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| | Table of Contents and Excerpt, Hake, Popular Cinema of the Third Reich |
 | | Third, the discourses of the popular and the political remained at odds with each other and, based on their different investment in the national and the international, and the modern and the traditional, entered into highly unstable and invariably provisional alliances. |
 | | In terms of modern German history, the emphasis on popular traditions shifts the terms of the debate from a deterministic relationship between cinema and ideology to the often inconsistent articulation of that relationship in economic strategies, political measures, artistic traditions, social movements, and, perhaps most importantly, popular tastes and mentalities. |
 | | Third, the ideological functions of popular cinema, whether in relation to classical narrative cinema or the fascist public sphere, have to be assessed primarily through its successes and failuresthat is, through those moments where the plans about political indoctrination and mass manipulation are implemented, modified, or abandoned altogether. |
| www.utexas.edu /utpress/excerpts/exhakpou.html (2695 words) |
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