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| STEREO MICROPHONE TECHNIQUES |
 | | The greater the angle between microphones, and the narrower the polar pattern, the wider the stereo spread. |
 | | With coincident and near-coincident techniques, the microphones should be rigidly mounted with respect to one another, so that they can be moved as a unit without disturbing their arrangement. |
 | | To reproduce all the instruments' timbres equally well, the microphone should have a broad, flat response at all angles of incidence within at least 90 degrees, that is, the polar pattern should be uniform with frequency. |
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