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Topic: Mitsuko Uchida


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  Mitsuko Uchida at Carnegie Hall by Samuel Lipman
Miss Uchida, born in 1948, studied from the age of twelve in Vienna, where her father was stationed as a diplomat.
Miss Uchida is noted for her performances and recordings of Mozart—she has recorded all the Mozart concertos, with Jeffrey Tate and the English Chamber Orchestra, for Philips.
Here, in Miss Uchida’s performance, Schoenberg’s dynamic indications, in which only one lonely and brief mezzo-forte and one piano competes with the prevailing level of pianissimo, were perfectly realized; as was true in her earlier Webern performance, the technical means of performance were perfectly attuned to the emotional content of the music.
www.newcriterion.com /archive/11/feb93/uchida.htm   (1827 words)

  
 La Scena Musicale - Vol. 4 No. 10 - Juillet-Août / July-August 1999 - Mitsuko Uchida: Piano's Mysterious Magician
Mitsuko Uchida continued her studies with Richard Hauser at the Vienna Academy of Music.
Despite her success and fame, Mitsuko Uchida barely gives 50 concerts and records only one CD a year (exclusively for Philips).
Mitsuko Uchida plays Schubert as if he were still alive, conveying his tenderness, his subdued passion, his nostalgia, and the mystery surrounding his music.
www.scena.org /updates/uchida-eng.html   (591 words)

  
 Mitsuko Uchida - Wikipedia, the free encyclopedia
Mitsuko Uchida (内田光子 Uchida Mitsuko) (born December 20, 1948) is a classical pianist.
Born in a seaside town close to Tokyo, Japan, Uchida moved to Vienna, Austria when she was twelve with her diplomat parents, and she enrolled at the Vienna Academy of Music to study with Wilhelm Kempff and Stefan Askenase.
Uchida currently resides in London, with partner Robert Cooper, a respected UK Diplomat.
en.wikipedia.org /wiki/Mitsuko_Uchida   (222 words)

  
 Mitsuko Uchida Summary
Mitsuko Uchida was born in Tokyo, Japan, on December 20, 1948.
Uchida brings this knowledge and careful preparation to her performances, where audiences and critics alike are privy to it.
Born in a seaside town close to Tokyo, Japan, Uchida moved to Vienna, Austria when she was twelve with her diplomat parents, and she enrolled at the Vienna Academy of Music to study with Wilhelm Kempff and Stefan Askenase.
www.bookrags.com /Mitsuko_Uchida   (1921 words)

  
 Geometry.Net - Pianists: Uchida Mitsuko
Extractions: Mitsuko Uchida's interpretations of a wide range of repertoire have gained her a formidable reputation as a pianist who brings intellectual acuity and musical insight to her performances.
Mitsuko Uchida, decidedly, is not of this tradition; she is a clean, careful, and modest pianist.
Extractions: NEW YORK Mitsuko Uchida stood at the keyboard, hands outstretched to the orchestra she was conducting, eyes partly closed, mouth open in an expression of Mozart-induced rapture.
www.geometry.net /pianists/uchida_mitsuko.html   (2571 words)

  
 iClassics   (Site not responding. Last check: 2007-09-17)
Mitsuko Uchida’s interpretation of a wide ranging repertoire has gained her a formidable reputation as a pianist who brings intellectual acuity and musical insight to her performances.
Mitsuko Uchida combined the music of Schubert and Schoenberg in a memorable series of concerts which took place in London during the 1994/5 season and which was repeated in New York, Tokyo, Amsterdam, Vienna and at the Salzburg Festival.
Mitsuko Uchida records exclusively for Philips and her recordings are frequently nominated for awards throughout the world.
www.iclassics.com /artistBio?contentId=1022   (407 words)

  
 Mozart Piano Sonatas Mitsuko Uchida - A Good-Music-Guide Review
As an interpreter Mitsuko Uchida brings out the darker side of Mozart while retaining the fresh, light sound he is so remembered for.
The first movement is in sonata-allegro form, and Mitsuko Uchida shows us the bass notes as well as the memorable treble melody by clarity of tone.
The final movement is a rondo with a cheerful theme that is accentuated by Uchida's clear phrasing and articulation.
www.good-music-guide.com /reviews/106-mozart-uchida.htm   (771 words)

