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| | [No title] |
 | | A hands-on introduction to twentieth-century music, with a particular focus on harmony. |
 | | We will develop a set of theoretical concepts that help make sense of the proliferation of disparate twentieth-century musical styles, including: atonality, "bitonality", "modality", "micropolyphony", "minimalism", and "spectralism". |
 | | We will examine the works of composers such as Debussy, Schoenberg, Stravinsky, Messiaen, Shostakovich, Ligeti, Reich, Adams, Murail, as well as works of popular music. |
| h2obeta.law.harvard.edu /ipl/6851 (180 words) |
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