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	Minor sixth - Wikipedia, the free encyclopedia
		The prefix 'minor' identifies it as being the smaller of the two (by one semitone); its larger counterpart being, a major sixth.
		It is the inversion of the diminished fourth, and in twelve tone equal temperament is enharmonically equal to a minor sixth.
		Although they are enharmonicaly equal to minor sixths and have a consonant frequency ratio of 5:8, in the common practice period augmented fifths were considered dissonant or unstable and disallowed.
	en.wikipedia.org /wiki/Minor_sixth (348 words)

	Minor sixth -- Facts, Info, and Encyclopedia article (Site not responding. Last check: 2007-11-06)
		The (The difference in pitch between two notes) musical interval of a minor sixth is the relationship between the first note (the root or tonic) and the sixth note in a (A diatonic scale with notes separated by whole tones except for the 2nd and 3rd and 5th and 6th) minor scale.
		The ratios of both Major and minor sixths are corresponding numbers of the (A sequence of numbers in which each number equals the sum of the two [receding numbers) fibonacci sequence, 5 and 8 for a minor third and 3 and 5 for a major.
		In the (Click link for more info and facts about common practice period) common practice period sixths, along with their inverse, thirds, are considered the most interesting and dynamic consonances.
	www.absoluteastronomy.com /encyclopedia/m/mi/minor_sixth.htm (415 words)

	A Guide to Understanding and Constructing Chords :: Part 5 - Intermediate Chords (Site not responding. Last check: 2007-11-06)
		The minor sixth chord, abbreviated "m6," is only slightly different from a major sixth chord - the 3rd is lowered to a minor 3rd, and so the chord's structure becomes root, minor 3rd, 5th, 6th.
		Note that the 6th is not lowered to a minor 6th/sharp 5th - think of the minor sixth chord as a minor chord with a 6th, rather than a major chord with a minor 6th.
		Minor 9th chords (abbreviated "m9") differ from the dominant 9th chord by only one note - the 3rd is lowered a semitone to a minor 3rd.
	www.giventowail.com /107/lessons/lesson/part5.html (3971 words)

	Cadences (Site not responding. Last check: 2007-11-06)
		In the major sixth to octave cadence, usually the lower voice descends by a tone and the upper voice ascends by a semitone (except in the Phrygian cadence, where the two voices are reversed).
		In the minor third to unison (or minor tenth to octave) cadence, usually the lower voice ascends by a semitone and the upper descends by a tone (except in the Phrygian cadence).
		The leading tone ascends by a whole step from the major sixth to the octave, or descends by a whole step from the minor third to the unison, as is apparent in the examples.
	www.pbm.com /~lindahl/almond/basse/paper/cadence.html (1101 words)

	Lesson- 'Swing Soloing'
		You could think of the resulting arpeggio as a C minor sixth arpeggio (C, Eb, G, A; or root, minor third, fifth, sixth) or as part of an F7 arpeggio with the second (or ninth) note of the F mixolydian scale thrown in.
		To execute a common tone sequence, begin with an ordinary C major sixth lick over the C chord, switch to the C minor sixth arpeggio, and then repeat the lick over the F chord using Eb instead of E, as in Example 13.
		In Example 15, Ab is the chromatic passing tone between the sixth and the fifth of the C major sixth arpeggio.
	www.acousticguitar.com /lessons/swing_soloing2/4.shtml (378 words)

	Major and Minor Triads (Site not responding. Last check: 2007-11-06)
		On a piano keyboard this triad appears to contain two major thirds and a minor sixth - all of which are consonant, but in actuality the interval between the top and bottom tones is not the consonant minor sixth but the dissonant augmented fifth.
		The augmented fifth and the minor sixth may be represented by the same number of semitones in 12-tone equal temperament, but this does not mean that the aural effect of these two intervals is the same.
		The intervals of a minor triad from its fifth downwards are a perfect fifth and a major third.
	www.andymilne.dial.pipex.com /Majmintriads.shtml (874 words)

