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Topic: Mike Bloomfield

	Mike Bloomfield and Al Kooper: The Live Adventures of Mike Bloomfield and Al Kooper
		Mike Bloomfield and Al Kooper: The Live Adventures of Mike Bloomfield and Al Kooper
		Guitarist Michael Bloomfield and organ player Al Kooper was part of Bob Dylan's backing band in 1965, playing together with Levon Helm and Robbie Robertson behind Dylan at a few concerts.
		Bloomfield, that died of drug abuse in 1981, is known for his work with Paul Butterfield and the group Electric Flag.
	theband.hiof.no /albums/live_adventures_of_mike_bloomfield_and_al_kooper.html (220 words)

	Bio
		Bloomfield was quickly accepted on the South Side, as much for his ability as for the audiences' appreciation of the novelty of seeing a young white player in a part of town where few whites were seen.
		Bloomfield was recruited to play slide guitar and piano on early recordings (later released as The Lost Elektra Sessions) which were rejected for not fully capturing the sound of the band.
		Bloomfield left the Butterfield Blues Band in early 1967 ostensibly to give original guitarist Elvin Bishop, in Mike's words, "a little space." Undoubtedly he had also become uncomfortable with Paul Butterfield's position as bandleader and was anxious to lead his own band.
	www.mikebloomfield.com /bio.htm (1055 words)

	Mike Bloomfield Don't Say That I Ain't Your Man! Essential Blues, 1964-1969 CD
		Here's the amazing thing the first five cuts here reveal: Bloomfield, idolized as a walking encyclopedia of Chicago guitar greats from the moment he came to recognition with the Butterfield Blues Band, already had a remarkably developed style when these previously unreleased demos were cut for Columbia in 1964.
		This compilation offers an overview of the years when Bloomfield was in the national spotlight, a bona fide guitar hero (and happily, the bias here is towards the blues cuts).
		This is by far one of the greatest guitar players the usa has ever had.To have songs from his frist recording to his last are a must for all blues & rock fans alike.
	www.cduniverse.com /search/xx/music/pid/1087906/a/Don%27t+Say+That+I+Ain%27t+Your+Man%21+Essential+Blues%2C+1964%2D1969.htm (589 words)

	MICHAEL BLOOMFIELD
		Bloomfield was quickly accepted on the South Side, as much for his ability as for the audiences' appreciation of the novelty of seeing a young white player in a part of town where few whites were seen.
		Bloomfield was recruited to play slide guitar and piano on early recordings (later released as The Lost Elektra Sessions) which were rejected for not fully capturing the sound of the band.
		Bloomfield left the Butterfield Blues Band in early 1967 ostensibly to give original guitarist Elvin Bishop, in Mike's words, "a little space." Undoubtedly he had also become uncomfortable with Paul Butterfield's position as bandleader and was anxious to lead his own band.
	www.bluespower.com /a-mb.htm (2191 words)

	Wolfgang's Vault - Search - Mike Bloomfield Band
		Mike Bloomfield Band Aug 15, 1969 Handbill $235
		Mike Bloomfield Band Aug 15, 1969 Poster $675
		Mike Bloomfield Band Aug 11, 1973 Poster $785
	www.wolfgangsvault.com /Catalog.aspx?ArtistID=13955 (54 words)

	Audiogalaxy: mike bloomfield
		Other listeners liked al kooper, paul butterfield, mississippi fred mcdowell, string cheese incident
		The Live Adventures Of Mike Bloomfield and Al Kooper
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	www.audiogalaxy.com /list/artistInfo.php?SID=&r=244568 (43 words)

	YouTube - Mike Bloomfield: Drinking Wine Live!!
		Nice to see Mike Bloomfield having some fun.
		This was Bloomfield's Electric Flag Band with Buddy and Nick, there were changes in the lineup overtime
		Mike Bloomfield & Al Kooper "Stop" (Super Session)
	www.youtube.com /watch?v=smRXnyUWktg (344 words)

