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| | Musical Development 301 - Part III: Practicing (Archives) (Site not responding. Last check: ) |
 | | When Charlie Vervalin and I first discussed my writing a musical development article, the original title was "How to Practice," the idea being that concentrated, effective practice yields big results, even with a small daily investment in time. |
 | | It grew into "Musical Development 301," of which this particular installment, Getting the Notes Under Your Fingers, or Practicing, covers the original subject matter. |
 | | The underlying principle here is very simple, but very rarely do we relate it to music: the smaller the percentage of total effortmental, neural, or muscularrequired to do something, the more "brain cycles" you can devote to other things, like thinking ahead to the next section, singing, or just enjoying the music. |
| www.blackroseacoustic.org /encore/enc9905mus-dev-3.htm (3107 words) |
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