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| | Chaplin Essay #5 (Site not responding. Last check: 2007-11-04) |
 | | Thus in Modern Times, a largely silent film Chaplin released as late as 1936, Charlie and his female counterpart, the Gamine, are "the only two live spirits in a world of automatons," as "spiritual escapees from a world in which [Chaplin] saw no other hope" (Robinson 1985: 459). |
 | | The film's workers are likened to sheep in the opening shot, and in one of the most famous sequences, Charlie himself is caught in the cogs of a vicious machine and, later, feeds a meal to a poor devil caught, perhaps forever, deep in the bowels of another metal monster. |
 | | Modern Times, for whatever it's worth, was seen as more political a film than Chaplin's previous efforts; quite frankly, its indictment of a segment of society made it that way. |
| wso.williams.edu /~dgerstei/chaplin/machines.html (1165 words) |
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