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| | Compare Prices and Read Reviews on Britten: Death in Venice / Pears, Shirley-Quirk, Bowman, Bowen, English Chamber Orchestra, Bedford at Epinions.com |
 | | Death in Venice is complex, although one could hardly call it "Wagnerian" the forces employed are quite lean: two each of the woodwinds, two horns, trumpets and trombones, a tuba, timpani, harp and piano, and a small string section. |
 | | Second, Britten was fascinated by the music of Bali, as were so many modern composers, and actually created his own gamelan for this work, bringing a certain exotic strain to the music that is perhaps a suitable twentieth-century equivalent to the almost Baroque richness of sound in Wagner. |
 | | What is central to Britten's Death in Venice, and I think in this he is true to Mann's story, is the idea that desire is a realm unto itself, with its own rules, its own motivations, and its own punishments. |
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