	Live At The Old Waldorf - Mike Bloomfield, Music Downloads - Online
		Recorded live in 1976 and 1977 by producer Norman Dayron at the Old Waldorf nightclub on Bloomfield's home turf in San Francisco with a hand-picked band, the results are startling to say the least.
		Bloomfield plays with assurance and authority throughout, exploring new ideas with each new chorus from his guitar, arguably at his best since his early Butterfield/Dylan days.
		Bloomfield was never much of a singer, and everybody from old pal Nick Gravenites to bassist Roger Troy to drummer Bob Jones end up handling all the vocals on this disc.
	musicstore.connect.com /album/456/Mike-Bloomfield/Live-At-The-Old-Waldorf/500000000000002331681.html (259 words)

	Mike Bloomfield Biography (Site not responding. Last check: )
		Bloomfield was quickly accepted on the South Side, as much for his ability as for the audiences' appreciation of the novelty of seeing a young white player in a part of town where few whites were seen.
		Bloomfield was recruited to play slide guitar and piano on early recordings (later released as The Lost Elektra Sessions) which were rejected for not fully capturing the sound of the band.
		Bloomfield left the Butterfield Blues Band in early 1967 ostensibly to give original guitarist Elvin Bishop, in Mike's words, "a little space." Undoubtedly he had also become uncomfortable with Paul Butterfield's position as band leader and was anxious to lead his own band.
	www.shanepruitt.com /mike_bloomfield.html (1057 words)

	Expectingrain.com :: View topic - Mike Bloomfield (Site not responding. Last check: )
		On Super Session he's playing his 1959 les Paul sunburst and was why Jimmy Page switched from the Tele on the 1st Led Zep LP to his sunbursts there after.
		Mike's playing on the first side of that is astonishing.
		never listened to much mike bloomfield beyond his work on bob's records and the early paul butterfield recordings...
	www.expectingrain.com /discussion/viewtopic.php?t=4219&start=0&postdays=0&postorder=asc&highlight= (1253 words)

	Mike Bloomfield
		Uncomfortable with the reverential treatment afforded a guitar hero, Bloomfield tended to shy away from the spotlight after spending just a few years in it; he maintained a lower-visibility career during the '70s due to his distaste for fame and his worsening drug problems, which claimed his life in 1981.
		Later, in 1965, Bloomfield was recruited for Bob Dylan's new electrified backing band; he was a prominent presence on the groundbreaking classic Highway 61 Revisited and he was also part of Dylan's epochal plugged-in performance at the 1965 Newport Folk Festival.
		Unfortunately, Bloomfield was also plagued by alcoholism and heroin addiction for much of the '70s, which made him an unreliable concert presence and slowly cost him some of his longtime musical associations (as well as his marriage).
	www.myguitarsolo.com /Players/MikeBloomfield.htm (1053 words)

	Mike Bloomfield Guitars
		Bloomfield's guitar work as a session player caught the ear of legendary CBS producer and talent scout John Hammond, Sr., who flew to Chicago and immediately signed him to a recording contract.
		Bloomfield left the Butterfield Blues Band in early 1967 ostensibly to give original guitarist Elvin Bishop, in Mike's words, "a little space." Undoubtedly he had also become uncomfortable with Paul Butterfield's position as bandleader and was anxious to lead his own band.
		Bloomfield also occasionally helped out friends by lending his name to recording projects and business propositions, such as the ill-fated Electric Flag reunion in 1974 and the KGB album in 1976.
	www.celebrityrockstarguitars.com /rock/bloomfield.htm (1605 words)

	Mike Bloomfield at AllExperts
		The young Bloomfield also made a conscious decision around this time to turn down any money that he could get from his father then or in the future, preferring to make his own way in the world and do so by leaving a mark in the musical world.
		Bloomfield became a full member of the band and played with Paul Butterfield from 1964 to 1966.
		Bloomfield's most famous work, on Butterfield's watershed East-West album (1966) (to which Bloomfield contributed the title song), was one of the first experiments in fusing blues and Indian-style raga music.
	en.allexperts.com /e/m/mi/mike_bloomfield.htm (1313 words)

