible for Amazon Prime, but over a million other items are.
		If you would like to purchase this title, we recommend that you occasionally check this page to see if it has become available.
		Performer: Michel Corboz, Lambert Wilson, Brigitte Fournier, Choeur et Orchestre de Gulbenkian
	www.amazon.com /Honegger-Roi-David-Michel-Corboz/dp/B000005ZCB (737 words)

	Monteverdi: Vespro della Beata Virgine - Magnificat a 6 - Mass a 4 (Site not responding. Last check: 2007-10-09)
		Monteverdi: Vespro della Beata Virgine - Magnificat a 6 - Mass a 4
		Ensemble Vocal et Instrumental de Lausanne - Michel Corboz, dir.
		[1]-[12] Jennifer Smith (soprano), Audery Michael (soprano), Agnès de Crousaz (soprano), Wynford Evans (tenor), John Elwes (tenor), Philippe Huttenlocher (baritone), Michel Brodard (bass)
	www.medieval.org /emfaq/cds/era12981.htm (193 words)

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