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Topic: Milton Glaser


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In the News (Sun 15 Nov 09)

  
  NOW. Transcript. July 1, 2005 | PBS
MILTON GLASER: Well, when you stop to think about the imagery of the campaign, the heroic images of our President, for instance, the repetition of certain kinds of words and phrases, very often misrepresent intention-- I mean I saw an ad for-- the President's attempt to deal with the Social Security issue.
MILTON GLASER: Well, those ideas are much tougher to deal with, and of course, we have been processed through the intersection of television and advertising to think of life in terms of what we own and also to think of our dissatisfactions in life with what we don't have and what others have.
MILTON GLASER: No, and I think that's absolutely true, and I think the great, great-- benefit of skepticism in general is that it sort of keeps the-- a kind of protection in place that you just don't accept things at their face value or because they're entertaining or because they're interesting.
www.pbs.org /now/transcript/transcriptNOW126_full.html   (3055 words)

  
 NOW. Arts & Culture. Milton Glaser | PBS
Born in 1929, Milton Glaser was educated at the High School of Music and Art and the Cooper Union art school in New York and, via a Fulbright Scholarship, the Academy of Fine Arts in Bologna, Italy.
Glaser also is a renowned graphic and architectural designer with a body of work ranging from the iconic logo to complete graphic and decorative programs for the restaurants in the World Trade Center in New York.
Glaser is an influential figure in both the design and education communities and has contributed essays and granted interviews extensively on design.
www.pbs.org /now/arts/glaser.html   (455 words)

  
 Glaser, Milton - HighBeam Encyclopedia   (Site not responding. Last check: 2007-10-13)
Glaser, Milton 1929-, widely considered America's preeminent graphic designer of the last half of the 20th cent., b.
Glaser's work includes the creation of many posters, notably the iconic Bob Dylan silhouette (1966); book and record covers; book illustrations; type; corporate logos; interiors; and architectural projects.
FSCT mourns the passing of Milton A. Glaser, past-president of organization, 1956-57.
www.encyclopedia.com /doc/1E1-glasermil.html   (434 words)

  
 AIGA - Art is work: Milton Glaser retrospective   (Site not responding. Last check: 2007-10-13)
Born in 1929, Milton Glaser was educated at the High School of Music and Art and the Cooper Union in New York, and via a Fulbright Scholarship, the Academy of Fine Arts in Bologna, Italy.
Milton Glaser, Inc. is a multidisciplinary design company, specializing in corporate identity, logos and trademarks, brochures, packaging, interiors, exhibitions, posters and websites.
Glaser was the 1972 recipient of the AIGA medal, the highest honor given to a graphic designer in this country, and is the only graphic artist ever to have had one-man shows at both the Centre Gorges Pompidou in Paris and the Museum of Modern Art in New York.
www.aiga.org /content.cfm?ContentAlias=artiswork   (456 words)

  
 AIGA - Milton Glaser   (Site not responding. Last check: 2007-10-13)
Milton Glaser was educated at the Cooper Union in New York and later the Academy of Fine Arts in Bologna, Italy via a Fulbright Scholarship.
Glaser’s graphic and architectural commissions include the I © NY logo, the redesign of the Grand Union supermarket chain, the design of an International AIDS Symbol for the World Health Organization and the logo for Tony Kushner’s Pulitzer Prize winning play, Angels in America.
Milton Glaser is at present design consultant to Stony Brook University, Screaming Media, Schlumberger Ltd. and a number of other businesses.
www.aiga.org /content.cfm?ContentAlias=juror_miltonglaser   (162 words)

  
 who is Milton Glaser?
To many, Milton Glaser is the embodiment of American graphic design during the latter half of this century.
For twenty years Glaser, together with Seymour Chwast, directed the organization, which exerted a powerful influence on the direction of world graphic design, culminating in a memorable exhibition at the Louvres Museum of Decorative Arts in Paris.
Glaser is also personally responsible for the design and illustration of more than 300 posters for clients in the areas of publishing, music, theater, film, institutional and civic enterprise, as well as those for commercial products
www.worthington-levy.com /glaser.html   (467 words)

  
 St. John's University -- Academics & Schools -- Milton Glaser, Celebrated Graphic Designer, to Speak April 26 on ...
Milton Glaser, one of the most celebrated graphic designers in the U.S., will speak about “Ambiguity and Truth” in art and design at a lecture on St. John’s University’s Manhattan campus, 101 Murray Street, Wednesday, April 26 at 6 p.m.
Milton Glaser, who received a lifetime achievement award from the Cooper-Hewitt National Design Museum, and has the distinction of one-man shows at both New York’s Museum of Modern Art and the Georges Pompidou National Centre of Art and Culture in Paris, is an articulate spokesman for the ethical practice of design.
Glaser is also personally responsible for the design and illustration of more than 300 posters for clients in publishing, music, theater, film, institutional and civic enterprise, as well as those for commercial products and services.
www.stjohns.edu /academics/pr_aca_060419.sju   (577 words)

