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	Recommended Composers: Mikel Rouse (Site not responding. Last check: 2007-10-09)
		One of the keys to Mikel Rouse's fearlessly pioneering personality is that, when he was in third grade, he permanently changed the spelling of his first name Michael to Mikel - but they're pronounced just the same.
		Rouse is best known now for his operas, which in Downtown tradition are not traditionally operatic at all - no fat ladies or love duets here.
		Rouse writes his own lyrics, and has a bracing way of evoking American life in just a few well-repeated words.
	home.earthlink.net /~kgann/Rouse.html (309 words)

	Mikel Rouse - NetNewMusic/Sequenza21 New Music Wiki
		Rouse's music is idiomatically and stylistically indebted to popular music, yet he uses complex rhythmic techniques derived from African music and the Schillinger system.
		In the early 1990s he developed a technique he calls "counterpoetry" in which the same text (or sometimes different texts) is spoken in several overdubbed, rhythmically different versions for a kind of verbal counterpoint.
		Rouse's association with Ben Neill and Kyle Gann in New York in the early 1990s led to the recognition of a new rhythmic complexity in minimalist-based music that came to be referred to as totalism.
	netnewmusic.net /wiki/index.php?title=Mikel_Rouse (507 words)

	[No title]
		That’s Mikel Rouse, creator of the first opera in the form of a talk show, just as Dennis Cleveland is the first musical talk show host.
		Rouse studied African rhythms in A. Jones’s Studies in African Music, and also chanced upon one of the few teachers in New York qualified to teach the Schillinger method.
		Rouse took some key phrases from the book: the initial words “Age of reason,” for example, and “altered bodies,” “beautiful murders,” “apparent money.” Even more, he took from it reinforcement of his idea of talk-show host as priest.
	www.mikelrouse.com /KGannDCnotes.doc (2030 words)

	Arts4All: ArtsPass News
		When Mikel Rouse takes over New York City's John Jay College Theater as the charismatic TV talk-show host, Dennis Cleveland, in early May 2002, audience members will be experiencing the tip of a one-of-a-kind creative iceberg.
		Mikel Rouse is becoming equally known for creating career and educational opportunities for emerging professional artists at colleges and universities and for at-risk high school students.
		A child of the heartland, Mikel Rouse definitely is self-motivated, constantly seeking ways to connect classical with contemporary, old expectations with new technologies for both the themes and techniques of his work.
	www.arts4all.com /newsletter/issue20/kohn20.html (2815 words)

	classical music - andante - one-man "opera" at the 2002 perth festival
		Mikel Rouse's murky Failing Kansas and Benjamin Bagby's riveting sung recitation of Beowulf.
		The accompanying music is on tape, as is the sound of a voice (presumably Rouse's); he also sings — perhaps "chants" is a better term, with occasional crooning — into one of the microphones, selecting a different one for each song.
		Rouse is clearly deeply involved in his performance, and the whole is a considerable creation, but the audience is on the outside looking rather opaquely in.
	www.andante.com /article/article.cfm?id=15961 (1043 words)

	PICA - Failing Kansas (2002)
		Rouse’s opera is not a simple re-telling of the cold-blooded murder of the Kansas family.
		The accompaniment to Rouse’s singing is in the form of electronic music, which is also performed by the artist and has been pre-recorded in a studio.
		Rouse overlaid his own voice on taped tracks to create the multiple layers of voices.
	www.pica.org.au /art02/FallingKansas.html (331 words)

	Composer Mikel Rouse Appears in 'Music for Minorities' March ... 3/2/2005
		Rouse's 1996 talk-show opera, "Dennis Cleveland," which explores the late 20th-century phenomenon of television ritual as a replacement for ceremony previously associated with religion, was described by The Village Voice as "the most exciting and innovative new opera since
		Rouse's numerous awards include grants from the Foundation for Contemporary Performance Arts, the Fund for U.S. Artists at International Festivals, the Rockefeller Foundation MAPP program and the Mary Flagler Cary Charitable Trust, as well as an Edward F. Albee Fellowship, a grant from the New York State Council on the Arts and numerous ASCAP Awards.
		Tickets to Mikel Rouse in "Music for Minorities" are available for $35 at the UCLA Central Ticket Office at the southwest corner of the James West Alumni Center, online at http://www.uclalive.org/ and at all Ticketmaster outlets.
	newsroom.ucla.edu /page.asp?RelNum=5931 (1341 words)