	Marc Sabatella's Jazz Improvisation Primer: Basic Theory
		Expanding by half steps, the remaining intervals are the minor third, major third, perfect fourth, tritone, perfect fifth, minor sixth, major sixth, minor seventh, major seventh, and finally, the octave.
		This is called the relative minor of C major, since it is a minor scale built from the same notes.
		The interval from A to C is a minor third, and from C to E a major third.
	outsideshore.com /primer/primer/ms-primer-4-1.html (2093 words)

	Minor third - One Language (Site not responding. Last check: 2007-11-06)
		nl:kwint The musical interval of a minor third is the relationship between the first note (the root or tonic) and the third note in a minor scale.
		It is the inversion of the Major sixth.
		The minor third is considered the most consonant interval after the unison, octave, perfect fifth, perfect fourth, major third, and minor sixth.
	www.onelang.com /encyclopedia/index.php/Minor_third (191 words)

	Dolmetsch Online - Music Theory Online - Chords in Detail
		The first and fourth are major seventh chords, the second, third and sixth are minor seventh chords, the fifth is a dominant seventh chord while the last, the seventh, is called a minor seventh flat five chord.
		Dm/A indicates a D minor triad with A in the bass, that is a second inversion triad.
		Augmented sixth chords function by resolving the dissonance of the augmented sixth outward to the octave
	www.dolmetsch.com /musictheory17.htm (2502 words)

	Interval (Site not responding. Last check: 2007-11-06)
		Listen to the minor second, major second, minor third, major third, minor sixth, major sixth, minor seventh, and major seventh.
		This unique interval, which cannot be spelled as a major, minor, or perfect interval, is considered unusually dissonant and unstable (tending to want to resolve to another interval) in Western Music.
		The inversion of a major interval is minor, and of a minor interval is major.
	cnx.rice.edu /content/m10867/latest (1048 words)

	Augmented Sixth Chords (Site not responding. Last check: 2007-11-06)
		These chords are found usually in first inversion with the interval of the augmented sixth (A6) found between the bass and an upper voice.
		However, in minor the sixth need not be altered while in major it must be lowered.
		In all instances the interval of the augmented sixth resolves outward to the octave 5th scale degree.
	www.uh.edu /~tkoozin/projects/schenck/augmentedsixths.html (288 words)

	Chromatic Chords
		(The descending form of the "melodic minor scale" is the same as the natural minor.) The leading-tone is supplied, which means that ^7 is raised, and as a result ^6 must be raised also, to avoid an interval of an augmented second between ^6 and ^7.
		The "sixth" refers to the most common position -- 6-3 (or "first inversion") - where the special note, a semitone above the tonic, is a minor sixth above the bass, ^4.
		Although the origin of the augmented sixth chords is in the minor mode, they are used freely in major in the 19th century.
	www.msu.edu /~bruce/chromatic.htm (1866 words)

	- - - IAEKM - - -
		Exercises such as this stabilize the sixth interval between the thumb and 5th finger, helping to shape the hand.
		Remember also that the minor sixth is an inverted major third and the major sixth is an inverted minor third: Anywhere you use thirds to skip around on the keyboard, you could use hand-shaping (and very melodic) sixths instead
		Practice playing sixths up and down the major (a), melodic minor (b), and harmonic minor (c) scales in all twelve keys.
	www.iaekm.org /article7.htm (664 words)

	LilyTears: Music
		The intervals that can be minor or major are so because in the conventional scales and chords they frequently vary between those two qualities or interval sizes.
		After the perfect fifth is the minor sixth, then the major sixth, minor seventh, major seventh and the perfect eighth or octave.
		If the interval of a minor second were enlarged by an octave, it would become a minor ninth, the major second would become a major ninth, the minor third a minor tenth and so on.
	lilytears.com /arts/music/eartraining.htm (1560 words)

	The major six, minor six, and mb6 chords
		The minor six chord is made up of the same notes as the minor triad plus the note which is a major sixth from the root.
		The minor flat six chord is made up of the same notes as the minor triad plus the note which is a minor sixth from the root.
		Harmonizing sixth chords from scales follows a similar operation as harmonizing 7th chords (see aug16.html in above mentioned archive) from scales but instead of placing the seventh note on top of the triad, you place the sixth note.
	members.aol.com /snglstring2/chords/six.html (783 words)

