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Topic: Modality (semiotics)

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	Semiotics - Wikipedia, the free encyclopedia
		Semiotics - or semiology - is the study of signs, both individually and grouped in sign systems, and includes the study of how meaning is made and understood.
		Semiotics theorises at a general level about signs, while the study of the communication of information in living organisms is covered in biosemiotics.
		To explain the relationship between Semiotics and Communication Studies, communication is defined as the process of transfering data from a source to a receiver as efficiently and effectively as possible.
	en.wikipedia.org /wiki/Semiotic (1764 words)

	The Possibility of Minimal Units in the Filmic Image by Sophie De Grauwe
		The modality of an image is determined on the basis of several modality markers, like colour saturation, contextualization (the degree of presence or absence of background), camera mobility, etc. The "truth" which is presented in images is not absolute, it is the truth of a social group.
		Finally, in technological coding orientation, high modality is accorded to representations in which the qualities regarded as essential (in relation to the technological/scientific purpose of the representation) are represented in a way which is considered useful (again in relation to the technological/scientific purpose of the representation).
		In traditional semiotics, the postulation of a rigid system and the need to draw distinct boundaries may result in a fl-and-white point of view, where differences are either minimized (to keep an element in a clearly defined category) or maximized (when the element differs too much from the central members of the category).
	www.imageandnarrative.be /mediumtheory/sofiedegrauwe.htm (8268 words)

	Semiotics for Beginners: Modality and Representation (Site not responding. Last check: 2007-11-03)
		From the point of view of social semiotics, truth is a construct of semiosis, and as such the truth of a particular social group, arising from the values and beliefs of that group.
		Modality cues within texts include both formal features of the medium and content features such as the following (typical high modality cues are listed here as the first in each pair), though it is their interaction and interpretation, of course, which is most important.
		Modality judgements involve comparisons of textual representations with models drawn from the everyday world and with models based on the genre; they are therefore obviously dependent on relevant experience of both the world and the medium.
	www.aber.ac.uk /media/Documents/S4B/sem02a.html (8030 words)

	Semiotics of New Media Literacy
		Semiotics is one of the approaches to Media Education and new media literacy.
		Umberto Eco defines semiotics as “the discipline studying everything which can be used in order to lie,” in his book, A Theory of Semiotics; because if “something cannot be used to tell a lie, conversely it cannot be used to tell the truth; it cannot, in fact, be used to tell at all.
		Although semiotics is both a sphere of inquiry and a meta-analytic tool which has been used in philosophy, anthropology, sociology and linguistics, examination of signs in an educational context is a relatively recent phenomenon.
	euphrates.wpunj.edu /faculty/yildizm/SP (5446 words)

	> Semiotics at abcworld.net (Site not responding. Last check: 2007-11-03)
		Semiotics - also known as semiology - is the study of signs, both individually and grouped in sign systems, and includes the study of how meaning is transmitted and understood.
		Plato and Aristotle both explored the relationship between signs and the world, and Augustine considered the nature of the sign within a conventional system, creating a body of theories that had a lasting effect in Western philosophy, especially through the works of the Scholastic philosophers.
		More recently, Umberto Eco, in his "Semiotics and philosophy of language" has argued the necessity to uncover the implicit semiotic theories in all the history of thought.
	www.abcworld.net /Semiotics.html (1457 words)

	Visual literacy is fast becoming a relevant topic, as the Internet and online communities become an integral part of ...
		First, a theoretical background for social semiotics will be introduced, including its origins and an explanation as to why it is the most appropriate semiotics theory to apply in studying the visual language of ezine communities.
		The term semiotics refers to the study and meaning of signs and was named by Ferdinand Saussure (considered the father of Linguistics).
		Semiotics of the Natural World, semiotics is characterized as “not concerned with sign processes in nature, but with nature seen from the perspective of culture” (Noeth 2001).
	www.cbrooks.com /writing_samples/quantitative_content_analysis.htm (2691 words)

