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| | Music After Minimalism (Site not responding. Last check: 2007-10-25) |
 | | The music schools, the established composers, had been telling youngsters that music, to be valid, should be complex, dissonant, difficult to understand. |
 | | More importantly, though, they were more subtle and mysterious than minimalist music; they didn't wear their structure on the outside, and you couldn't completely figure out what was going on just from listening. |
 | | Music critics did not take the care to hear how different the musics of Duckworth, Giteck, Lentz, and Marshall were from that of Glass and Reich, nor did any of them ever discover enough of the new music to realize that a complex, well-rounded new style had emerged. |
| home.earthlink.net /~kgann/postminimalism.html (2728 words) |
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