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	NIME 2007
		NYC is a hotbed of activity in music, art and technology, with numerous people and organizations involved in areas directly and indirectly relevant to NIME.
		NYC is home to a vibrant community of new electronic instrument makers, performers and composers, as well as venues and organizations eager to present their work.
		NIME 2007 is sponsored by Harvestworks, the New York University Music Technology Program and LEMUR: League of Electronic Musical Urban Robots, with support from New York University's Interactive Telecommunications Program and the Columbia University Computer Music Center.
	itp.nyu.edu /nime/2007 (449 words)

	NIME 06 - IRCAM - Paris
		The 2006 International Conference on New Interfaces for Musical Expression is the 6th conference on new musical interface design and technology following the initial NIME workshop at CHI 2001.
		The conference will be held in conjunction with IRCAM's annual Festival of Performing Arts Agora and the Music Technology Convention Résonances, joined for the first time in 2006 to form a single event running from June 1st to June 17th.
		NIME 06 will provide a unique opportunity to confer with an interdisciplinary audience of artists, scientists and technologists on the latest developments in musical interface design and musical expression.
	recherche.ircam.fr /equipes/temps-reel/nime (197 words)

	New Interfaces for Musical Expression
		The design and evaluation of alternative musical controllers, currently the leading edge of an ongoing dialogue between technology and musical culture, involve many of the issues normally covered at CHI conferences.
		This workshop will explore the impact of new interface technologies on musical expression and exploration, discuss practical concerns involved in the design of effective musical interfaces, and attempt to identify major issues involved in the interplay between technological change and innovation in musical culture.
		NIME workshop consisted of a highly interactive one and a half-day long forum which will included presentations, demos and roundtable discussion.
	hct.ece.ubc.ca /nime/2001 (433 words)

	New Interfaces for Musical Expression
		Researchers and musicians from all over the world gather to share their knowledge and late-breaking work on new musical interface design.
		Proceedings of all NIME conferences to date may be conveniently navigated using the pages at the University of Trier's DBLP resource, or at the ACM Portal.
		If you are interested in hosting a NIME conference, please consult the hosting NIME page.
	hct.ece.ubc.ca /nime (146 words)

	Usability News - Feature: Striking a Collaborative Chord
		The New Interfaces for Musical Expression conference series started as a workshop at CHI 2001 (Seattle, USA), an origin which has shaped the focus of subsequent conferences.
		Related to these issues, Sergi Jorda presented a paper on learning curves for new interfaces which highlights one of the interesting aspects of designing expressive interfaces - that there is a difference between efficiency of use and learnability, and these need careful consideration given the target user group.
		There were a whole host of other interfaces and devices at the NIME conference which I haven't the space to outline but which highlight the wide range of possibilities there are to supporting creativity with computers.
	www.usabilitynews.com /news/article1829.asp (1522 words)

	FRONT — a new musical interface [GP designpartners]
		speaking of music is a matter of playing, to play with the input device, to be comfortable with it, to explore something new.
		american composer, emigrated to new york in 1915; his highly original style was based on complex acoustic and theoretical principles which broke down the distinctions between music and noise, dissonance and consonance.
		auch könnte der zugang zur musik über ein einfacheres = intuitiveres interface erleichtert werden...
	gp.co.at /works/front (1065 words)

	Electronic musical instrument Summary
		But beyond the voice, other musical instruments have been developed over the millennia because of a desire to extend the range of sounds that are possible for the listener to hear.
		As interesting as the new sounds of the theremin and the ondes martenot were, there existed an unfulfilled need to create electric instruments that duplicated the sounds of traditional acoustic instruments.
		Specialized conferences, notably the International Conference on New interfaces for musical expression, have organized to report cutting edge work, as well as to provide a showcase for artists who perform or create music with new electronic music instruments.
	www.bookrags.com /Electronic_musical_instrument (1586 words)

	International Workshop on NEW INTERFACES FOR MUSICAL EXPRESSION
		As electronic music instruments liberate the action of musical control from the sound production mechanisms, their form doesn't need to be limited by the corresponding constraints and is free to move in many other directions.
		Inserting a computer into the loop between the musical controller and synthesizer also enables any kind of gesture to be software mapped onto essentially any musical response, from the most delicate and intimate control of a virtuoso playing a fine instrument to the limited, high-level direction of a child stomping through an interactive installation.
		This workshop will explore the new directions that musical interfaces are taking, addressing current research and evolving issues through presented papers, discussions, and performances with technologists and artists working at the cutting edge.
	www.bek.no /BEKdot/1008076282/index_html (1036 words)

	CMDAS 21: New Digital Musical Instruments
		Apart from a few papers scattered in various journals and the proceedings of the relatively new NIME (New Interfaces for Musical Expression) conference proceedings, there is no concise literature on this fascinating new topic.
		This book is an attempt to document such developments and inform researchers and musicians interested in designing new digital musical instruments with control and interaction beyond the conventional keyboard paradigm.
		Eduardo Reck Miranda is a full professor of computer music at the University of Plymouth, where he heads the Interdisciplinary Centre for Computer Music Research (ICCMR) and is director of the Master in Interactive Intelligent Systems course.
	www.areditions.com /cmdas/DAS21/cmdas021.html (531 words)