	SRB Archives 3(2)
		Hodge's rediscovery of semiotics as the way to a comprehensive study of social and cultural practices is symptomatic of its itinerary within the larger field of the humanities.
		The return of semiotics within the "new" field of discourse theory may be a consequence of a growing impatience with the abstract nature of much recent literary theory and Hodge's book is a good antidote for those standing for concreteness and 'hands on' criticism.
		In spite of the occasional confusion, however the discussion of modality remains one of the most interesting aspects of the proposed new paradigm and it is, of more, particularly pertinent to the discourse of literary criticism itself.
	www.univie.ac.at /Wissenschaftstheorie/srb/srb/literature.html (2924 words)

	Visual semiotics
		The feasibility of such a domain as visual semiotics, a speciality purportedly concerned with the investigation of all kinds of meaning conveyed by means of the visual senses, may well be doubted: following one common interpretation, it should be excluded by the structuralist conception according to which form, not substance, is relevant to meaning.
		To the extent that pictorial semiotics has been well-advised to turn recently to perceptual psychology in search of its foundations, we must suppose there to be some general organising principles of pictorial and other visual signs which are relevant to their transmission of meaning.
		In their dictionary, Greimas and Courtés actually claims that sense modalities, identified with the expression substance, are not pertinent for semiotics, and this is no doubt the reason for visuality being one of the many layers between the unique picture and signification per se being left out of consideration in Floch’s analyses.
	www.arthist.lu.se /kultsem/encyclo/visual_semiotics.html (1372 words)

	SRB Archives 3(2)
		One suspects, however (to use a very Hodgean modality), that it may be a subtle way of skirting the one word that imposes itself at the centre of attention as one begins to read the book.
		Semiotics thus allows for the decked convergence between what are usually seen as fundamentally opposed directions of traditional criticism, formalism and sociocriticism.
		The focus on the present implies, of course, that the semiotic conditions that constitute our own time and place are accessible not only to study but to verification, so that, in the final analysis, mimesis serves as the proof to semiotics.
	www.chass.utoronto.ca /epc/srb/srb/literature.html (2924 words)

	Male-perfume advertising in men's magazines and visual discourse in contemporary Britain : a social semiotics approach ...
		Drawing upon social semiotics as an analytical framework, the article examines the articulation of the `new man´ in this form of print-media discourse, focusing on such visual dimensions as the visual structure of representation, the position of the viewer, aspects of modality and the meaning of composition.
		As discussed by Fairclough and Wodak (1997), social semiotics may be located within the broader field of `critical discourse analysis´ — which is likewise to be understood as a major research tradition of `discourse analysis´ — as a domain specialised in unveiling the close relations among language, ideology and power in society.
		[3] For systemic-functional linguistics, modality may be understood as the speaker's attitude towards the proposition expressed in an utterance: “intermediate degrees, between the positive and negative poles, are known as MODALITY” (Halliday, 1994: 88).
	www.imageandnarrative.be /worldmusicb_advertising/godeo.htm (3875 words)

	[No title]
		Criticisms of Semiotic Analysis Other than as 'the study of signs' there is relatively little agreement amongst semioticians themselves as to the scope and methodology of semiotics Semiotics is often criticized as 'imperialistic', since some semioticians appear to regard it as concerned with, and applicable to, anything and everything, trespassing on almost every academic discipline.
		Semiotics may not itself be a discipline but it is at least a focus of enquiry, with a central concern for meaning-making practices which conventional academic disciplines treat as peripheral.
		Semiotics can also help us to realise that whatever assertions seem to us to be 'obvious', 'natural', universal, given, permanent and incontrovertible are generated by the ways in which sign systems operate in our discourse communities.
	homepage.psy.utexas.edu /HomePage/Class/Psy394V/Pennebaker/ClassNotes/SEMIOTICS.doc (6392 words)

