| |
| | Traditional Iranian Dastgâh Music [MESA Bulletin, July 1994] |
 | | TRADITIONAL IRANIAN dastgâh music, as fostered in the courts and the homes of the aristocracy, draws from many sources, including regional music styles, religious genres of melody and chant and popular songs that have been reworked by master musicians and their students. |
 | | The ascending portion of the dastgâh gradually increases emotional tension, which is released approximately two-thirds of the way through a performance at the climax (auj) and then resolved as the dastgâh returns to the original pitch level and mode of the initial melody. |
 | | Instruments associated with the performance of classical music include the târ (double-bellied, long-necked lute), santûr (hammered dulcimer), nay (end-blown cane flute), kamânchih (spiked fiddle), tumbak (goblet-shaped drum), sitâr (long-necked lute, usually played solo) and, to a lesser extent, dâyirih (frame drum) and `ûd (lute). |
| fp.arizona.edu /mesassoc/Bulletin/caton.htm (1219 words) |
|