	CDeMUSIC
		Mikel Rouse's opera 'Failing Kansas' is based on the story of a multiple murder (told elsewhere by Truman Capote in 'In Cold Blood') that took place in Kansas (USA).
		Rouse, in fact, based his libretto on transcripts and other materials, some of them by the people directly involved.
		The performances are by Mikel Rouse (keyboards), Mark Lampariello (electric guitar), Dale Kleps (Ewi Woodwind Synthesizer and woodwinds), james Bergman (bass), and Bill Tesar (drums).
	www.cdemusic.org /store/cde_search.cfm?keywords=nt1 (1465 words)

	Art at the Conference: Friday Performance
		Rouse's most recent opera, The End of Cinematics, which is scheduled to premiere in the fall of 1999 at the Brooklyn Academy of Music's Next Wave Festival.
		Rouse's work has long been at the forefront of technological innovation, from Quorom (1984), the first piece of its kind for drum computer sequencer, to Dennis Cleveland, a truly "interactive" piece.
		MIKEL ROUSE is an avant garde composer born in 1957 in St. Louis, Missouri.
	www.nyfa.org /circuits/artatconf/fridayperf.html (510 words)

	TrouserPress.com :: Tirez Tirez
		The French name to the contrary, Mikel Rouse originally formed his trio in Kansas City, relocating it to New York in 1979.
		As a singer, Rouse shows promise, but Etudes borrows far too much from early Talking Heads to be accused of originality and is rhythmically monotonous to boot.
		Rouse's writing here shows as much heart as craft, and the result is a batch of very engaging tunes that are still compositionally rigorous.
	www.trouserpress.com /entry.php?a=tirez_tirez (350 words)

	Media Press Release (Site not responding. Last check: 2007-10-09)
		Non-narrative in form, Dennis Cleveland was conceived and written by Mikel Rouse and features a cast of 21 actors and singers, with Rouse himself in the lead role of "talk-show" host, Cleveland.
		Rouse cites minimalists Philip Glass and Steve Reich, as well as hip-hop and rock, as major influences.
		Mikel Rouse was born in St. Louis, Missouri in 1957 and attended the Kansas City Art Institute and the Conservatory of Music at the University of Missouri.
	www.lincolncenter.org /aboutLC/media_release.asp?version=&ws=&bc=3&PressReleaseID=202 (1270 words)

	Cameraworld
		Rouse formed his contemporary chamber ensemble, Mikel Rouse Broken Consort, consisting of keyboard, electric guitar/bass, woodwinds, and percussion.
		Rouse has premiered the opera Dennis Cleveland (1996) which explores the late 20th century phenomenon of television ritual as a replacement of ceremony previously associated with religion.
		Rouse has received numerous awards from Meet The Composer, including a commission from the Meet The Composer/Reader's Digest Commissioning Program for a new opera, The New York State Council on the Arts and ASCAP.
	www.pleasewatch.com /cameraworld (2372 words)

	Big business blues - THE DAILY BRUIN ONLINE (Site not responding. Last check: 2007-10-09)
		Rouse received earlier acclaim for "Failing Kansas," a multimedia performance that attempted to convey the ideas in Truman Capote's nonfiction novel "In Cold Blood" in a form unique from the original narrative.
		Rouse means "minorities" to imply the lack of individuality in the current offerings of corporate media, not to be confused with its racial connotation.
		With "Music For Minorities," Rouse ultimately continues his entirely original and affecting method of storytelling that has been compared by critics to the experience of listening to Bob Dylan for the first time, in terms of a different sound or approach.
	www.dailybruin.ucla.edu /news/articles.asp?ID=32427 (683 words)

	MondaviStudents.org > Events > The End of Cinematics Supplemental Information
		Rouse elevates the pop-tinged musical score to a position of prominence; by favoring sound over image and dialogue, The End Of Cinematics examines but one of the many possibilities afforded filmmakers, performers, and videographers at the beginning of the 21st century.
		Using diaries and letters of the murderers, trial transcripts, and fragments of well-known verse, Mikel Rouse performs with preacherly gestures against an abstract film backdrop by Cliff Baldwin, overlaying the text on his pre-recorded score to create a beguiling counterpoint.
		Rouse performs as a combination of talk show host and master director, leading on the talk show guests and testifying audience members.
	www.mondaviarts.org /students/events/supplemental.cfm?supplemental_unique_id=191&event_id=126 (596 words)

