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| | Vladmir Nabokov: The Russian Years by John Simon |
 | | Nabokov, moreover, is more economical than Balzac, substituting as he does rapid shifts of focus for more ponderous Balzacian amassment of information. These shifts allow Nabokov to mix the exact detail of a Van Eyck with the casually unfilled space of a Hokusai; plainly, Balzac never moved in such fastor, at any rate, rapidly shiftingcompany. |
 | | Nabokovs story Terra Incognita, we are told, might have been merely a Borgesian conundrum, had not Nabokovs passion for exploration and for nature made it something more, and down goes the sight-impaired lariateer of the pampas. |
 | | Nabokovs notebooks of this period reveal, along with careful studies of Russian versification, the metaphysical speculations that were to accompany him everywhere; Boyd Nabokovizes about his subjects phonic patter and cryptic pattern. Here, too, Nabokovs lifelong enemy, poshlost (philistine vulgarity), begins to become an object of scorn and satire. |
| www.newcriterion.com /archive/09/feb91/nabokov.htm (5227 words) |
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