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| | Modulation |
 | | A chromatic pivot-chord modulation is a modulation through the use of a chromatically altered chord, e.g., Neapolitan 6th chord, secondary dominant, secondary diminished 7th chord, and augmented 6th chord. |
 | | It is often used in the modulation to chromatically 3rd-related keys, e.g., the use of a sustained note C as a common tone to modulate from C major to Ab major (C is now the 3rd of the new tonic chord). |
 | | A sequential modulation by melodic sequences often involves the repetition of a melodic segment, either at the phrase or the sub-phrase level, in a new key a step away from the original key. |
| music100.music.indiana.edu /som/theory/t511/modulation.html (513 words) |
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