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Topic: Munich Academy

	CATHOLIC ENCYCLOPEDIA: Franz Seraph Streber
		Numismatist and nephew of Franz Ignaz von Streber, born at Deutenkofen, Lower Bavaria, 26 Feb., 1805; died at Munich, 21 Nov. 1864.
		He first studied theology and philosophy, then archæology and numismatics, and wrote in 1830 as his dissertation for obtaining the degree of Doctor of Philosophy at Erlangen a paper on the genealogy of the Burgraves of Nuremberg.
		He also drew up a "Promemoria" that is preserved among the records of the royal cabinet of coins, as to the expenses and the plan of a monumental work covering the entire field of Greek numismatics that was to take the place of the old work by Eckhel and be about one-half larger.
	www.newadvent.org /cathen/14315c.htm (359 words)

	Greek Artists at the Academy of Munich, 19th - 20th century
		The exhibition "Greek artists at the Academy of Munich, 19th - 20th century" is inaugurated at the Teloglion Foundation of Art within the framework of the events surrounding the 71st International Fair of Thessaloniki.
		Munich, an important international center for the arts, is the place where the first Greek artists of 19th century studied.
		The exhibition "Greek Artists at the Academy of Munich, 19th - 20th century" is a collaboration between the Teloglion Foundation, the International Fair of Thessaloniki, the General Consulate of Federal Republic of Germany and the Goethe Institute.
	web.auth.gr /teloglion/exhibitions/munich/munich.en.html (432 words)

	190-Jahre
		During the coming decades, the Munich Academy must not only maintain its rank as one of the best German art schools in the face of competition from its traditional peer, the Düsseldorf Academy, but is also challenged by the art schools in the new Federal capital, Berlin.
		Unlike the initial period of the Academy, when levels of qualifications to be attained, basing the system on the class means that a student stays with one group of students, lead by one artist, during his or her entire period of study.
		The mounted figures at the Munich Academy have not only inspired a famous alumnus, Giorgio de Chirico; they are also a notorious target for students’ practical jokes and even for sinister ones, which are not at all good for their bronze coverings.
	www.adbk.mhn.de /190jahre-engl.html (9570 words)

	SpielbergFilms.com - Munich
		While the Munich terror was seen and felt around the world, the intensely secret aftermath of the event has remained largely unknown.
		Now, from director Steven Spielberg comes "Munich," a gripping thriller based on the events of Munich 1972 and the highly charged mission of retribution that followed—by the covert hit squad known to Israeli intelligence as “Operation Wrath of God,” one of the boldest and most aggressive assassination plots in modern history.
		Torn between their desire for justice and their own growing doubts, the mission begins to tear at the souls of Avner and his team, and it becomes increasingly clear that the longer they remain on the hunt, the more they are in danger of becoming the hunted.
	www.spielbergfilms.com /munichhome.html (560 words)

	Academy of Art, Munich
		Munich - Academy of Art; Akademie der Bildenden Künste
		The Academy of Art in Munich, which provides training in painting, graphic art, sculpture and art education, lies at the Siegestor.
		This extended range of buildings (230m/755ft in length) with projecting wings, was built between 1874 and 1885 by Gottfried von Neureuther, in the style of the Italian High Renaissance.
	www.planetware.com /munich/academy-of-art-d-ba-aa.htm (120 words)

	ANISTORITON: An Essay (Site not responding. Last check: 2007-10-08)
		Vrizakis was undoubtedly influenced by the philhellenism that characterized Munich in that period.
		Before discussing the second generation of the Munich group, it is necessary to refer briefly to Karl von Piloty (1826-1886), who in 1856 became professor at the Munich Academy.
		Piloty was the master of both Lytras and Gyzis, the major exponents of the Munich group, and Greek painting of the 19th c in general.
	www.anistor.co.hol.gr /english/enback/e984.htm (4838 words)

	Max Dörner (Site not responding. Last check: 2007-10-08)
		He was appointed professor of the practice of painting at the Academy in 1927 (Neuhaus says 1921).
		When the Society, whose facilities were associated with the Institute of Technology in Munich, ceased to exist, the "Dörner Institut" was founded at the Academy in Munich as an independent testing and research Institute for conservation and historic painting technique (Staatliche Prüf- und Forschungsanstalt für Farbentechnik).
		Munich: Verlag für praktische Kunstwissenschaft, 1921, English, The Materials of the Artist and their Use in Painting, with Notes on the Techniques of the Old Masters.
	www.dictionaryofarthistorians.org /dornerm.htm (386 words)

