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| | Reception of the texts and images of ancient greece |
 | | The Myrmidons, on the other hand, are a group; they walk into the acting area and surround Achilles, addressing him (fa
dim' 'Acilleà fr. |
 | | [7] Even if the Myrmidons are well disposed towards their leader and approach him in the hope of reaching a compromise, Achilles' rejection of their pleas makes their active role at the beginning of the play parallel to the energetic role assumed off-stage by the Achaeans. |
 | | Unlike, say, in the Homeric assemblies, where silence is an undesirable reaction, 'le résultat d'une contrainte ou la réaction non souhaitée'[15] manifesting somebody else's power, in Aeschylus it is a self-conscious decision, a weapon against those who attempt to impose their will on Achilles. |
| www2.open.ac.uk /ClassicalStudies/GreekPlays/Conf99/michelakis.html (3184 words) |
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