	NewBeats: Al Kooper and Mike Bloomfield (Site not responding. Last check: )
		It was a blues supergroup of sorts: keyboardist Al Kooper formerly of Blood Sweat and Tears, guitarist Mike Bloomfield late of the Paul Butterfield Blues Band and the Electric Flag, and guitarist Stephen Stills of Buffalo Springfield fame.
		It should be prefaced, however that Bloomfield and Stills were not playing guitar together at the same time in teh same studio; Bloomfield recorded his parts and left, leaving Kooper to recruit Stills to finish the rest of the sessions.
		Bloomfield particularly shine here by chiming in with a brilliant run here and there like "One Way Out," and his dueling with Kooper on "Please" is worth the price of admission.
	www.newbeats.com /kooperbloomfield.html (412 words)

	Mike Bloomfield, Gitarre
		Nach zwei Alben war mit der Superband um Mike Bloomfield Schluss.
		Ein neues Projekt von Mike Bloomfield wurde "KGB".
		Mike Bloomfield gehörte zu den ganz großen Gitarristen der Rockgeschichte.
	www.rockzirkus.de /lexikon/bilder/b/bloomf/bloomfield.htm (860 words)

	Mike Bloomfield
		Although Bloomfield is nowhere featured, the "And This Is Maxwell Street" tapes include some of the earliest known recordings of Mike Bloomfield, who would have been about 21 at the time they were made in 1963.
		Gordon Quinn, who did the sound work on the film, recalls that Bloomfield was playing with Robert Nighthawk and John Lee Granderson on "Dust My Broom" in And This is Free, and that filmmaker Mike Shea intentionally kept him off-camera.
		The photo of Bloomfield above is one from a single roll of surviving Ektachrome slides of Bloomfield playing at Mike Shea's Huron Street Studio in Chicago in late 1963 with Norman Mayall on drums (later of Sopwith Camel fame) and Mike "Gap" Johnson playing second guitar.
	www.sonic.net /~talcroft/ATIMS/Biomikebloomfield.html (348 words)

	Mike's Guitar Site - The Electric Flag with Mike Bloomfield - The Killing Floor Guitar Tab & Power Tab Score
		Mike's Guitar Site - The Electric Flag with Mike Bloomfield - The Killing Floor Guitar Tab and Power Tab Score
		Gtr I (E A D G B E) - 'Mike Bloomfield - Lead w/dist' Gtr II (E A D G B E) - 'Mike Bloomfield - Rhythm clean electric' Intro Q=132 4/4 Gtr I < < ~~~ ~~~ ~~~ W H. Gtr II
		It looks like you are using an old version of Internet Explorer it's time to upgrade to IE7.
	www.mikesguitarsite.co.uk /tabs/blues/the_killing_floor.php (2182 words)

	Crosby, Stills, Nash and Young
		- This is a damn good improvisational rock and blues album, basically an Al Kooper album with Mike Bloomfield featured on side one, playing stinging blues guitar (far ahead of his contributions on Dylan's Highway 61 Revisited) and adding jazzy weirdness to "Her Holy Modal Majesty," which also features an excellent keyboard solo from Kooper.
		Crosby was so dysfunctional that he didn't write one of his two contributions, and it sounds like he doesn't even sing harmony most of the time, with keyboardist Mike Finnigan and ex-Eagle Tim Schmit taking his place.
		The no-name musicians are all competent - Mike Finnigan is the sole long-time studio crony, and he's also the only real bummer, ruining one song with an excruciating vocal.
	www.warr.org /csny.html (4814 words)

	Michael Bloomfield Biography
		An indifferent student and self-described social outcast, Bloomfield immersed himself in the multi-cultural music world that existed in Chicago in the 1950s.
		Bloomfield left the Butterfield Blues Band in early 1967 ostensibly to give original guitarist Elvin Bishop, in Mike's words, "a little space." Undoubtedly he had also become uncomfortable with Paul Butterfield's position as bandleader and was anxious to lead his own band.
		Although Super Session was the most successful recording of his career, Bloomfield considered it to be a scam, more of an excuse to sell records than a pursuit of musical goals.
	www.classicrockpage.com /rrheaven/michaelbloomfield.htm (1062 words)

