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| | village voice > art > "Modigliani: Beyond the Myth" at Jewish Museum by Jerry Saltz |
 | | Modigliani was frustrated too, but he consciously preserved his connection to the past. |
 | | Modigliani combined influences like Cézanne, Toulouse-Lautrec, early Picasso, Fauvism, and Brancusi, as well as archaic Greek and Renaissance sculpture and African and Cycladic carving to invent a race of long-necked, oval-faced, hollow-eyed beings who exist in shallow tilted space. |
 | | Perhaps Modigliani wasn't confident or conscious enough to plumb the extraordinary implications of his art—the collapsing space, the frontality, his ideas of finish and elongation, or his striking mix of the primitive and classical. |
| www.villagevoice.com /issues/0423/saltz.php (791 words) |
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