| |
| | Sliding Significations: "Passing" as a Narrative and Textual Strategy in Nella Larsen's Fiction |
 | | Larsen's language emphasizes that although Helga thinks she truly belongs, she is passing: once again, she finds a role which transforms her from an isolated individual into a connected member of a social network. |
 | | Anne Hostetler suggests that Helga's hatred of the race problem "barely masks the agony of facing color as division rather than as fruitful multiplicity," and that Helga "attempts to create a spectrum rather than an opposition, a palette [of color] that will unify her life rather than leave it divided" (35). |
 | | Davis, for example, states that Larsen is unable to "envision conclusions according to the organic, internal logic of her narrative" (Afro-American Writers, 191) and that her "narratives, like her public life, would stop abruptly, present no viable solutions, and remain dominated by dissatisfaction" (Nella Larsen, 18). |
| www.personal.kent.edu /~mcutter/larsen.htm (8538 words) |
|