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| | Guardian Unlimited Film | Features | Nagisa Oshima: Boy |
 | | Nagisa Oshima is most widely known in the west for In the Realm of the Senses, a story of sexual obsession based on a true incident, which had censors everywhere reaching for their scissors. |
 | | Oshima's Death by Hanging (1968), Diary of a Shinjuku Thief (1969) and The Ceremony (1971) showed an even firmer grasp than In the Realm of the Senses of the way in which Japan was changing and the profound effect of that change. |
 | | Some of Oshima's films, which all come from the left, even if he began to hate the leaders of the communist party he initially sympathised with, seem to be influenced by either Godard or Bunuel, as well as by a deep suspicion of Japanese traditions. |
| film.guardian.co.uk /Century_Of_Films/Story/0,4135,377650,00.html (623 words) |
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