  
 BIG NUDES, MILTON GLASER (571_li0362bignudes)
In 1954 Glaser was a founder, and president, of the Push Pin Studios formed with several of his Cooper Union classmates.
Glaser's work is characterized by directness, simplicity and originality.
Glaser has taught at both the School of Visual Arts and at Cooper Union in New York City.
www.catgen.com /bandl/EN/vintage-big-nudes-milton-glaser-poster.html   (343 words)

  
 IRC | Milton Glaser Creates Darfur Poster for International Rescue Committee
Glaser created the campaign to call attention to what he describes as “one of the great humanitarian crises of our time.” The poster concept takes the seemingly distant crisis and personalizes it, relating Sudanese family members being killed every day to members of our own families.
Milton Glaser is among the most celebrated graphic designers in the world.
Throughout his career, Glaser has been a prolific creator of posters and prints and produced iconic designs, such as the famed “I Love NY.” His artwork has been featured in exhibits worldwide, including one-man shows at both the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.
www.theirc.org /news/milton-glaser-creates-darfur.html   (389 words)

  
 Cooperstown Chamber Music Festival - Milton Glaser Posters Boost Festival
Glaser has created more than 300 posters for commercial and nonprofit clients, and they can sell $100 or more.
This is the fifth poster Glaser has created pro bono for the festival, each with a different take on the theme of cows as musicians.
"I'm glad Milton is able to contribute his time, expertise and talent and delighted that Linda is continuing all the work she does to make the festival as wonderful as it is each year," says Fisherman.
www.cooperstownmusicfest.org /about_miltonglaser.asp   (513 words)

  
 Milton Glaser: Graphic Design - The Overlook Press   (Site not responding. Last check: 2007-10-13)
Here Glaser undertakes not only a remarkably wide-ranging representation of his oeuvre but, in a personally revealing introduction, speaks of the influences on his work, the responsibilities of the artist, the hierarchies of the traditional art world, and the role of graphic design in the area of his creative growth.
Milton Glaser was co-founder and design director of New York magazine and a founder of Pushpin Studio, a group whose work has been exhibited around the world.
Glaser is the recipient of many awards from such organizations as the American Institute of Architects and the Society of Arts in England.
www.overlookpress.com /design/milton.shtml   (338 words)

  
 Macworld: Designer's Dilemma: To Compute or Not to Compute?
Glaser's innovative graphic layout attempted to "do the entire day's news on two sides of a single sheet of paper" -- a vision that he notes was "made irrelevant" by the Internet.
Milton Glaser's work laid the foundation for the current direction of graphic design, not to say that there is only one particular direction, because there isn't.
Milton Glaser reminds us that even the newest ideas must have a basis in the threads of history and sustain themselves in the continuity of truth.
www.macworld.com /2001/03/bc/28glaser   (1651 words)

  
 Philadelphia Museum of Art - Exhibitions : Special Exhibitions : Past : 2001
Glaser was a catalyst and guiding force for the establishment of the enormously influential Pushpin Studios in 1954, and New York Magazine in 1968.
Glaser's commissions have been the restaurants, observation deck, and permanent exhibition for the World Trade Center, in 1975, and the Rainbow Room complexes for the Rockefeller Center, in 1987.
Glaser has been the subject of solo exhibitions at the Centre Georges Pompidou, Paris; the Lincoln Center Gallery, New York; and the Houghton Gallery at The Cooper Union, New York.
www.philamuseum.org /exhibitions/exhibits/glaser.shtml   (523 words)

  
 Pete Hamill On Milton Glaser
As he speaks, Glaser’s tall frame hunches forward in the chair, and he seems to be reduced to eyes and hands.
Glaser, from his totally focused silence, would fix him with those penetrating eyes and say: “That’s fine, Clay, but what’s the headline?” Or “I think I know what you mean, Clay, but how to I illustrate that concept?” And I realized that although Felker edited the magazine, Glaser edited Felker.
Glaser listens, gazes at the client with those penetrating eyes, while his hands move towards pencil, pen and paper.
www.petehamill.com /miltonglaser.html   (957 words)

  
 Milton Glaser : Graphic Design by Milton Glaser - 0879511885
Milton Glaser's first book, MILTON GLASER GRAPHIC DESIGN, is one of the classics in the field.
Glaser was cofounder and design director of New York magazine and a founder of Pushpin Studio, a group whose work has been exhibited around the world.
Glaser is the recipient of many awards and honors from such organizations as the American Institute of Architects and the Society of Arts in England.
www.allbookstores.com /book/0879511885/Milton_Glaser/Milton_Glaser.html   (217 words)

  
 PRESS RELEASE Drinks Americas Announces World Renowned Milton Glaser to Design Bottle Decoration and Label for ...   (Site not responding. Last check: 2007-10-13)
Milton Glaser (b.1929) is among the most celebrated graphic designers in the world today.
He opened Milton Glaser, Inc. in 1974, and continues to produce an astounding amount of work in many fields of design to this day.
Milton Glaser stated, "Designing a label to adequately express Donald Trump's spirit is a formidable assignment.
www.marketwire.com /mw/release_html_b1?release_id=113567   (733 words)

