Minor major seventh chord

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	Dolmetsch Online - Music Theory Online - Key Centres
		A functioning dominant seventh, which because of the dissonant 'tritone' between the major third and minor seventh, wants to resolve to a tonic chord, may be replaced with a dominant seventh chord with its root a diminished fifth, a 'tritone', away.
		The tonic minor chord is less effective as a final chord than its major equivalent which explains the reason why the 'tierce de Picardie', a major chord ending a piece of music in a minor key, became attractive.
		The diminished seventh chord has one particularly interesting property; the interval between successive notes is a minor third.
	www.dolmetsch.com /musictheory31.htm

	Seventh chord - Wikipedia, the free encyclopedia
		While the dominant seventh chord is typically built on the fifth (or dominant) degree of a major scale, the minor seventh chord is built on the second, third, or sixth degree.
		Of the eight possible constructions of seventh chords using major and minor thirds, five are most commonly found in western music.
		Due to the major seventh interval between the root and seventh (C-B, a inverted minor second), this chord can sometimes sound a bit dissonant, depending on the voicing used.
	www.wikipedia.org /wiki/Seventh_chord

	Theory 4
		The dominant seventh chord is a major triad with a minor seventh.
		The half-diminished chord is a diminished triad with a minor seventh, also known as a minor seven flat five chord.
		The major seventh chord is a major triad with a major seventh.
	www.saxlessons.com /theory4.htm

	MUS 212 Popular Chord Symbols v. Roman Numerals
		Their structure, however, would be the typical major-minor seventh chord as the basis, and all extended notes (9, 11, 13) would be determined by the key signature.
		For diminished structures extending more than a seventh, it is preferable to indicate only the structure of the diminished seventh chord, in terms of half- or fully-diminished, then, use the designation "add 9," "add 11," "add 13," etc. For example, the symbol Cdim9 means a fully diminished seventh chord with an added major ninth.
		E.g., the former graphic symbol for a major-major seventh chord was a small triangle.
	spider.georgetowncollege.edu /music/burnette/Mus212/212popular.htm

	Chords
		The minor seventh chord is found at the second, third, and sixth degrees of the major (Ionian) scale, and the first, fourth and fifth degrees of the minor (Aeolian) scale.
		The dominant seventh chord is found at the fifth degree of the major (Ionian) scale, and the seventh degree of the minor (Aeolian) scale.
		The major seventh chord is found at the first and fourth degrees of the major (Ionian) scale, and the third and sixth degrees of the minor (Aeolian) scale.
	www.grovelandsoftwarelabs.com /modeexplorerweb/mxpcatalog/Chords.aspx

	MINOR/MINOR SEVENTH CHORD: Chapter 8 - Lesson 13 from the book "A CRASH COURSE IN GUITAR THEORY"
		This is the entire fretboard pattern, for the minor/major seventh chord (1, b3, 5, 7).
		In this case, it is an "F" minor/major seventh chord (Fm/M7).
		The diagram below contains all notes of the minor/major seventh chord, across the entire major scale.
	www.guitarlessons.info /theory/chap8_lesson13.htm

	Lesson- 'What Chord Names Mean'
		This hybrid of major and minor is called a dominant-seventh chord.
		A minor seventh is one half step smaller than a major seventh, or an interval of five whole steps (ten frets).
		The various kinds of seventh chords you may have seen are just triads with an interval of a seventh up from the root added on.
	www.acousticguitar.com /lessons/Chord_Names/2.html

	Roman Numerals
		I7 is a major seventh chord as is IV7, II7 is a minor seventh chord as is III7 and VI7,
		I is major, II is minor, III is minor, IV is major, V is major, VI is minor and VII is a diminished
		chord and VII7 is called a half diminished or minor 7th.
	www.dims.co.uk /id47.htm

	Jazz Chord Symbols
		A dominant seventh chord contains a perfect 1st, major 3rd, perfect 5th and a minor 7th.
		seventh chord is shown by adding "7" after a minor chords symbol and so on.
		Major chords are made of a perfect 1st., major 3rd and a perfect 5th.
	www.dims.co.uk /id48.htm

	Minor seventh chords
		We can see here that the minor seventh chord pops up in the major scale on the 2, 3, and 6 (ii, iii, vi), (ii7, iii7, vi7).
		So you could use as a substitute for a m7 chord, a major chord a minor third higher than the m7 chord.
		We could consider progressions made up of the 1rst 3 or 4 chords from the modes (of the major scale).
	members.aol.com /snglstring2/chords/m7.html

