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| | Misha Mengelberg : Four in One - Listen, Review and Buy at ARTISTdirect |
 | | A few scattered free rhythmic episodes aside, Bennink is in nearly straight-ahead mode throughout the disc, curbing the subversions and hijinks he often throws into the ICP mix in favor of a consistent, highly charged swing. |
 | | Mengelberg's idiosyncratic sense of timing, phrasing, and melody are on full display beginning with the opening track, his up-tempo boppish "Hypochristmutreefuzz," originally from the very first recording on which Mengelberg appeared (and a very early one for Bennink too) back in 1964, Eric Dolphy's Last Date. |
 | | His timing here is more spot-on than Mengelberg's, so the trumpeter relies on his continually expanding arsenal of techniques to offer up a slippery solo filled with chromatic runs, wide-interval leaps, and an escalating urgency that ups the energy level right through into the tune's slam-bang finish. |
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