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| | Milan Kundera: Unbearable Lightness of Being. Professor Jolanta Wawrzycka |
 | | The ontological basis of Kundera's inquiries and their epistemological ambitions seem to be at odds in the novel because the questions, rather than providing answers, perpetually bifurcate, until their initial gravity and urgent relevance dilapidate, thin out, become imponderous, weightless, unbearably so. |
 | | Sabina, as conceived by Kundera, is, in fact, "charmed more by betrayal than by fidelity." (91) She has always associated the word "fidelity" with the sheltered, limited world of her Puritan father, a provincial Sunday-painter of "woodland sunsets and roses in vases" (91). |
 | | However, as Kundera shows, by recognizing kitsch as kitsch, she manages to render harmless its "authoritarian power" and to make it "as touching as any human weakness." (256) "For none among us," proclaims Kundera, "is superman enough to escape kitsch completely. |
| www.runet.edu /~jolanta/publications/Kundera1992.htm (3746 words) |
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