	The Guitar Page-CHORD VOICING/PERFORMANCE STYLES
		When a dominant 7th chord occurs for 4 beats, jazz players usually substitute a minor seventh chord (for 2 beats) and a dominant 7th or 9th (for 2 beats).
		Minor chords (triads) are usually extended to a minor 7th chord form except when they are functioning as the tonic or I chord in a particular key.
		When these chords are held for four beats (or more), they are usually extended to a major 7th (for 2 beats) and a major 6th (for 2 beats).
	www.cmeabaysection.org /guitarpage/voicing.html

	ON SCALES, CHORDS, AND PROGRESSIONS
		Also, the type of chord may frequently be interchanged (much more on that later) as for example placing a dominant seventh where a major seventh or minor seventh chord might be predicted to appear, or a minor seventh in the place of one of the majors, or even the dominant seventh.
		To summarize, we've found a major seventh chord at positions 1 and 4, minor sevenths at positions 2, 4, and 6, a dominant seventh at position 5 and a minor seven flat five chord at position 7 in the scale.
		chord, it may be harmonized using its diatonic tones, and if it has altered upper structure, it may be reflected harmonically in the #5 melodic minor scale and the tonic harmonic minor.
	hometown.aol.com /jurupari/ONSCAL_1.html

	The Jazz Sub-Dominant Chord - II-7
		Bebop’s principle sub-dominant chord is the II-7, the minor seventh chord built from the second degree of a major scale.
		Chords of rest and resolution are called tonic chords, and the Imaj7 chord we have been studying functions this way in Bebop.
		In many cases the extensions of a chord must be altered to fit the function of the chord with 'allowable' tensions.
	www.franksinger.com /II-7.htm

	Chord Functions for Musical Analysis
		These chords are diatonic in minor keys, but are chromatic in major keys.
		Gray cells indicate chromatic functions in either major or minor keys.
		Use this table to determine the function of a chord once you know the type of chord, its root and on what scale degree the root is found.
	utminers.utep.edu /charlesl/chords.html

	The How and the Tao of Folk Guitar free online edition
		Minor chords are made up of the same three notes as a major chord, but in a minor chord we flat the third note.
		In order to discuss chord progressions, chord construction, transposing and melody we have to have an understanding of how major and minor scales are built.
		The C chord diagram has a little five next to it because, you guessed it, that chord is played at the fifth fret and the D chord has a seven next to it because we play that chord at the seventh fret.
	www.ezfolk.com /guitar/howtao/folk-guitar.html

	TCG's Javascript Chord Fingering Chart
		Finally, the chart only includes the more common open positions and moveable forms of the Major, minor, dominant 7th, Major 7th, and minor seventh chords, for now.
		For ANY chord, moreover, strings with no blackened dot at all are unplayed (or deadened).
		Select the desired chord in the scrolling text field; then click the "Show Fingering" button.
	www.usd.edu /~tgannon/chrd/chrdfing.html

	Seventh Chords
		Seventh chords may be built on each of the degrees of major and minor scales.
		Seventh chords may be identified by analyzing the triad and the seventh interval forming the chord.
		This chord is called seventh chord because a seventh interval is formed in relation to the root.
	www.teoria.com /reference/chords/08.htm

	The II-V Progression
		A diatonic chord built on the second note of the major scale (the II chord) is a minor seventh chord.
		The diatonic chord built on the fifth note of the scale (the V chord) is a dominant seventh chord.
		Dm7 G7 is a II-V in the key of C. A II-V progression consists of a minor chord that progresses up a fourth to a dominant chord.
	www.jazztactics.com /iiv.html

	Marc Sabatella's Jazz Improvisation Primer: Melodic Minor Harmony
		The chord built on the fifth is now E7, and the seventh chord built on the root is an A minor triad with a major seventh, often notated Am-maj7.
		The seventh mode of the melodic minor scale is often called the diminished whole tone scale, because it combines elements of the diminished and whole tone scales discussed later.
		Although the harmonic minor scale contains a leading tone, if you play that scale, you may note that the interval between the sixth and seventh steps (the F and G# in A harmonic minor) is awkward melodically.
	www.outsideshore.com /primer/primer/ms-primer-4-3.html

	Seventh chords
		A fully diminished seventh chord consists of all minor thirds, and is diatonic in a minor key, built on the raised seventh scale degree, as in the harmonic minor scale.
		Notice in the V7 chord, there are two dissonant intervals: the minor seventh between the root and the seventh, and the diminished fifth between the third and the seventh.
		A seventh chord has at least one dissonant interval in it, and therefore is not a stable sonority; in tonal music, a seventh chord will require a resolution.
	www.musictheoryresources.com /members/FA_seventh_chords.htm

