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| | The New Yorker: PRINTABLES |
 | | Kronos performed “Mugam Sayagi” and “Apsheron Quintet.” The composer joined them on piano in the latter piece, and also played “Music for Piano,” for which, inspired by Cage’s prepared-piano pieces, she draped a necklace over the middle strings of the piano, making it sound lutelike. |
 | | This music can be heard on Kronos’s recent disk “Mugam Sayagi,” which is a gorgeous object and one of the best things the quartet has done. |
 | | After intermission, Asadollahi, who is in exile from the regime in Iran, came on with his garmon, a type of accordion, to present “Mugam Beyati Shiraz” and “Garmon Yanar Odlaryurduna.” His solo in the last piece was a thing of gasping beauty, and the rave-up that followed had a properly explosive impact on the audience. |
| www.newyorker.com /printables/critics/060410crmu_music (1064 words) |
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