  
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Mitsuko Uchida is a performer who brings to her audiences a deep insight into the music she plays through her own search for truth and beauty.
Her engagements this autumn include a recital and concerts with Seiji Ozawa at the Saito Kinen Festival, recitals in Paris and Vienna and concerts with Mariss Jansons and the Royal Concertgebouw Orchestra in Tokyo and with Simon Rattle and the Berlin Philharmonic.
Mitsuko Uchida has demonstrated a long-standing commitment to aiding the development of young musicians and is a trustee of the Borletti-Buitoni Trust.
www.artsmg.com /uchida/ucihda.htm   (317 words)

  
 Guardian Unlimited Arts | Arts features | Musical moments
Uchida was as good as her word, but she hasn't always stepped on to the stage feeling she has something to prove.
Uchida's insistence on the composer's integrity has won her friends in the music world, among them the conductor Sir Charles Mackerras, who found in her the ideal partner in his exploration of the unwritten ornamentation that Mozart would have added when performing his own keyboard music.
Uchida has forged partnerships with other conductors too, notably Kurt Sanderling, with whom she recorded a Beethoven concerto cycle, and Pierre Boulez, who conducted her remarkable recording of Schoenberg's Piano Concerto with the Cleveland Orchestra in 2001.
arts.guardian.co.uk /features/story/0,,1717303,00.html   (1658 words)

  
 Guardian | Mitsuko Uchida
Uchida has to be one of the most satisfying performers around.
Uchida maintained an understated, music-box calm in the first movement; the shattering climax crept up on us only to evaporate even more quickly, but it cast a knowing shadow over the rest of the movement.
Uchida shook her head when an overenthusiastic punter applauded before the last note had quite faded; moments later she was laughing and nodding vigorously, and we needed no persuasion to respond.
www.guardian.co.uk /print/0,3858,4627967-110430,00.html   (384 words)

  
 Mitsuko Uchida
Mitsuko Uchida, a thoughtful and iconoclastic pianist, was born in Tokyo, on December 20, 1948.
Uchida, never one to rest on her laurels, moved into different repertoire during the 1990s, winning particular notice for her Debussy and Schubert solo piano recordings and her Beethoven concerti.
Uchida does not like to be pigeonholed, and often strikes out on her own path; for example, she and a piano technician spent two years transforming a piano into something she felt she could use for Schubert.
www.associatedentertainment.com /aec/National-Acts/Music-category-1/Mitsuko-Uchida   (466 words)

  
 Borletti Buitoni Trust | News | Mitsuko Uchida And Friends tour
Prior to the concert Mitsuko Uchida was interviewed by Adam Gatehouse to explain the philosphy behind the work of the Trust and her involvement with young musicians.
Pianist Mitsuko Uchida's Borletti-Buitoni trust sounds like a way of ensuring the supremacy of Italian cuisine but is in fact a scheme aimed at helping young musicians early in their professional careers.
The Jerusalem Quartet & Mitsuko Uchida rehearsing Schubert
www.bbtrust.com /news/mitsuko_uchida_tour.html   (692 words)

  
 Decca Music Group - Mitsuko Uchida
Mitsuko Uchida is a performer who brings to her audiences a deep insight into the music she plays through her own search for truth and beauty.
Mitsuko Uchida records exclusively for Decca and her recordings include the complete Mozart piano sonatas and piano concerti; the complete Schubert piano sonatas; Debussy’s Etudes; the five Beethoven piano concerti with Kurt Sanderling; a CD of Mozart Sonatas for Violin and Piano with Mark Steinberg and Die Schöne Müllerinwith Ian Bostridge for EMI.
Mitsuko Uchida has demonstrated a long-standing commitment to aiding the developmen of young musicians and is a trustee of the Borletti-Buitoni Trust.
www.deccaclassics.com /artists/uchida/biog.html   (417 words)