	Usability News - Feature: Striking a Collaborative Chord
		Related to these issues, Sergi Jorda presented a paper on learning curves for new interfaces which highlights one of the interesting aspects of designing expressive interfaces - that there is a difference between efficiency of use and learnability, and these need careful consideration given the target user group.
		There were a whole host of other interfaces and devices at the NIME conference which I haven't the space to outline but which highlight the wide range of possibilities there are to supporting creativity with computers.
		New players, such as Skype and Google, are successfully fostering novel forms of communication and communicating behaviour among online communities, potentially posing a major threat to core communications revenues.
	usabilitynews.com /news/article1829.asp (1549 words)

	New Interface Delivers Song Driving - Technology - RedOrbit (Site not responding. Last check: )
		The Expression Synthesis Project (ESP) interface, devised by a team led by Elaine Chew of the USC Viterbi School of Engineering, could be in the hands of consumers within two years.
		Chew presented ESP May 28 at the New Interfaces for Musical Expression (NIME) 2005 conference at the University of British Columbia in Vancouver, Canada.
		To guide the musical performance, Chew and her colleagues used information from the score to create a "road" that corresponds to the structure of the piece.
	www.redorbit.com /news/display?id=153451 (593 words)

	Paul Lehrman's NIME05 report
		One way is to go to their conference: "New Interfaces for Musical Expression," or "NIME." This year’s NIME was the fifth, and it was held on the gorgeous seaside campus of the University of British Columbia in Vancouver.
		NIME is not a trade show, and so there were few commercial products on display, but there was one that drew a lot of attention: Lemur, a marvelously versatile combination touch surface and LCD screen made by a French company called JazzMutant.
		The music was created by a motion-capture system, with various musical parameters being controlled in real time by the dancer’s position in space and by specific physical gestures that the system was trained to recognize.
	paul-lehrman.com /NIME/nimeoriginal.html (5618 words)

	Circumference Cycles
		The music created with The Circumference is both rhythmic and harmonic, resulting in a sound that is a blend of the tones of the glass and the “guitar” strings combined and resonating sympathetically.
		Strollo and Blaine are composing the music for the instrument and Stanaway is continuing to develop the distinctive visual and sculptural elements of the piece.
		As a musical interactivist at Interval Research, she led a development team in the creation of a collaborative audiovisual instrument known as the Jam-O-Drum, now on permanent exhibit at the Experience Music Project in Seattle and part of the ETC curriculum.
	www.jamodrum.net /circumference.html (884 words)

	[cmc-users] Fwd: [0xff] New Interfaces for Musical Expression 2005 CFP
		[cmc-users] Fwd: [0xff] New Interfaces for Musical Expression 2005 CFP
		NIME 2005 marks >the 5th conference on new musical interface design to follow the initial >NIME workshop at CHI 2001, and subsequent international conferences held in >Dublin, Montreal and Hamamatsu.
		As in previous years, NIME 05 will provide >a unique opportunity to converge with an audience of like-minded artists >and technologists from around the world.
	www.music.columbia.edu /pipermail/cmc-users/2004-December/000425.html (449 words)

	Tomorrow's Musicians & What They'll Be Playing
		The New Interfaces for Musical Expression conference has been running for five years, and is a great place to see and discuss new ideas that may provide the musical controllers of the future.
		But making new instruments is risky: you have to design them, build them, and perhaps hardest of all, teach people how to play them —and not lose your shirt in the process.
		The NIME conference is not for everybody—but all of us who work with music and electronics will be hearing from the people who were there in years to come.
	paul-lehrman.com /NIME/NIMESOS.html (2316 words)

	Expressive Musical Instruments Give a Peek Into Future Music
		And Buxton, who had left the music world to work on projects such as Alias/Wavefront (which garnered him a Scientific and Engineering Academy Award), is back, delivering one of the keynote speeches and still preaching the same gospel.
		In the days when electronic music was brand new, he explained, concert performances would too often comprise someone walking onto a stage, pushing a button on a tape deck and walking off.
		Perhaps what comes out of NIME will not be as earthshaking as what I saw at Digicon '83, but it eventually may be just as influential, in more subtle ways, as the science of computer/human interface design becomes more important in all of our activities.
	mixonline.com /mag/audio_mice (2404 words)

	NIME: Tisch School of the Arts at NYU
		Music in performance is the primary subject of this class.
		Students design and prototype a musical instrument - a complete system encompassing musical controller, algorithm for mapping input to sound, and the sound output itself.
		Students focus on musical composition and improvisation techniques as they prepare their prototypes for live performance.
	itp.tisch.nyu.edu /object/H79.2227Lect.html (138 words)

	IBM Research \| Almaden Research Center \| NPUC Program
		The rapid development of musical interfaces and controller devices is extending far beyond the traditional relationship between instrument design and musical performance.
		As novel musical interfaces increasingly find their way into entertainment and gaming applications, designers face a conflicting array of choices in balancing ease of use issues with the creation of engaging experiences for players.
		As a musical interactivist at Interval Research, she led a development team in the creation of a collaborative audiovisual instrument known as the Jam-O-Drum, now on permanent exhibit at the Experience Music Project in Seattle.
	www.almaden.ibm.com /cs/user/npuc/program.html (1871 words)