	The Daily Illini
		Writer, arranger, and producer Mikel Rouse, bottom right, and actors rehearse The End of Cinematics at the Krannert Center for the Performing Arts on Thursday evening.
		Rouse said the production is meant to be a meditation of corporate entertainment.
		Rouse said it shows that there are different kinds of music and video outside the corporate media structure.
	www.dailyillini.com /media/paper736/news/2005/09/09/Features/New-Rock.Opera.Challenges.Corporate.Structure-980139.shtml (369 words)

	Press Release - Center for the Arts - George Mason University
		Rouse brings his evocative, electrifying one-man show to George Mason’s Center for the Arts’s Harris Theater on Wednesday, March 30 at 8PM.
		Rouse performs Failing Kansas on an empty stage accompanied by electronic music, pre-recorded by the artist.
		Rouse premiered the opera Dennis Cleveland, which explores the late 20th century phenomenon of television as ritual.
	www.gmu.edu /cfa/pressroom/view.php?id=139 (536 words)

	Sacramento News and Review October 13, 2005 (Site not responding. Last check: 2007-10-09)
		Rouse was born in St. Louis in 1957 as Michael, but he changed that at an early age because to him it sounded like Mikel and looked cooler that way in print.
		We’ll give people their money back.” Not unaware that in Paris in 1913, when Igor Stravinsky married modernism and paganism into a new kind of dance number, riots occurred, Rojo figured Mikel Rouse in Davis in 2005 should be manageable enough.
		Rouse explained that his initial music and footage for this enterprise were created “on a shoestring budget.” And yes, plausibly, anyone could generate the rudiments of The End of Cinematics even with scant resources.
	www.newsreview.com /issues/sacto/2005-10-13/Arts.asp (1655 words)

	Mikel Rouse tickets from a Mikel Rouse tickets broker
		Mikel Rouse tickets are just a few clicks or a toll-free call away!
		If you prefer to order your Mikel Rouse tickets over the phone, or if you would like finding the Mikel Rouse tickets that best fits your budget and desires, call us at (800) 800-9494.
		Mikel Rouse tickets are generally shipped within 48 hours of your order confirmation.
	www.teamonetickets.com /master/events/mikel-rouse-tickets.html (294 words)

	Palladio: February 2005 (Site not responding. Last check: 2007-10-09)
		Performers Mikel Rouse, Zoe Lister-Jones, and Cort Garretson are digitally transported into an environment created from the ads depicted in the story, as the worlds of music, art, and advertising combine — adding powerful fuel to the ongoing debate over the lines between commerce and culture.
		Jonathan Dee’s 1998 novel about the intersection of art and advertising is the basis for a new music-video performance work by the avant-garde composer Ben Neill and the media artist Bill Jones (which includes songs with lyrics written by Lance Jensen, the creative director at Modernista who designed Volkswagen’s “Drivers Wanted” campaign).
		Mikel Rouse, the composer-performer best known for his cutting talk-show opera “Dennis Cleveland,” leads the cast.
	newsgrist.typepad.com /palladio/2005/02 (399 words)

	Joyce - Music: John Cage's "An Alphabet"
		Although he never fleshed it out, after his death the composer Mikel Rouse used the notes for his own score, which premiered in 199X when the piece was staged in X. Recently, Marcel Duchamp, James Joyce, Erik Satie: An Alphabet was performed at the University of Illinois' Krannert Center.
		The production, directed by Laura Kuhn with music realized by Mikel Rouse, opened Aug. 30 at the Edinburgh International Festival, and will be staged in Berlin and Dublin before coming to the UI.
		This is one of a string of several important works that have been premiered here." The composer came to the university in the 1950s, Patterson said, "with his highly controversial electronic work Williams Mix." In the 1960s, UI audiences were the first to experience Musicircus and the multimedia piece HPSCHD.
	www.themodernword.com /Joyce/music/cage_alphabet.html (1044 words)

	Mikel Rouse tickets, Mikel Rouse ticket broker
		Mikel Rouse tickets are now available for purchase.
		If you have questions, would like assistance in picking your seats or just prefer to place your Mikel Rouse tickets order over the phone please call us at (800) 800-9494.
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	www.teamonetickets.com /event-tickets.html?e=5838 (212 words)

