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| | Tsai Ming-liang |
 | | Born and raised in Kuching, Malaysia, Tsai Ming-liang was introduced to movies by his grandparents, who often took him to screenings of popular films from China, Taiwan, India, Hong Kong, America, and the Philippines at any of the dozen or so cinemas that populated their small, quiet town. |
 | | Tsai employs standard continuity editing herecross-cutting from a shot of Lee asleep on the arcade floor to another of a security guard arriving for dutybut he then elides the expected confrontation and deflates the scene's tension by cutting to a shot of Lee walking safely down a Taipei street. |
 | | Tsai's camera lingers on the two men for several minutes, forcing us to watchtrapped in a moment of almost Hitchcockian suspenseas Hsiao-kang leans closer and closer, finally kissing the other on the mouth without waking him. |
| www.sensesofcinema.com /contents/directors/03/tsai.html (2860 words) |
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