	CSI: Ram 1
		By "semiotic manipulation" I mean the processes that took place in rituals, in which concepts, images, and objects were subjected to various kinds of manipulations, among which semantic analyses and visual transformations played an important role, that turned them into direct instruments of salvation.
		Shingon semiotics, initially outlined by K´kai on the basis of Indian and Chinese doctrines, was further developed by numerous scholar monks, both inside and outside the Shingon school, throughout premodern Japanese history.
		The semiotic tradition of Japanese esoteric Buddhism--what I have called elsewhere "exo-esoteric episteme"[See Note 43]--in fact carried out a systematic semiotization of the cosmos on the basis of numeric series and attributed soteriologic value to symbolic expressions and to signs in general.
	www.chass.toronto.edu /epc/srb/cyber/ram1.html (8311 words)

	Definitions of Visual Rhetoric - Wikibooks
		This is important because the more images that are similar, the more symbols our society comes to know, and the study of semiotics is born.
		Modality is how believable or realistic an image is- Modality and Visual Representations of Reality.
		But through semiotics and using ‘grammatical’ concepts, hopefully the study of visual rhetoric can become more stabilized and well thought of in intellectual circles- Status of Visual Rhetoric and Visual Literacy in the Academy.
	en.wikibooks.org /wiki/Definitions_of_Visual_Rhetoric (751 words)

	Amazon.com: Semiotics: The Basics (The Basics): Books: Daniel Chandler (Site not responding. Last check: 2007-11-03)
		Semiotics and the Philosophy of Language (Advances in Semiotics) by Umberto Eco
		The academic legacy of semiotics is a boil on the face of literature.
		I used this book while writing my final undergraduate dissertation and had to read many of the other books on semiotics, but this is the book that I kept coming back to when I needed refreshing both in the basics and the more sophisticated concepts of semiotics.
	www.amazon.com /exec/obidos/tg/detail/-/0415351111?v=glance (1804 words)

	2.1 Terms related to Media and Modality
		Some authors seem to use both terms as synonyms, while others tend to reserve modality only for input (to be processed by a machine interpreter), and vice versa, media only for output (to be produced by a machine generator).
		Note that a single medium may be used as a common physical realization of several modalities, e.g., the medium audio for spoken natural language accompanied with some background music.
		Concerning the relationship between media and modalities, it has to be noted that the choice of a certain modality also places a restriction on the medium to be used.
	www.dfki.de /imedia/lidos/papers/csi97/node7.html (1158 words)

	Diatonic dramas and choleric cadences: A semiotic approach to tonal structure in Beethoven and Nielsen (Schenker and ...
		Working up from the bottom line of the diagram, these junctions, or states of being, are realized (or performed) by subjects in an act of doing, and these two basic modalities - the "being" of conjunction and disjunction, and the "doing" of their performance - form the basis of Greimas's semiotics of narrative action.
		Returning to Greimas, the reduction of texts to a series of canonical or representative sequences is the narrative aspect of his semiotics and is complemented by a cognitive dimension of achronic oppositional structures that underpin discourses.
		The obligation to resolve suspensions, for example, is a move away from tension - a negation of doing on the semiotic square at Figure 2 - so the modal description of this obligation on suspended notes would be "must-not-do".
	www.schenkerguide.com /humactext1.php (981 words)

	SciPrint Semiotics
		Languages, or linguistic semiotic resource systems, are analytical abstractions from embodied social practices: from material speakings and writings and the activities that provide the contexts on which their cultural meanings depend.
		In multimedia genres, meanings made with each functional resource in each semiotic modality can modulate meanings of each kind in each other semiotic modality, thus multiplying the set of possible meanings that can be made (and so also the specificity of any particular meaning made against the background of this larger set of possibilities).
		As in all semiotic constructions, the visual qualities of an element mean in relation to those of other elements, especially those in the same presentation.
	academic.brooklyn.cuny.edu /education/jlemke/papers/mxm-syd.htm (9265 words)

