
	Where results make sense

Topic: Neil Marshall

Related Topics

Neil Gaiman

Neil Kinnock

Neil Diamond

Neil Simon

Neil Peart

Neil Sedaka

Neil Blaney

Neil Innes

Neil Hamilton

Neil Finn

Neil Abercrombie

In the News (Wed 15 Feb 12)

EXECUTIVE POWER

Iran

ANALYSIS

Pakistan

Family compact

	Neil Marshall (I) (Site not responding. Last check: 2007-11-01)
		Neil Marshall (I) Now Playing Movie/TV News My Movies DVD New Releases IMDbTV Message Boards Showtimes and Tickets IMDbPro IMDb Resume
		Neil Marshall (I) has 3 in-development credits available on IMDbPro.com.
		Discuss this name with other users on IMDb message board for Neil Marshall (I)
	www.imdb.com /name/nm0551076 (229 words)

	KPBS Movie Reviews » Blog Archive » The Descent: Interview with Neil Marshall
		NEIL MARSHALL: I wanted to make them as human as possible because applying human logic or human behavior to something as savage as these creatures makes them all the more terrifying because they?re operating on the same wavelength as you and you know how conniving humans are and it inherently becomes scary.
		NEIL MARSHALL: This isn’t about six cavers being attacked by savage monsters, this is a film about a happy society of savage monsters being attacked by these girls because they kind of mete out as much terror and pain as the crawlers ever do.
		NEIL MARSHALL: The main drive for me was exploring what the characters were capable of in order to survive and their regression and descent into savagery, and they become primal.
	www.kpbs.org /blogs/movies/2006/07/31/the-descent-interview-with-neil-marshall (717 words)

	Neil Marshall - Biography - Moviefone
		Marshall insisted on editing the picture himself, and thus shot "for the edit," à la Bogdanovich, often cutting in mid-take.
		It began with Marshall's notion of a spelunking expedition that descends into carnality and madness when the explorers are confronted with an otherworldly terror (beings known as "the Crawlers"), and Marshall's associate's concept of enlisting an all-female cast as his protagonists and victims topped it off.
		Marshall followed up The Descent with plans to do several projects, notably the action thriller Doomsday, set at some point in the future; Eagle's Nest, a World War II action picture; and The Sword and the Fury, a caper picture set in medieval times.
	movies.aol.com /celebrity/neil-marshall/310790/biography (647 words)

	Our Little Premature Angel
		Neil was not with me at the time, so with the second-hand telling caused very little real concern on his part.
		Neil also liked the idea, but because I had never had a baby he thought we should have our first in the hospital and our future children at home.
		Neil was left behind in the waiting room as the nurse ushered me in to see the doctor.
	noblechild.com /born_marshall.html (6757 words)

	Neil Marshall \| Interviews \| SCI FI Weekly
		Marshall: It's not the same story or any of the same characters, but in that one it was six guys overcoming an obstacle, and now it's six women.
		Marshall: We had the time to put on a different ending because we were delaying the release of the movie here because The Cave was coming out at the same time.
		Marshall: I wasn't sure what their reactions would be, whether they would really come across as frightening, so I waited until we were filming before I even showed it to them.
	www.scifi.com /sfw/interviews/sfw13332.html (1286 words)

	Exclusive: The Descent's Neil Marshall - ComingSoon.net
		Marshall: Critically, it was incredibly well-received, and it would have done a lot better had it not come out the day after the terrorist bombings on the Underground.
		Marshall: When I first conceived the idea of a team going into a cave, it was going to be a mixed group and then a friend of mine, really off-handedly suggested, "Why not make it all women?" and something clicked there.
		Marshall: The films that inspired this were "Deliverance," "The Shining," "Texas Chainsaw Massacre," "Alien," and "The Thing." Really those were the major ones I grew up with [and] still kind of haunt me to this day.
	www.comingsoon.net /news/movienews.php?id=15752 (2426 words)

	Workers Online : News : 2000 - Issue 56 : Labour Movement Mourns Loss of Neil Marshall (11th June 1943 - 31st May 2000)
		Neil's contribution and obvious capacity to carry out a wider role in the union were recognised in his election as a National Organiser in 1990.
		Neil was a worker representative on the board of the BHP Superannuation Fund.
		Neil was a great friend to all of us at the AMWU, to rank and file members of the AMWU everywhere and to many workers around the world.
	workers.labor.net.au /56/news95_neil.html (886 words)

	Film-makers on film: Neil Marshall \| Film Maker On Film \| Film \| Arts \| Telegraph
		Similarly, Marshall's current project Doomsday (which he has just started writing) imagines a Britain in which Scotland is crippled by plague and walled off from England - much like Carpenter's 1982 image of New York, which by 1997 (when the film is set) has been turned into an entirely self-contained maximum security prison.
		Marshall's first experience of the film was typical of many budding young buffs who grew up in the early '80s, a generation still wide-eyed at the very invention of the video recorder, and thrilled beyond belief at being suddenly able to watch "grown-up" films.
		What Marshall and pal wouldn't have realised at the time was that Escape from New York was not a complete fantasy, but a brilliant exaggeration of lawless, pre-Giuliani Manhattan - as David Thomson says, in his Biographical Dictionary, "a complete vision of New York's dread of where it was going".
	www.telegraph.co.uk /arts/main.jhtml?xml=/arts/2005/11/05/bffmof05.xml&menuId=564&sSheet=/arts/2005/11/05/ixfilmmain.html (947 words)

