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| | Octavio Roca, "Dance: A Constantly Evolving Tradition", U.S. Society and Values, April 2003 |
 | | Peter Martins, Balanchine's handpicked successor at New York City Ballet, is perhaps the chief guardian of neoclassicism and continues to delight with new ballets that reveal hidden possibilities within the syntax and speed of the American style. |
 | | The American Ballet Theater, the late Tudor's home and today's American national company, continues in the 21st century a tradition of dramatic ballets that are thrilling reminders of the immediacy, of the vitality, of this art form. |
 | | From classical and neoclassical ballet to the frontiers of modern dance, it is safe to say that there is nothing quite like New York City Ballet, the American Ballet Theater, or the Paul Taylor Dance Company, like the Margaret Jenkins Dance Company or the Joe Goode Performance Group, like Robert Moses' Kin or The Foundry. |
| usinfo.state.gov /journals/itsv/0403/ijse/roca.htm (2920 words) |
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