  
 George Glazer Gallery - Milton Glaser Face with Doves
Milton Glaser is one of the pre-eminent graphic designers and illustrators of the mid and late 20th century, honored with numerous awards throughout his career.
Born in New York City, Glaser studied at The Cooper Union Art School, and later as a Fulbright Scholar in Italy.
Milton Glaser has been the subject of solo exhibitions at the Centre Georges Pompidou, Paris; The Cooper Union, New York; and the Philadelphia Museum of Art.
www.georgeglazer.com /prints/illus/glaserdoves.html   (395 words)

  
 Tom Wolfe and Milton Glaser: In conversation Graphis - Find Articles
What transpired was a thoughtful discussion, at times outrageous, and at other times more measured, between a fabled author and a mythical artist exploring the meaning of Art, the world of artists and the history of that which is humanity's most enduring expression.
Glaser: Well, certainly not "skill" in the traditional sense, or the skills that we grew up believing marked a practitioner of the arts.
Glaser: Well Tom-just to interrupt you-some aspects of it are conspiratorial.
www.findarticles.com /p/articles/mi_qa3992/is_200101/ai_n8934033   (959 words)

  
 Milton Glaser
As one of the perks of serving on the AIGA board, I was able to attend a gallery stroll of Milton’s work led by the man himself in an exhibit at the BYU Museum of Art.
I then attended a dinner with Milton Glaser and Steven Heller where the food was light, but very good.
There is a reason Milton Glaser is the best known designer in America and I witnessed that tonight.
www.paulmayne.org /archives/2006/09/milton-glaser   (307 words)

  
 chronogram conversation with milton glaser   (Site not responding. Last check: 2007-10-13)
Milton Glaser was born in New York City in 1929.
Setting off on his own he founded Milton Glaser Inc., where he continues to work on numerous multi-disciplinary design projects, with clients such as Starbucks.
Glaser's work will be on display at the Muroff Kotler Visual Arts Gallery at Ulster County Community College from October 11-November 8.
www.chronogram.com /issue/2002/10/viewfromthetop/conversation.html   (3235 words)

  
 milton glaser
milton glaser, an icon of american graphic design and the creator of the ‘I love new york’ logo.........................................................................................................................
from 1954 to 1974 glaser was the founder and president
milton glaser has been the subject of solo exhibitions at the
www.designboom.com /eng/interview/glaser.html   (1906 words)

  
 Milton Glaser at BYU - John Dilworth Design   (Site not responding. Last check: 2007-10-13)
Thursday night (September 28, 2006) I was able to attend a lecture last at Brigham Young University where Milton Glaser was interviewed by Steven Heller (editor of the AIGA Journal of Graphic Design and the chair of the MFA design department at the School of Visual Arts).
I’ve been critical of Glaser in the past because I disagree with his ideas and methods on political issues.
I was actually worried that he would lead the conversation in that direction, but he did not, he was very respectful of the audience, and answered every question honestly, openly, and encouraged learning and education at every opportunity.
www.johndilworth.com /sections/design/milton-glaser-at-byu   (286 words)

  
 village voice > nyclife > Milton Glaser's Bright Idea by Janet Kim
After 9-11, Glaser adapted his logo to "I ♥ NY More Than Ever" and added a stain on what he has called the "lower west side" of the heart.
Glaser has organized a protest—one that requires no permit and can receive no complaints of crushing grass—called "Light Up the Sky." On August 30, from dusk to dawn, those who wish to participate can leave the lights on in their apartments and/or congregate in the streets with candles, flashlights, and glow sticks.
Nevertheless, Glaser sees his idea as "a way of getting past some of the obvious difficulties of organizing in a conventional way and diminishing the possibility of scenes of violence and rage that seem to be typical of what the left does.
www.villagevoice.com /issues/0428/kim4.php   (665 words)

  
 ArtandCulture Artist: Milton Glaser   (Site not responding. Last check: 2007-10-13)
In 1955, along with Seymour Chwast, Edward Sorel, and Reynold Ruffin, Milton Glaser cofounded the Pushpin graphic design studio in New York.
Glaser went on to create the "I love NY" logo, which has become a fundamental part of the American landscape.
Several of Glaser's cover designs for Critique magazine are shown and discussed.
www.artandculture.com /cgi-bin/WebObjects/ACLive.woa/wa/artist?id=197   (185 words)

  
 The Believer - Chip Kidd talks with Milton Glaser
Glaser has worked nonstop for over forty-five years, co-founding the revolutionary Pushpin Studios in 1954, launching New York magazine with Clay Felker in 1968, establishing Milton Glaser, Inc. in 1974, and teaming with Walter Bernard in 1983 to form the publication design firm WBMG.
Throughout his career, Glaser has created hundreds of posters and prints, and his artwork has been featured in exhibits worldwide, including one-man shows at both the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.
Glaser held in either hand (and occasionally waved) a bright piggy-pink colored pencil.
www.believermag.com /issues/200309?read=interview_glaser   (5764 words)

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