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Topic: Mushi Productions

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	Rintaro Filmography
		In the early sixties he went to work for Osamu Tezuka's Mushi Productions.
		At Mushi he worked on a number of different television series.
		Rintaro's role(s) in the production of the anime
	www.animated-divots.com /rintaro.html (586 words)

	Anime - Wiki.theppn
		Mushi Productions's first series, Tetsuwan Atom (known in America as Astro Boy) was based on Tezuka's manga of the same name.
		Throughout the life of Mushi Productions, several series and even a few feature-length films were created.
		All their productions appear as very high-budget and can be identified easily because they ooze style and class.
	wiki.theppn.org /Anime (1586 words)

	Hanime
		The move also gave birth to a new era of production as Japanese studios refitted themselves for TV production and new studios formed quickly, as producers raced to catch up to the level that Dr. Tezuka's pioneering spirit had brought him.
		Mushi Productions grew to be one of the largest animation houses in the business by the time Dr. Tezuka stepped down from the position as Acting Director in 1970.
		While Mushi productions continued to grow and produce several animated shows at the same time, employing over 400 people, who would later go on to become some of today's top animation producers and directors, the man who started it all, Osamu Tezuka, was already starting to feel boxed in by the world he had created.
	www.tqnyc.org /NYC040984/Hanime.html (1531 words)

	How Kimba Came To Be
		The whole of Mushi Productions was so nervous about trying to animate in color that NBC flew Tezuka to Hollywood and arranged for him to tour the animation studios there, including Walt Disney Productions, to see how color animation was done.
		The production of Kimba, the White Lion was a year-long task.
		Mushi Productions sent over on a weekly schedule the film for a half-hour episode, two sound tracks, and a long outline in broken English of the script.
	www.kimbawlion.com /history3.htm (10518 words)

	Takoumori Productions - Mushi Warren Characters (Site not responding. Last check: 2007-10-20)
		Mushi is a hero from a century ago who helped turn the tide of war against the invading demonkind and saved humanity and other human-aligned races.
		She fills Mushi in on the history concerning his initial arrival and death and guides him through his first fight (well, in this life) with a demon.
		He was the first demon to find Mushi's tomb and alert the Demon Council, and he didn't live long after that.
	pyropaws.cyberdogtech.com /stories/mushi/chars.html (395 words)

	Anime Magic - The place for anime fanatics!
		Mushi Productions grew to one of the largest animation houses.
		Directing and producing in the late 1970s he formed Tezuka Production Co. Tetsuwan Atom was now in colour.
		While Mushi productions grew and employed over 400 people Tezuka started to feel boxed in.
	www.jstar.co.uk /history.htm (447 words)

	Evil Avatar - Project Gotham Racing 3 May Run at Only 30FPS
		MGM has long since closed its cartoon studio in 1955, along with the great United Productions of America (responsible for such titles as Mister Magoo, and Gerald McBoing-Boing which was based on a story by Dr. Seuss and went on to win an Academy Award) abandoning animation in the late 1960.
		Toei and Mushi Productions used their limited animation system to great success by using the older heavily layered techniques with the more recent limited animation technology.
		Yes, in 1961 Mushi Productions, which was responsible for creating the limited animation system that brought about the proliferation of Japanese animation, was found founded by none other than Tezuka Osamu.
	www.evilavatar.com /forums/showthread.php?p=98489 (1663 words)

	Absolute Anime / The Amazing 3
		It was created by Osamu Tezuka (Kimba and Astroboy) through his own production company- Mushi Productions.
		It was released in Japan in 1965 and was shown on Melbourne TV in April 1969 at 4pm on channel 9.
		Amazing 3 has not been released on video, as the existing 16mm prints as well as the audio tracks has been lost or destroyed in the US, but there could still be some in the archives of television stations or collectors' homes around the world.
	www.absoluteanime.com /amazing_3/index.htm (579 words)