	Amazon.com: The Descent: DVD: Neil Marshall,Shauna Macdonald,Natalie Jackson Mendoza,Alex Reid (III),Saskia ... (Site not responding. Last check: 2007-11-01)
		Neil Marshall and his cinematographer, Sam McCurdy, really play with the senses and fears of not just the audience but of the characters trapped in the dark with only a dwindling supply of glowsticks and batteries for their flashlights.
		Marshall's decision to let the claustrophobia and disorienting darkness hint more than show in the early stages of their fight against the Crawlers was pivotal one since it kept the monstrous visage of the creatures from becoming overly familiar too soon.
		Marshall doesn't go overboard with the gore, but he does shoot and choreograph the violence in an almost lyrical fashion.
	www.amazon.com /Descent-Neil-Marshall/dp/B00005JOL1 (3422 words)

	Scotsman.com News - Features - A subterranean tale of the darkest depths (Site not responding. Last check: 2007-11-01)
		Mercifully Marshall has bucked the current trend for infusing pulp with political significance (in The Time Machine the Morlocks were an unsubtle metaphor for the oppressed working classes of Victorian Britain).
		Marshall has taken something he loves and put his own spin on it to come up with a film that feels fresh, or at least as fresh as any film can be that revels in jugular-ripping gore.
		Marshall wants us to care about his characters, but his attempts to develop the women's personalities and explore their group dynamic exposes his weaknesses as a writer.
	news.scotsman.com /features.cfm?id=750032005 (839 words)

	icNewcastle - A fright-fully good movie (Site not responding. Last check: 2007-11-01)
		Marshall, 35, of Whickham, might even see some of the profits this time, when The Descent goes on release across 300-plus cinemas in the UK from next Friday.
		Marshall deliberately kept the crawlers away from the six actresses until they encountered one in the script.
		Marshall was worried she'd be scarred for life after coming across a crawler, but she didn't bat an eyelid.
	icnewcastle.icnetwork.co.uk /eveningchronicle/features/tm_objectid=15688689&method=full&siteid=50081&headline=a-fright-fully-good-movie-name_page.html (1704 words)

	Lawson Lundell \| Lawyer Biography \| L. Neil Marshall
		Neil is a partner in our Corporate and Commercial Law Group.
		Throughout his career, Neil has been involved in the management of the firm and was previously the Managing Partner at Lawson Lundell and the head of our Business Law Services Group.
		Neil acts and has acted as a director and/or officer of a number of corporations, both public and private.
	www.lawsonlundell.com /lawyers/LNeilMarshall.html (112 words)

	indieWIRE: indieWIRE INTERVIEW: Neil Marshall, director of "The Descent"
		British director Neil Marshall made a mark on the film scene in 2002 with his action/horror "Dog Soldiers," garnering awards at the Brussels International Festival of Fantasy Film, including a best film nod from the Catalonian International Film Festival.
		Their predators, however, are only one source of fear as they begin to turn on each other.
		Neil Marshall, Dog Soldiers, Brussels International Festival of Fantasy Film, Catalonian International Film Festival, The Descent, British Independent Film Awards, Lionsgate, Dirty Pretty Things, Stephen Frears, Ridley Scott, Steven Spielberg, John Carpenter, Howard Hawks, Sam Peckinpah
	www.indiewire.com /people/2006/08/indiewire_inter_15.html (571 words)

	Kevin McKidd interview - Kevin McKidd on Dog Soldiers
		McKidd was dubious about a script that arrived unsolicited at the stage door of the theatre where he was appearing, a script for a low-budget horror movie that was without a star two weeks before it was due to start shooting...
		Marshall may have always seen McKidd as Cooper, the level-headed private who pulls the troop together when things go bump in the night and body parts detach from bodies; McKidd was less certain.
		Within 15 minutes of speaking to Neil, I just realised that the guy is on a mission - he knows what he’s doing, he’s got a very clear idea of what film he wants to make, and he wants me to play the lead...
	www.iofilm.co.uk /feats/interviews/d/dog_soldiers.shtml (1459 words)

	Moviehole.net - Interview : Neil Marshall
		Writer/Director Neil Marshall talks to CLINT MORRIS about his globally acclaimed horror hit "Dog Soldiers", the story of a group of British soldiers who find themselves the prey of a pack of werewolves in the Scottish wilderness.
		I mean you see Vampires done all the time, but not the Wolf”, says Neil Marshall, writer/director of “Dog Soldiers”, a new horror movie about a squad of British soldiers going head to head with a hungry wolf pack in the Scottish wilderness.
		Marshall says staging physical effects — rather than using computer effects— was mandatory for this film to work.
	www.moviehole.net /news/1127.html (874 words)

Try your search on: Qwika (all wikis)