	Sixths (Site not responding. Last check: 2007-11-06)
		Sixths can be major, minor, augmented or diminished.
		Minor sixth, 4 whole steps or 8 half steps
		The easiest way to identify the quality of a sixth is by inverting the interval and identifying the resulting third.
	www.teoria.com /reference/intervals/09.htm (88 words)

	Sonic Glossary: Sixth
		The major sixth sounds as follows, played here first one note after the other (as in a melody), and second simultaneously (as in a chord).
		The distance between the two notes of a minor sixth comprises three whole-steps and two half-steps.
		Major and minor sixths are fairly wide intervals, hence occur less frequently in most types of melody.
	www.columbia.edu /ccnmtl/draft/paul/sonic/sixth.html (606 words)

	Sixth - Wikipedia, the free encyclopedia
		The submediant, and the chord built on the submediant, is often simply called the sixth as it is the sixth scale degree.
		The note of a chord forming the interval of a sixth with the chord's root, such as in the chords G6 or G6 added 9, is known as the sixth of the chord.
		This is a disambiguation page, a list of pages that otherwise might share the same title.
	en.wikipedia.org /wiki/Sixth (120 words)

	CGR: Intervals
		A minor sixth is one semi-tone/half-step larger than a P5.
		Augmented Fifth is enharmonically equivalent to a Minor Sixth.
		Augmented Sixth is enharmonically equivalent to a Minor Seventh.
	www.christianguitar.org /forums/showthread.php?t=66723 (686 words)

	Augmented Sixth Chords (Site not responding. Last check: 2007-11-06)
		There are at least three types of augmented sixths: the Italian sixth, the French sixth, and the German sixth.
		Those chords are generally used to reach the dominant or tonic chord in second inversion when performing a cadence in major and minor keys.
		The German sixth chord is built on the fourth degree.
	www.teoria.com /reference/chords/17.htm (197 words)

	Music - Intervals and chords - Martin Baker
		German sixth \----2------------------1.5-----------1.5---------/ same as dominant 7th except by context.
		Neapolitan sixth: first inversion of flat supertonic (IIb on flattened base note).
		Where I can, I have put links to Amazon for books that are relevant to the subject, click on the appropriate country flag to get more details of the book or to buy it from them.
	www.euclideanspace.com /art/music/harmony/interval (327 words)

	The PDA Initiative - Pocket Guitar Ref Elite - Online Help (Site not responding. Last check: 2007-11-06)
		This is a Minor Pentatonic with the addition of a raised 4th.
		It has qualities of both major and minor scales and is able to express a wide range of emotion.
		Also known as the Natural Minor Scale, this is the saddest of all scales.
	www.pdainitiative.com /products/pgref_elite/help/index.shtml (1681 words)

	Sonic Glossary: Interval
		A sixth [Example 2c] has six rungs, hence five steps (as you can see in the diagram), and so on.
		Thus the interval that we heard at the beginning of this entry, for example, was a minor sixth.
		That ordinal number is qualified by an adjective: perfect, minor, and major are the normal states, diminished and augmented the less normal states.
	www.columbia.edu /ccnmtl/draft/paul/sonic/interval.html (1667 words)

	Melodic Minor Scale (Site not responding. Last check: 2007-11-06)
		Looking at the numbers, we can deduce that the melodic minor scale is a minor scale (not THE minor scale everyone talks about - that would be the aeolian mode, but a minor scale none-the-less).
		So we could view the melodic minor scale as an aeolian scale with a major seventh (a major sixth in the place of a minor sixth, and a major seventh in place of a minor seventh).We also note that it is very similar to THE dorian mode/scale.
		So we could view the melodic minor scale as an dorian scale with a major seventh (a major seventh in place of a minor seventh).
	members.aol.com /snglstring2/scales/mminor.html (1230 words)

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