	Riddle of Steel - Anime (Site not responding. Last check: 2007-10-20)
		Mushi Productions made the first ongoing television anime series in 1963.
		The characters and plot continued in each episode, rather than one episode having one story and the next having another, usually with different characters.
		During the 1970’s Mushi Productions went bankrupt and the former workers formed Madhouse Productions.
	riddleofsteel.net /page.php?id=208 (570 words)

	The Black. The White. [Profile - Osamu Tezuka] (Site not responding. Last check: 2007-10-20)
		In 1961, he formed his own animation studio - Mushi Productions - and was involved in productions as director, scenario writer, key-drawing creator, and art director.
		Mushi Productions delivered the Mighty Atom (Astro Boy) and Jungle Emperor (Kimba the White Lion) animated television series to the world.
		In his lifetime, Tezuka is reputed to have produced over 150,000 pages of comics, created over 1000 highly individualistic characters, and altogether, created more than 500 titles of work.
	www.electric-rain.net /NihonSun/Black&White/OsamuTezuka.html (270 words)

	Glimpses of a Fantastic Imagination: technical
		Interestingly, Tezuka's idea for this film originated in his ideas for music and sound (each character has their own theme and instrument) and he closely monitored the production of the score which then allowed him to elaborate his storyboards.
		Tezuka made this film in one week as a demonstration to his staff at Mushi that experimental anime could be done quickly and economically.
		FIREBIRD is a similarly long saga which may appear confused and patchy (some say the result of Tezuka trying too hard to 'internationalize' the production), but is nonetheless a valuable anime in terms of how skilfully Tezuka infused Buddist, Shinto and Zen concepts with standard science fiction pondering.
	www.philipbrophy.com /projects/tez/technical.html (2211 words)

	Kimba Timelion
		As part of the contract, NBC Enterprises finances the conversion of Mushi Productions to color work and brings key people to the US to study color techniques with animators from the Walt Disney company.
		Tezuka died when episode 6 was in production, a fact that casts doubt on how much input he had into this show.
		Tezuka Productions creates a 50-minute animated feature based on a "symphonic poem" Isao Tomita created in 1966 from his music for the original TV series.
	www.kimbawlion.com /timeline.htm (743 words)

	Renzo Kinoshita: A Talk With Miyasan Sadao Miyamoto
		But in talking to Miyasan Sadao Miyamoto, a veteran Japanese animation artist who knew Renzo since they were both apprentice animators in Osaka back in 1957, I got a somewhat different perspective on him as both artist and human being.
		After about a year at Mushi Productions, Renzo left and got into making his own films, while I stayed on doing TV series and feature films.
		Renzo met Sayoko at Mushi, where she was sort of a secretary to an executive.
	www.awn.com /mag/issue1.11/articles/deneroff-kinoshita1.11.html (1556 words)

	ANIME IN AMERICA - The Birth of Modern Anime
		In 1963, Mushi Productions and Osamu Tezuka changed the face of animation forever with the broadcasting of their animated television series, Tetsuwan Atom.
		He left the company to pursue his own ventures with his newfound knowledge of the animation industry; thus, the founding of his own animation studio, Mushi Productions.
		Although it wasn’t the very first domestically-produced animated television series (that honor belongs to Otogi Productions’ Manga Calendar, broadcast in 1962), there were distinctions about Tezuka’s work that so profoundly impacted the industry, it would change the face of Japanese animation forever.
	falcon.tp.devry.edu /~lvas7941/history/history03.html (698 words)

	AnimeDemand - Anime History (Site not responding. Last check: 2007-10-20)
		Tezuka founded the Osamu Tezuka Production Animation Department or, as it was eventually called, Mushi Productions.
		His goal was to produce animated theatrical features as well as episodic series for the fledgling Japanese television industry.
		Mushi Production's premiere series, Tetsuwan Atom (US: Astro Boy) missed out on being the first domestically-produced animated televisions show by only a few months.
	home.comcast.net /~animedemand/AnimeHistory_p2.html (229 words)