	[No title]
		The purpose of the academy is ultimately to contribute to providing people knowledge that they can use to reduce their vulnerability and improve their quality of life.
		The Summer Academy works towards this purpose by giving a small number of outstanding PhD candidates from all over the world a platform to present and discuss their research with peers and high level scientists.
		The academy is designed to be interdisciplinary in order to overcome the limits of approaching social vulnerability from the confines of one academic discipline.
	www.munichre-foundation.org /StiftungsWebsite/Projects/SocialVulnerability/2006SummerAcademy/default.htm (1073 words)

	Oscar Beat by Steve Pond - The Envelope
		Once again, the academy's preferential voting system threw a few wrinkles into the results — and once again "Munich" was the big beneficiary, though its jump was not quite as dramatic this time around.
		One effect was the same with both the smaller and larger sample: "Munich" did better than its cumulative numbers would suggest, jumping from eighth place on the critics' list to fifth under the preferential system.
		Academy voters are more representative of what the public likes....not critics.
	oscarbeat.latimes.com /awards_oscar/2006/01/counting_the_cr.html (840 words)

	Academy of Fine Arts, Munich - Wikipedia, the free encyclopedia
		The Academy of Fine Arts, Munich (German: Akademie der Bildenden Künste München, also known as Munich Academy) was founded 1808 by Maximilian I of Bavaria in Munich as the "Royal Academy of Fine Arts".
		In 1946, the Academy was merged with the schools for arts-and-crafts and applied arts, respectively.
		In 1953, the name changed to its current form.
	en.wikipedia.org /wiki/Academy_of_Fine_Arts,_Munich (153 words)

	The Kosciuszko Foundation
		One of the foremost Polish artists of so-called Munich school, he was a rapid success both financially and artistically, and he attracted many students and imitators.
		In 1875 Brandt was elected to the Berlin Academy, in 1878 to the Munich Academy, and in 1900 to the Academy of Fine Arts in Prague.
		Brandt`s principal subjects were scenes of the seventeenth-century Cossack`s wars and the Tatar and Swedish invasions of Poland, His were imaginative treatments, and not representations of precisely defined historical moments, though he took great pains to accurately depict costumes, weapons, harnesses, and musical instruments, models for all of which filled his studio.
	www.kosciuszkofoundation.org /ABGallery_Brandt.html (436 words)

	SpielbergFilms.com - Munich Archived News (Site not responding. Last check: 2007-10-08)
		It’s enjoyed solid critical praise (excepting those “critics” who have lambasted the film not on its own merits, but based on their own political agendas), a maelstrom in the press over its supposed political and social leanings, and in between it all, a tough-go getting audiences into theaters.
		When it’s all said and done, box-office and awards for the film won’t mean a thing if audiences are able to connect with the film, and if the film is able to help audiences connect with one another to discuss the film’s subject matter.
		Hearty congratulations to all of the cast and crew of “Munich,” “War of the Worlds” and “Memoirs of a Geisha” for all of their nominations.
	www.spielbergfilms.com /munichnews013106c.html (775 words)

	CATHOLIC ENCYCLOPEDIA: Johann Nepomuk Fuchs
		In 1823 he was nominated a member of the Academy of Sciences and in 1854 conservator of the Museum of Mineralogy of Munich; two years before his death, the honour of nobility was conferred upon him by the King of Bavaria.
		His memoirs, which are numerous, and play an important part in the development of the sciences of mineralogy and chemistry, are given in the collections of the Munich Academy, in Kastner's "Archives", Poggendorff's "Annalen", Dingler's "Journal", and other publications.
		He wrote several books, among others one "On the Present Influence of Chemistry and Mineralogy" (Munich, 1824); one on the "Theories of the Earth" (Munich, 1824); "Natural History of the Mineral Kingdom" (Kempten, 1842); and a work on the preparation, properties, and uses of soluble glass (Munich, 1857).
	www.newadvent.org /cathen/06311c.htm (393 words)

