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| | NewMusicBox |
 | | Moreover, minimalism borrowed its name from the eponymous art movement, and there are clear parallels between the quasi-geometric linearity and predictability of Philip Glass's and Steve Reich's notes with the clean geometric lines and simple optical illusions of a Frank Stella or Sol Lewitt. |
 | | We can at least say that it was a near-universal trait of minimalism to never use a wide variety of rhythms; you might proceed in 8th-notes, or 8ths and quarters, or whole notes with fermatas, but you do not get the kind of mercurial rhythmic variety one would hear in any 19th-century classical composition. |
 | | Looking, however, to the opposite bank of minimalism, we find that many of these traits can be found in music that was influenced by minimalism, that grew out of minimalist practice, but that has departed so far from what we think of as minimalist as to no longer justify the name. |
| www.newmusicbox.org /page.nmbx?id=31tp01 (2082 words) |
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