	MIKE BLOOMFIELD (Site not responding. Last check: )
		It is maddeningly frustrating to the fans of the guitar genius Mike Bloomfield (and I am certainly a card carrying member of that fraternity) that there is so little recorded documentation of his brilliance on the market.
		Bloomfield always had a touch of stage fright, and seldom toured.
		On this release, though, his friends don’t come through, with the exception of the tracks on which Naftalin plays and Gravenites sings (Butterfield and Bishop are not on the record).
	www.swaves.com /Back_Issues/Nov98/mike_bloomfield.htm (253 words)

	Amazon.ca: Live At The Old Waldorf: Music: Mike Bloomfield (Site not responding. Last check: )
		Considering the late, great Michael Bloomfield's rather sparse and sometimes erratic output, the high quality of this excellent live album came as a pleasant surprise to me.
		Bloomfield's playing on that song is simply magnificent, clear and inspired.
		But Bloomfield's guitar is something to behold almost all the way through, and even though none of the Old Waldorf tracks match the phenomenal, fiery lead guitar on "Sweet Little Angel", the best moments here really do validate Mike Bloomfield's reputation as one of the greatest white blues guitarist of the 60s and 70s.
	www.amazon.ca /Live-Old-Waldorf-Mike-Bloomfield/dp/B00000AG5D (424 words)

	Amazon.ca: Super Session: Music: Mike Bloomfield (Site not responding. Last check: )
		Bloomfield's best straight-ahead blues is "Albert's Shuffle," and the beauty and creative lyricism (as well as the speed) of his jazz improvisation on "His Holy Modal Majesty" is breathtaking--it absolutely must be heard to be believed.
		It's such a dirty rotten shame that this didn't turn out to be Bloomfield's first solo album, as Kooper had planned it.
		Mike Bloomfield was a legend and this album shows him in great form.
	www.amazon.ca /Super-Session-Mike-Bloomfield/dp/B0000024U8 (848 words)

	Music Shine - Mike Bloomfield (Site not responding. Last check: )
		Il browser in uso non supporta frame non ancorati oppure è configurato in modo che i frame non ancorati non siano visualizzati.
		"Mike Bloomfield, il chitarrista bianco più amato dai bluesmen neri.."
		Con Bloomfield, nel settembre del 1980, (grazie anche all’amico promoter Claudio Trotta della Barley Arts, grande appassionato di musica blues..
	www.musicshine.com /mike_bloomfield.asp (301 words)

	Mike Bloomfield News
		News about Mike Bloomfield continually updated from thousands of sources around the net.
		Flashback with Mick as he explores the legendary Miles Davis, cranks some classic ZZ Top, gives a well-deserved nod to Mott The Hoople, revives two blues legend; Jimmy Thackery and Mike Bloomfield, and jams...
		The Chicago Blues Reunion comprises musicians who learned their craft at the feet of electric blues legends Muddy Waters, Howlin' Wolf and Little Walter and then shaped a blues rock fusion with Paul Butterfield...
	www.topix.net /who/mike-bloomfield (374 words)

	Astronaut Bio: Michael J. Bloomfield (02/2007)
		NASA EXPERIENCE: Selected by NASA in December 1994, Bloomfield reported to the Johnson Space Center in March 1995.
		SPACE FLIGHT EXPERIENCE: Pilot of STS-86, flown on the shuttle Atlantis (September 25 to October 6, 1997), the 7th mission to rendezvous and dock with the Russian Space Station Mir.
		Highlights included the exchange of U.S. crew members Mike Foale and David Wolf, a spacewalk by two crew members to retrieve four experiments first deployed on Mir during STS-76, the transfer to Mir of 10,400 pounds of science and logistics, and the return of experiment hardware and results to Earth.
	www.jsc.nasa.gov /Bios/htmlbios/bloomfie.html (610 words)

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