	Icon
		In semiotical parlance, which is derived from Peirce, an icon is a sign in which the "thing" serving as expression is, in one or other respect, similar to, or shares properties with, another "thing", which serves as its content.
		Thus, icons in the religious sense are not particularly good instances of icons in the semiotical sense, for they are, as Uspenskij has shown, subject to several conventions determining the kind of perspective which may be employed, and the kind of things and persons which may be represented in different parts of the picture.
		There are supposed to be three kinds of hypo-icons: images, in which case the similarity between expression and content is one of "simple qualities"; diagrams, where the similarity is one of "analogous relations in their parts"; and metaphors, in which the relations of similarity are brought to an even further degree of mediation.
	www.arthist.lu.se /kultsem/encyclo/icon.html (1541 words)

	The Incommensurability Problem and The Fermi Paradox - UFO Evidence
		The former may be the cause for the lack of detected ET signals (save for those 100+ radio and optical signals which were not false positives but also not repeated by their source) while the latter could surely be the cause of the UFO phenomenon.
		In semiotics, when the association between sign and signified is completely arbitrary, the sign is referred to as a symbol.
		The difference between the sensory modalities of UFO phenomena and humans is responsible for our inability to properly detect the UFO message (icons) and correspond with them intelligently, or in their view, they are unable to correspond intelligently with us.
	www.ufoevidence.org /documents/doc779.htm (2540 words)

	Home (Site not responding. Last check: 2007-11-03)
		Semiotic research seminars attract only handfuls of students, if only because their prospect for future employment as semioticians is far from promising.
		This "semiotizing" process, however, has been mostly confined to a disciplinary culture characterized by the mores and standards of the contemporary humanities, a turn of events that was certainly not anticipated by the founders of semiotics.
		Semiotics should not shy away from the ambitious mission dreamed by its founders to build the needed third culture that can bridge disciplines which tend to become increasingly alienated from one another.
	www.semioticon.com /semiotix/semiotix4/newsletterindex4.htm (11417 words)

	Ontology, Metadata, and Semiotics
		According to Peirce, semiotics is the science that studies the use of signs by "any scientific intelligence." By that term, he meant "any intelligence capable of learning by experience," including animal intelligence and even mindlike processes in inanimate matter.
		The purpose of this paper is to analyze the differences of meaning, to explore their implications for web-based metadata, and to show how the methods of logic and ontology can be used to define, relate, and translate signs from one vocabulary to another.
		A context box may enclose modal or intentional situations, as in Figures 14 and 15, or it may enclose temporally or spatially separated parts of a larger situation.
	users.bestweb.net /~sowa/peirce/ontometa.htm (8802 words)

	semiotic grammar - Books, journals, articles @ The Questia Online Library
		The semiotic awareness, then, is generally...decade later, the difference in semiotic sophistication, particularly...
		There are semiotic problents with Derridas reliance on what the scholastics described...scientific linguistics (for instance, Michael Shapiro, The Sense of Grammar Bloomington: Indiana University Press, 1983).
		Since the meaning of any human practice is inextricable from its locally spun semiotic web, to pluck a phenomenon such as "ritual" or "fear" out of its cultural context is, in effect, to destroy it.
	www.questia.com /search/semiotic-grammar (1127 words)

	AlpineMarket - Reports - Semiotics Defined
		Semiotics is the study of signs, both individually and grouped in sign systems, and includes the study of how meaning is transmitted and understood.
		Although both start from the same point, semiotics links linguistic facts to non-linguistic facts to give a broader empirical coverage and to offer conclusions that seem more plausible because, intiutively, humans understand that one can only interpret language in a social context (sometimes termed the semiosphere).
		It is a methodology that can be used by any other major discipline whether it be biology, anthropology, computing, engineering, linguistics, mathematics, philosophy, or psychology.
	www.alpinemarket.com /ee-reports-20050820-semiotics-def.shtml (911 words)

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