	Anime Tourist - Spotlight on Osamu Tezuka (Site not responding. Last check: 2007-10-20)
		These series were produced in part with NBC (yes, anime has come to US Tv before) and Mushi Productions, a studio founded by Osamu Tezuka.
		For many, Osamu Tezuka is considered to be the father of modern japanese manga and anime and is widely considered to be the Walt Disney of Japan.
		This later became Tezuka Productions which is still distributing and promoting his work today.
	anime-tourist.com /article.php?sid=29 (746 words)

	[No title]
		He also formed his own production company, Mushi Productions.
		He resigned from his position as President of Mushi Productions, and worked independently for several years.
		Unfortunately, Mushi Productions was left without the rights to any of Tezuka’s works, and the company went bankrupt in 1973.
	www.clas.ufl.edu /users/jmurphy/JPT3500file/JPT.Projectfile/Jpt/Mickey.html (1750 words)

	Midnight Eye feature: Japanese Anime and the Animated Cartoon
		Production of short films, including a handful of foreign releases, continued for years until theatrical features became possible in the early 40s thanks to sponsorship by government forces on a very ambitious transnational project: war.
		By the time Toei had proven the speed and effectiveness of its low-cost cartoon production with its third film, Journey to the West (Saiyuki 1960 / Alakazam the Great, 1961), the company was receiving offers for overseas co-productions.
		Most of Toei's early features were sold internationally, and when Osamu Tezuka developed his rival Mushi Productions and created the first animated Japanese TV series Tetsuwan Atomu (1963~ / Astro Boy, 1963~), that was picked up overseas as well.
	www.midnighteye.com /features/animated_cartoon.shtml (1509 words)

	Black Jack
		Mushi Productions, the company he founded to pursue animation, his second love, and bring to life such hits as
		As Black Jack realizes that the superhuman symptoms are themselves a disease related to an excess of endorphins, it becomes apparent that Jo and the Brane conglomerate are somehow behind a shocking conspiracy involving human experimentation gone wrong.
		The story of people, like the superhumans, forced to live an intense, all-consuming life, is a theme common to other films directed by Dezaki Osamu, who started off with Mushi Productions before moving on to pen such animated hits as
	eas.lib.ohio-state.edu /Markus/Review/Films96/Blackjack.html (523 words)

	[No title] (Site not responding. Last check: 2007-10-20)
		In 1962 Tezuka formed Mushi Productions, where he animated some of his most popular stories, including Tetsuwan Atomu ("Mighty Atom", known also as "Astro Boy"), Jungle Taitei ("Jungle Emperor" or "Kimba the White Lion"), and Ribon no Kishi ("Princess Knight"), for television.
		As with comics, his work in animation has been pioneering; yet, as Tezuka often confess, comics, are his "wife" and animation is his "mistress" - a great deal of money being lavished on the latter.
		Unlike Walt Disney, Tezuka is more artist than administrator; in 1973 Mushi Productions went bankrupt.
	hem.passagen.se /animes/creator/about/osamu.html (603 words)

	More Than a Cursory Glance
		The reluctance by many scholars to research and explore television to the same degree as film animation hinders the study of Japanese animation by ignoring the bulk of production and historical context while forcing a Westernized view of the medium.
		Unlike animation production in America and Europe, Japanese animation does not have its roots in the cinema.
		Tezuka's studio, Mushi Productions, did attempt some animated features in the late 1960s, but the box-office returns were not enough to sustain the costs of production.
	www.fpsmagazine.com /comment/060619cursory.php (364 words)

	Right Stuf International, Inc. \| Anime Resources
		He was involved in the productions as director, scenario writer, key drawing creator, and art director.
		Tezuka Productions is actively involved in creating foreign language editions of his comics, and thus far, publications of them have already begun in such nations as Taiwan, Hong Kong, and Indonesia.
		As an example of this, recent Tezuka Productions has recently produced several highly successful Japanese series: Astro Boy 2003 TV series; Hi no Tori 2004 TV series; and the new the Black Jack 2004 TV series and 2005 Movie.
	www.rightstuf.com /resource/article2006spring_4.shtml (767 words)