	Minimalism (music) - MSN Encarta
		Composers such as William Duckworth in the United States used aspects of minimalism—its steady beat or tonal harmonies (harmonies based on a specific key)—as a starting point for creating more complex works.
		Other composers, including Americans Mikel Rouse and Glenn Branca, added rhythmic complexity and the energy of rock.
		The musical styles of this generation were sometimes referred to as postminimalism.
	encarta.msn.com /encyclopedia_701610421/Minimalism_(music).html (648 words)

	Dennis Cleveland: Multimedia-opera’s Midwest premiere is April 12-13
		Composer Mikel Rouse studied those reflections and used them as a launch pad for creating "Dennis Cleveland," a multimedia opera, which will receive its Midwest premiere April 12-13 at the UI’s Krannert Center for the Performing Arts.
		Collaborating with Rouse are scenic designer/video producer John Jesurun; an eight-person ensemble of professional actors and singers from New York; Krannert Center production-staff members; UI students, faculty and staff members in the School of Music and College of Communications; and videographers from WILL-TV and WCIA-TV.
		The production is providing UI- and community-based participants with the rare opportunity to collaborate alongside Rouse and his professional troupe to redesign and remount the show for a proscenium theater.
	www.news.uiuc.edu /II/01/0405/0405cleveland.html (564 words)

	‘End of Cinematics’ features Krannert Center as producing partner
		By all accounts, the union between Rouse and his production company and Krannert Center director Mike Ross and the production assistance he assembled – from within the center as well as from other campus units – proved to be a perfect match.
		Meanwhile, the stage show is presented in what Rouse refers to as “hyperreal” fashion.
		On stage, Rouse and the five other members of his company perform live behind a translucent scrim on which enlarged, ghostly images of the performers are periodically projected.
	www.news.uiuc.edu /ii/05/0915/rouse.html (712 words)

	Failing Kansas - Reviews - www.theage.com.au
		The story Rouse is exploring is that of the murder of the Clutter family in Holcomb, Kansas, in 1960.
		If music theatre composer Philip Glass and his collaborator Robert Wilson are the godfathers of this work, the musical palimpsest is positioned somewhere between Bob Dylan and Laurie Anderson with a nod to the Beat poets of the '50s.
		Rouse has created for himself a solo act that demands remarkable concentration in dealing with its complex rhythms and multiple narratives.
	www.theage.com.au /articles/2004/10/08/1097089567753.html (271 words)

	UCLA Campus Calendar (Site not responding. Last check: 2007-10-09)
		New York-based, Missouri-born composer/filmmaker Mikel Rouse mixes an urban aesthetic with Middle American surrealism in a unique approach to storytelling in the media age.
		Video images are combined with the various stories and insights of numerous personalities interviewed in Louisiana and New York to create an illustration of memory: the views of the Silent Minority.
		Rouse plays guitar and sings live, accompanied by a recorded soundscape of percussion and multiple guitars as he weaves stories and interacts with synchronized video.
	www.calendar.ucla.edu /event_detail.cfm?MeetingID=69217 (148 words)

	mikel rouse (Site not responding. Last check: 2007-10-09)
		Over two and a half years, Rouse shot the footage in Louisiana and Manhattan.
		In addition to his two solo albums, Rouse is premiering the third and final installment in his modern operatic trilogy.
		The Center's first Mikel Rouse production was Dennis Cleveland in 2001 before the show toured abroad.
	www.sacksco.com /roster/rouse/rouse_rls.html (463 words)

	Palladio: Palladio Premiering at the Thalia, NYC + New Territories Festival, Glasgow (Site not responding. Last check: 2007-10-09)
		Mikel Rouse, a noted composer/performer and creator of the TV talk show opera Dennis Cleveland will play a leading role as an actor and singer.
		Palladio's video component, projected onto a movie theater screen, includes commercial samples seamlessly merged with live-action footage as the lead characters played by Rouse, Zoe Lister-Jones and Cort Garretson are digitally transported into an environment created from the ads portrayed in the story.
		Ben Neill, internationally known composer, performer and inventor of the mutantrumpet, a hybrid electro-acoustic instrument, has been a pioneer in the use of interactive computer technologies in live performance.
	newsgrist.typepad.com /palladio/2004/11/palladio_premie.html (547 words)

	Mikel Rouse Tickets - Mikel Rouse Concert Tickets - Mikel Rouse Ticket Broker (Site not responding. Last check: 2007-10-09)
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	www.tickets4concerts.com /event/5838.html (327 words)

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