	[No title]
		Orlik's target remained the Munich Academy and he gained a place in 1891 under Professor von Lindenschmit who soon recognised his talents and allocated him a small studio.
		In 1893 he won the silver medal for two of his pastel drawings which were shown at the academy's annual exhibition, with the honour of hanging near works by Adolph von Menzel, one of the most prominent artists in Germany.
		At the end of 1904 Orlik was appointed head of the department for graphic art and book illustration at the Academy of the Museum of Applied Arts in Berlin, the teaching post he retained until his retirement in 1930.
	www.rogallery.com /Orlik_Emil/Orlik_bio.htm (2076 words)

	Frank Duveneck The Caldwell Gallery
		Frank Duveneck was born in 1848 and was a highly influential teacher of the late 19th century.
		He studied at the Munich Royal Academy from 1870-73, where he lived and worked the majority of his life.
		Duveneck was a realist painter working in a robust Munich style who also showed some attributes of the Ashcan School.
	www.caldwellgallery.com /bios/duveneckbio.html (121 words)

	Munich and the Accademy (Site not responding. Last check: 2007-10-08)
		As beautiful a film as Munich was, it was also much weaker at the core than the other films, relying too heavily on the original story line when it could have done so much more.
		Munich for all of its high profile performances is still part of the past, depicting scenes that seem less relevant to our society as a whole.
		Munich’s message about whether we should murder people in the pursuit of justice gets lost in the public’s acceptance of secret prisons and torture of prisoners, and American hit squads seeking similar targets throughout the world.
	ourworld.cs.com /adsullivan1/blog040.html (595 words)

	Robert Koehler: Artist in Milwaukee, essay by Peter C. Merrill
		Matriculation records indicate that Koehler was enrolled at the Munich Academy on October 15, 1873.
		Duveneck's periods of residence in Munich do not generally coincide with Koehler's, though it is possible that the two artists might have met there in 1873 or 1879.
		The record of Koehler's matriculation at the Munich Academy takes note of the fact that his father was a free-thinker.
	www.tfaoi.com /aa/3aa/3aa76.htm (5217 words)

	FRANK DUVENECK 1848 (Site not responding. Last check: 2007-10-08)
		Munich, at this time rivaling Paris as a leading art center, was a magnet for many American artists, such as Duveneck, who came from German-speaking areas of the country, especially Cincinnati.
		While teaching in Munich and the neighboring countryside around Polling, Bavaria, Duveneck attracted a talented group of American students known as "The Duveneck Boys," through his thorough understanding of the Munich technique and his congenial personality.
		After leaving Munich, Duveneck established his own school in Florence at the urging of his student, Elizabeth Boott, whose family lived there.
	www.butlerart.com /pc_book/pages/frank_duveneck__1848.htm (445 words)

	Hermann Hauser Guitar Foundation
		The Guitar School “Munich Academy of Guitar Performing“ will be established by the international curatorship of the Hermann Hauser Guitar Foundation.
		Taking into account the experience of the members of the curatorship, the MAGP is to be run based on the sound didactical conception of guitarist Barbara Polasek, who was a student of Segovia´s.
		The workshop for guitar manufacturing of the Hauser family is one of the most renowned workshops in the world.
	www.guitarfoundation-online.com /english/academy.htm (258 words)

	Klee
		A German citizen, Klee was born in Münchenbuchsee, near Bern, Switzerland, on December 18, 1879, and in 1898 moved to Munich, where he studied art at a private school and at the Munich Academy.
		After much hesitation he chose to study art, not music, and he attended the Munich Academy in 1900.
		In 1931 he began teaching at Dusseldorf Academy, but he was dismissed by the Nazis, who termed his work "degenerate." In 1933, Klee went to Switzerland.
	www.mcs.csuhayward.edu /~malek/Klee.html (570 words)

	Franz Marc, 1880-1916
		His father was a professor of painting at the Munich Academy of Arts.
		His mother was from Alsace and it was her decision that Franz be given a bilingual as well as a Calvinistic education.
		From 1900 to 1902, he studied at the Kunstakademie in Munich in the studios of Gabriel Hackl and Wilhelm von Diez.
	www.simontheobald.com /pages/artists/information/25.html (795 words)