	Series Info: P Section: Princess Knight
		Princess Knight (Choppy and the Princess) was known as 'Ribbon No Kishi' in Japan and was based on the Manga publication of 1953-56.
		It was created and produced by Osamu Tezuka and his own company Mushi Productions, airing on Japanese TV in 1967-1968..
		Princess Knight was a beautifully designed colour series about a young princess in a fairy tale kingdom who must pretend to be a male for political reasons.
	www.tapanime.com /series/p/princessknight.html (524 words)

	FanimeCon - Day Three - Hiroyuki Yamaga (Site not responding. Last check: 2007-10-20)
		These are production drawings from Futi-Kuti, an OVA series in production from Gainax and Production I.G. While it's one of the latest anime series from Japan, it has its roots in the school of animation started by the late Osamu Tesuka.
		Around the same time, the Mushi Productions company created by manga artist Tesuka was set up to make weekly TV shows on a tiny budget.
		Those two companies were the genesis of today's animation industry, and they were often bitter rivals in the 1960's said Yamaga.
	www.fansview.com /2000a/022600e.htm (389 words)

	Mushi Productions - Wikipedia
		虫プロ Mushi Pro Shoji) war ein japanisches Anime-Studio.
		Im Januar 1962 nannte man es in Mushi Productions um, was sich auf Tezukas Vorliebe für Insekten (mushi) und das Kanji für jene in seinem Namen zurückführen lässt.
		Viele bekannte Animatoren, Mangaka und Regisseure haben in den 1960er- und 1970er-Jahren bei Mushi Productions gearbeitet, darunter Shingo Araki, Shinji Nagashima, Akihiro Kaneyama, Hisashi Sakaguchi, Ryosuke Takahashi, Yoshiyuki Tomino, Yoshikazu Yasuhiko und Rintaro.
	de.wikipedia.org /wiki/Mushi_Productions (283 words)

	Tomobiki-cho, The Urusei Yatsura Web Site
		The manga, written by Tetsuya Chiba, was published by Shonen magazine between January 1968 and May 1973, while the anime version was aired by Fuji TV between April and September 1970, then between October 1980 and August 1981.
		The series is arguably the single best boxing series ever produced, and the anime was produced by Osamu Tezuka's Mushi Productions and featured an episode director by the name of Yoshiyuki Tomino, who later went on to change the face of anime with his series Mobile Suit Gundam.
		Ashita no Joe was an undoubtedly an influential sports fiction, but even by the time the 80's were approaching it started to be considered a bit dated and cheezy.
	www.furinkan.com /uy/faq/references/joe.htm (260 words)

	[No title] (Site not responding. Last check: 2007-10-20)
		He also pioneered the creation of manga for adult audiences, opening the audience base of manga to all of Japan.
		In 1962, after briefly working with Toei Animation, Tezuka opened his own studio, Mushi Productions - which would later be renamed Tezuka Productions.
		He decided that the first television production Mushi Productions would make would be based off Tetsuwan Atom, already a smash hit as a manga.
	otaku.memory-motel.net /tezuka/bio.html (521 words)

	Anime News Service Feature: Nerima: The Cradle Of Japanese Animation
		Nerima is the northwestern-most of the 23 wards comprising the urban center of Tokyo.
		It's in this area that Japanese Animation was born and almost all the companies involved in production from the beginning in the 1950's can be found.
		After accumulating his experience in animation production, Tezuka established Mushi Productions in 1962 located in Fujimidai, Nerima City.
	www.animenewsservice.com /archives/nerima.htm (772 words)

	[No title]
		Japanese animation　history cannot be talked without Mushi Production-because
		In 1966,basing on a long piece of cartoon by Osamu Tezuka,which appeared serially through for about 7 years in monthly magazine, Mushi Productions headed by this same famous cartoonist
		Based on the 1862 novel [La Sorciere] by Jules Michelet, it adapts the story of Joan of Arc for an adult arthouse audience, using a combination of still frames and full animation deliberately aimed at breaking free of the full-animation mold and extending anime’s [artistic] potential.
	www.mushi-pro.co.jp /ENGver.html (225 words)

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