	Guitar Tutor
		After you do that, you can pick whether you want your chord to be a major, minor, seventh, or minor seventh.
		By pressing a number from one through seven, you can put the chord on the screen into a "memory." Now press [P] and you can play your chords by pressing the numbers you have assigned them.
		The first thing you will see is "Pick a note to build a chord on." Take your pick from the list given, A through G. Then you will be asked to pick a natural, flat, or sharp.
	www.atarimagazines.com /v4n2/GuitarTutor.html

	Seventh chord
		A seventh chord is based on the major chord (tonic, third, fifth) plus the minor seventh, which is one whole note below the octave.
		This means that the seventh chord of C (written C7) contains the notes C,E, G and Bb.
		It "feels" as if it needs another chord to round it off, and it does in fact often lead to the chord which is based on the 7th chord's sub-dominant.
	www.fastload.org /se/Seventh_chord.html

	Major and Minor Chords is the ultimate guitar chord cd-rom that focuses on major, minor, seventh,and minor seventh chords.
		Major and Minor Chords is the ultimate guitar chord cd-rom that focuses on major, minor, seventh,and minor seventh chords.
		It is the ultimate guitar chord cd-rom that focuses on major, minor, seventh,and minor seventh chords.
		Major and Minor Chords is not just a cd-rom dictionary of chords.
	www.trsguitar.com /Majorandminor.htm

	What is the difference between a 7th and a major 7th? : Answer by David Hodge
		Unlike a major or minor chord where the third is a major or minor third, the seventh chord is a minor seventh unless we specify that it is a major.
		Even the use of this term "resolution" implies that a seventh chord is incomplete, that there must be a following chord that will bring it (and our ears) to a final point.
		In music theory, a seventh is traditionally used to make a transition from the root (or I) to the subdominant (IV).
	www.guitarnoise.com /print_faq.php?id=48

	5 Seventh Chords
		If you know your dominant seventh chords well, to produce a.
		major 7th chord, raise the 7th (a ½ step).
		diminished 7th chord, lower the 3rd, 5th & 7th.
	www.northern.edu /wieland/piano/5seventh.htm

	page3.html
		Major, minor, 7th, maj7, min7, 6, 9, augmented and diminished chords are shown.
		Chords are shown in a Circle of 5ths progression.
		Many exercises and chord diagrams for jazz chords, scales, modes, chord scales, fingerboard patterns, techniques such as single string technique using, all three fingers on all four strings, single-string tremolo, chord tremolo, and more.
	www.hatfieldmusic.com /page3.html

	Encyclopedia of Scales, Modes and Melodic Patterns
		A great source book for dozens of scales from the traditional major and minor forms to the modal scales used by jazz musicians.
		Not just another book of scales and patterns, this is a method that trains the mind, the ears and the fingers to work in perfect synchronization to respond instantaneously to any given chord progression.
		The 2nd Mode of the Harmonic Minor Scale
	www.playgreatguitar.com /product_2321_detailed.htm

	Dolmetsch Online - Music Theory Online - Key Centres
		A functioning dominant seventh, which because of the dissonant 'tritone' between the major third and minor seventh, wants to resolve to a tonic chord, may be replaced with a dominant seventh chord with its root a diminished fifth, a 'tritone', away.
		While the diminished seventh chord exists within the harmonic minor scale, it can also be used in a major key setting and it is said then to be 'substituting' for the dominant seventh.
		In classical music theory, the diatonic major and minor scales and the harmonies associated with them are called the major and minor modes which should not be confused with the Greek, jazz or church modes, Ionian, Dorian, Phrygian,etc., mentioned in an earlier section.
	www.dolmetsch.com /musictheory31.htm (4158 words)

	Seventh chord - Wikipedia, the free encyclopedia
		While the dominant seventh chord is typically built on the fifth (or dominant) degree of a major scale, the minor seventh chord is built on the second, third, or sixth degree.
		Of the eight possible constructions of seventh chords using major and minor thirds, five are most commonly found in western music.
		Due to the major seventh interval between the root and seventh (C-B, an inverted minor second), this chord can sometimes sound a bit dissonant, depending on the voicing used.
	en.wikipedia.org /wiki/Seventh_chord (785 words)

	Basic chord progressions (illustrated on Guitar)_@TheCipher.com
		The next logical things to explore are the minor scale triad pallets, larger voicings, triad barre-chords, inverted triad voicings, seventh chords, seventh chords in progression, inverted seventh chords and beyond.
		Note, when you add the minor scales and their natural triads you essentially complete the picture (the pallets and flavors) and have available the resources of what is called the Major/minor system, or the grand pallet.
		[We saw this earlier when we reviewed relative Major and Minor scales and spellings.] Among other things this is often seen as being proof, support, or validation of the existence or the Major/minor system.
	www.thecipher.com /chord-progressions.html (785 words)

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