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| | Tango and our native music |
 | | And the brothers Héctor and Luis Bates, in their "Historia del tango", establish, as Rivera points out, a synthetic and conciliatory formula that sums up and synchronizes the combined influences of the melodic-sentimental line and the emotive strength of the habanera, the choreography of the milonga and the rhythm of candombe. |
 | | And by Música Criolla I mean habaneras, milongas, estilos, vidalitas, cifras, cielitos, huellas, tonadas, gatos, chacareras, etc. They also included polkas, mazurkas and waltzes. |
 | | Such is the case -for example- of Ángel Villoldo, who besides being one of the most important and influential pioneers of our tango, composed a great number of estilos, milongas and native songs. |
| www.todotango.com /English/biblioteca/CRONICAS/musica_criolla.html (3192 words) |
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