	Text 100 Public Relations a PR Consultancy
		Text 100 GmbH and Munich Network as well as their partners the Management Academy Munich and the German Public Relations Society (DPRG) present a “Breakfast Talk: PR in China” in Munich on 9 June.
		With this in mind, international PR consultancy Text 100, Munich Network, the Management Academy Munich and the German Public Relations Society have jointly organised a “Breakfast Talk“ about PR in China in Munich on 9 June.
		The Munich office of Text 100 was founded in 1992 and its team of 25 PR consultants provides full service PR for B2B and B2C businesses.
	www.text100.com /news/20050609.asp (957 words)

	Franz Marc Biography
		Franz Marc was born in Munich, Germany on February 8, 1880.
		But both ideas were abandoned and in 1900 he took painting classes at the Munich Academy of Fine Arts.
		The Munich Tannhauser gallery was the exhibition platform for the group.
	www.artelino.com /articles/franz_marc.asp (685 words)

	Blue Rider
		He was rather international and other than in Munich he exhibited his works in St. Petersburg and in Paris.
		Franz Marc was born in Munich where he attended the local Art Academy.
		He came to Munich to study art at the Munich Academy.
	www.artelino.com /articles/the_blue_rider.asp?cay=0 (828 words)

	SAAM :: Have a Question? Find an Answer
		Chase's early paintings, executed in dark tonalities, reflected his training in Munich; his later paintings, most notably scenes of Shinnecock, Long Island, were painted with a lightened palette, reflecting the influence of French Impressionism.
		In 1872, Chase began attendance at the Royal Academy in Munich, where he remained six years and acquired the flashy old-master style with dark palette and virtuoso brushwork, which characterized that popular academy.
		In 1881 the Belgian painter Alfred Stevens encouraged Chase to abandon the bravura old-master technique he had acquired in Munich and to experiment with a modified impressionist style by lightening his palette and enlivening his picture surface with looser, more painterly brushwork.
	americanart.si.edu /search/artist_bio.cfm?StartRow=1&ID=840 (712 words)

	Franz von Stuck
		Von Stuck lived most of his life in Munich, Germany and attended the school of Plastic Arts and the Munich Academy there.
		Eventually around 1892 he became one of the founders of the Munich Sezession and his symbolist period is also of this decade.
		Von Stuck died in 1928 and was buried in Waldfriedhof in Munich with his wife Mary.
	www.nude-male-art.com /Stuck.html (176 words)

	DreamWorks SKG Fansite-Munich
		Take a Part in 'Munich' discussions, the film, the cast, the director and the controversy.
		Steven Spielberg's Munich (Universal) is being released to DVD in Canada this week but, in an unusual move, only in an unadorned single-disc version.
		Munich, the explosive suspense thriller from director Steven Spielberg, comes to DVD May 9, 2006 from Universal Studios Home Entertainment.
	www.dreamworksfansite.com /munich (318 words)

	SAAM :: Have a Question? Find an Answer
		He studied with Frank Duveneck, and his early canvases reflected the influence of the Munich Academy.
		John Twachtman, the son of German immigrants, was born in Cincinnati, Ohio, and had his first art training at the Ohio Mechanics Institute.
		At Duveneck's urging Twachtman journeyed to Munich and enrolled in the Royal Academy of Fine Arts.
	americanart.si.edu /search/artist_bio.cfm?StartRow=1&ID=4901 (692 words)

	Old Academy, Munich
		In the heart of the Pedestrian Zone of Munich, adjoining Michaelskirche, is the Old Academy, a large complex surrounded by four courtyards.
		After the expulsion of the Jesuits in 1773 it housed the Court Library and Archives (1774-1885), a school of painting and sculpture (hence the designation Academy) and, from 1826 to 1840, the University.
		Destroyed during the Second World War it was rebuilt in 1954.
	www.planetware.com /munich/old-academy-d-ba-aoa.htm (114 words)

	Symphonieorchester des Bayerischen Rundfunks
		Thomas Kiechle, born in 1976 in Munich, took his first trumpet lessons at the age of ten from Ulrich Breddermann.
		Later he was a young student of Paul Lachenmeir at the Munich Music Academy and was a member of the Bavarian State and German Federal Youth Orchestras.
		After studies in Munich and Karlsruhe with Reinhod Friedrich, he received his first engagement in 1996 as second trumpeter at the State Opera Unter den Linden in Berlin under Daniel Barenboim.
	www.br-online.de /kultur-szene/klassik_e/pages/so/besetzung/kiechle.html (167 words)

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