  
 Mitsuko Uchida: Enchanteresse du piano
Mitsuko Uchida fera une de ses trop rares apparitions le 23 juillet 1999 au Festival international de Lanaudière.
Mme Uchida se distingue des autres pianistes de sa génération par une concentration à toute épreuve, une technique fluide, un parfait équilibre entre ses deux mains, des traits limpides, une utilisation magistrale de la pédale et une façon exceptionnelle d'extraire des accords toute leur richesse harmonique.
Mitsuko Uchida traite la musique de Schubert comme si elle avait été écrite en cette fin de siècle, comme si de chaque note pouvait jaillir une étincelle de vie.
www.scena.org /lsm/sm4-10/Uchida-fr.html   (629 words)

  
 Barnes & Noble.com - Music: Mozart: Sonatas for Piano & Violin, Mitsuko Uchida, CD
The CD's cover photograph seems to make an ironic comment upon this fact, placing star pianist Mitsuko Uchida by her keyboard in the foreground, while violinist Mark Steinberg (better known as a member of the Brentano String Quartet than as a soloist) stands self-effacingly in the distance.
Uchida and Steinberg have not only demonstrated their mastery of this music but also whetted our appetite for more -- whether it be further Mozart, or whatever else they might choose to share with audiences in the future.
Legendary pianist Mitsuko Uchida is clearly the dominant partner, and rising violinist Mark Steinberg is only her deferential sidekick.
music.barnesandnoble.com /search/product.asp?z=y&PWB=1&EAN=28947565628   (637 words)

  
 DNK Amazon Store :: Mitsuko Uchida Plays Schubert
Mitsuko Uchida is one of the major stars of the piano keyboard today and while her repertoire is wide, her interpretation of Franz Schubert's piano music is among the finest both on the concert stage and on recording.
The two seem to be from the same soul: Uchida somehow finds the spiritual core of Schubert and traverses the hurdles of his Olympian pieces with complete ease and assurance.
For lovers of the piano, of Mitsuko Uchida, and of Schubert this is zenith release.
www.entertainmentcareers.net /book/ProductDetails.aspx?asin=B000654OUG   (242 words)

  
 InternetEd Reviews: Mitsuko Uchida- Perspectives   (Site not responding. Last check: 2007-09-17)
This double-CD provides a good overview of Mitsuko Uchida’s piano playing by compiling some of the finest performances from her present discography.
Uchida’s interpretation of Mozart’s Piano Sonata No. 8 is brilliant and full of life, and Claude Debussy’s Piano Concerto No. 20 is given a newer, more energetic dynamism as well.
For the classical piano enthusiast, Mitsuko Uchida’s Perspectives is an essential double-album that is packed with amazing compositions rendered in Uchida’s vibrant style.
www.interneted.com /Reviewpages/uchidamitsukoperspectives.htm   (316 words)

  
 Amazon.com: Beethoven: Piano Concertos Nos. 3 & 4: Music: Ludwig van Beethoven,Kurt Sanderling,Concertgebouw Orchestra ...   (Site not responding. Last check: 2007-09-17)
Uchida brings her vast experience as a Mozart performer to these two very Mozartean piano concertos, but she also understands the need to project Beethoven's extra measure of fire and intensity.
Some would say that Uchida is not a 'big sound', but hearing her play all five of the Beethoven Concerti in the current cycle with the LA Philharmonic with Esa-Pekka Salonen reveals that she can garner more powerful pure sound from the piano than the majority of her colleagues.
The difference in Uchida's approach is her total communication with the orchestra: her concentration even when the piano is tacit is palpable and she seems visually and sonically wedded to the conductor and the musicians.
www.amazon.com /Beethoven-Piano-Concertos-Nos-4/dp/B0000041BG   (1173 words)

  
 Mitsuko Uchida _ biography
Mitsuko Uchida's career has been built on the greatest music of the past: Bach, Mozart, Beethoven, Schubert, Schumann, Debussy, and the composers of the Second Viennese School, Schoenberg, Berg and Webern, for whom she has deep respect and affection.
Uchida will be bringing these programmes to Europe in the 2005/06 season.
The blend of respect and affection that Uchida commands from the public is unique to her, but neither adulation nor the demands on her time will be allowed to disrupt that 'perfect balance' she has always cultivated.
www.mitsukouchida.com /0203Biography.htm   (430 words)

  
 Mitsuko Uchida, pianist
Mitsuko Uchida: as dedicated to Schönberg as she is to Mozart and her beloved Schubert
In 2004, she concluded her own chamber music Perspective Series at Carnegie Hall entitled "Mitsuko Uchida: Vienna Revisited" where she juxtaposed Mozart, Beethoven and Schubert with the composers of the Second Viennese School (Schönberg, Berg and Webern), and which she brings to Europe in the 2005-06 season.
Already plans are afoot for the series of concerts she will perform in 2018 when this artist of the highest order celebrates her 70th year of a truly extraordinary life in music.
www.ffaire.com /Uchida/index.htm   (911 words)

  
 RECITAL REVIEW: An Evening Of Piano Greatness By Mack McCray (Mitsuko Uchida, May 14, 2000)
Mitsuko Uchida's recital at Herbst Theater on Sunday evening for San Francisco Performances was a triumph, a remarkable exception to the lack of great piano playing so typical of San Francisco.
Her performance of this work was most memorable, holding her audience in that mesmerized, almost neurotically focused state until the final, supremely consoling measures in B major.
On one level what distinguishes Uchida is her integrity: she is as honest and serious and intelligent a performer as I have ever encountered.
www.sfcv.org /arts_revs/uchida_5_16_00.php   (870 words)

  
 Zubin Mehta Meets Mitsuko Uchida (Ws Dol) - ReviewFocus
Uchida fares much better, and she is at least a world-class pianist.
Though technically Uchida is no an equal for Gulda, but to a certain extent they share the same sort of tone, though it's much softer and milder in the case of Uchida.
Also note that close-ups of Uchida's facial expressions could be quite distracting and even the way she bowed.
www.reviewfocus.com /cat562/prod277787/review1.html   (675 words)

  
 Der Musikverein - Monatszeitung
Als ihre Eltern noch lebten, erzählt Mitsuko Uchida, habe sie noch viel Japanisch gesprochen.
Mitsuko Uchida erzählt solche Dinge ganz wunderbar, mit unbändiger Freude an den Nuancen des Ausdrucks und des Klangs.
Uchidas Einspielungen sämtlicher Mozart-Konzerte und -Klaviersonaten aus den achtziger Jahren gelten als Referenzaufnahmen.
www.musikverein.at /monatszeitung/monatszeitungEintrag.asp?monat=8&jahr=2003&index=386   (1866 words)

  
 Mitsuko Uchida: Piano's Mysterious Magician
Mitsuko Uchida, the 50-year-old pianist the critics nicknamed the high priestess of Mozart," "the leading Schubertian of our time," and "the greatest classical pianist of the present day" will be performing an all-Schubert recital (3 impromptus and 2 sonatas) at the Festival International de Lanaudière on July 23, 1999.
In 1961, Mitsuko Uchida's father was appointed ambassador in Austria and the whole family moved to Vienna.
She decided to stop taking lessons and moved to London (where she resides to this day).
www.scena.org /lsm/sm4-10/Uchida-eng.html   (569 words)

  
 PlaybillArts: Features: Spotlight: How Mitsuko Uchida Became a Mozart Specialist; Daniel Barenboim's Hefty Paycheck   (Site not responding. Last check: 2007-09-17)
Although the classical music world is going Mozart-crazy in 2006, Uchida’s exploration of the work of the Viennese master will continue into the 2006-07 season, when she caps off a five-year cycle of all 27 Mozart piano concertos with the Cleveland Orchestra.
Uchida, the Cleveland’s artist-in-residence, will appear as both soloist and conductor in two weeks of concerts featuring Mozart concertos and other works; the mini-festival includes the Cleveland Orchestra premiere of Mozart’s Piano Concerto No. 5.
Uchida explains on her web site that she arrived in London as young musician, looking to do something big to make her mark.
www.playbillarts.com /features/article/3934.html   (1154 words)

  
 classical music - andante - conducting herself properly: mitsuko uchida
The Japanese pianist Mitsuko Uchida has never been one to do things by halves: her daily practice regime is marked by austerity and absolute regularity, and her performances are all, in some way, extreme.
Uchida is as intransigent as ever on the subject of classical music's debasement by record labels in their desperate search for sales.
Mitsuko Uchida sets aside her wonted Mozart for the Second Viennese School.
www.andante.com /article/article.cfm?id=26166   (494 words)

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