	MTO 10.4: Announcements
		On behalf of the NIME 2005 Committee, we extend an invitation to you to be part of the New Interfaces for Musical Expression conference.
		It synthesizes results stemming from music analysis, compositional studies, cognitive psychology and perception, cognitive linguistics, neuroscience, ethnomusicology, sociology of music, aesthetics, philosophy of mind, computer modeling and artificial intelligence, performance studies, music pedagogy, historical musicology, the history and epistemology of music theory-just to name a few.
		Outstanding scholars in all music disciplines are invited to apply from January 1 to March 1, 2005.
	www.societymusictheory.org:16080 /mto/issues/mto.04.10.4/ann.10.4.html (5657 words)

	GetLoFi - “bent bent bent Circuit Bent Bending Synth DIY” » New Interfaces for Musical Expression ...
		New Interfaces for Musical Expression show in NYC
		This Friday at 8:00 PM on Dec 15th 2006 the NIME show will be happening at New York City’s Tonnic club.
		For this annual event graduate students from NYU devise new interfaces with the goal of bringing “live” into electronic music performance as part of their homework.
	www.getlofi.com /?p=644 (192 words)

	[No title]
		The 2005 International Conference on New Interfaces for Musical Expression is the 5th conference on new musical interface design and follows the initial NIME workshop at CHI 2001.
		This year, the conference is hosted at the University of British Columbia in Vancouver, Canada from May 26 to 28.
		The conference consists of a three full-day event where research papers, demos and performances will be presented on the state-of-the-art concerning new interfaces for musical expression.
	hct.ece.ubc.ca /nime/2005 (130 words)

	Cycling '74: MaxMSP 2001 => International Workshop NEW INTERFACES FOR MUSICAL EXPRESSION (Dublin)
		Acoustic musical instruments have settled into canonical forms, taking
		of electronic music interfaces that are being developed.
		and live demonstrations that employ new musical controllers and/or mapping
	www.cycling74.com /forums/index.php?t=msg&goto=8236&rid=0&S=600bf3485e510d56e856496c8f7d5006 (901 words)

	free103point9 Newsroom: OPEN CALL: New Interfaces for Musical Expression
		Transmission art news, open calls, microradio news, and discussion of issues about radio, creative use of radio, and radio technologies, and free103point9 announcements are all included here.
		free103point9 is a New York-based nonprofit arts organization focused on establishing and cultivating the genre Transmission Arts by promoting artists who explore ideas around transmission as a medium for creative expression.
		Expression (NIME), organized by Harvestworks and New York University's
	blog.free103point9.org /2007/01/open-call-new-interfaces-for-musical.html (759 words)

	NIME 02 (Site not responding. Last check: )
		NIME 01 was held as a CHI workshop in Seattle, April 1 and 2, 2001.
		There were demos and a concert at the Experience Music Project.
		NIME 02 was hosted by the Media Lab Europe in Dublin.
	www.mis.atr.jp /~mlyons/nime02.html (360 words)

	Tuesday, March 13, 2007: Monthly Program (BayCHI)
		The line between music consumer and music maker is blurring; in this middle space are design opportunities to improve the ways we discover, share and use music in our day-to-day lives.
		Drawing on documentary fieldwork tracking the behavior and attitudes of music consumers, the presentation will outline a continuum of active musical experience, and suggest how new interfaces for music fans and music makers are helping bridge the gap between these two groups.
		He is the Papers Chair for the Seventh International Conference on New Interfaces for Musical Expression, to be held at NYU in June 2007.
	www.baychi.org /program (1076 words)

	EMF/SEAMUS Opportunities List
		The Conference on Interdisciplinary Musicology is a forum for constructive interaction among all musically and musicologically relevant disciplines, including acoustics, anthropology, theory / analysis, composition, computing, cultural studies, education, ethnology, history, linguistics, performance, physiology, medicine, psychology, therapy, philosophy, aesthetics and sociology.
		The theme of CIM08 is musical structure from the viewpoint of all musically and musicologically relevant disciplines.
		The conference aims to bring together representatives of the humanities, the sciences, and musical practice who are involved in research on musical structure.
	www.emf.org /cgi-bin/opps_search.pl?keywords=conferences (711 words)

	New interfaces for musical expression (Site not responding. Last check: )
		The International Conference on New Interfaces for Musical Expression, also known as NIME, is dedicated to scientific research on the development of new technologies for musical expression and artistic performance.
		Researchers and musicians from all over the world gather to share their knowledge and late-breaking work on new musical interface design.
		The next meeting of NIME is scheduled to take place in Paris, France in June 2006 and will be hosted by IRCAM, the Sorbonne, and the European branch of Sony Computer Science Labs.
	sports.abcworld.net /New_interfaces_for_musical_expression.html (262 words)

	electro-music.com :: View topic - NIME - New Interfaces for Musical Expression, May 26-28 (Site not responding. Last check: )
		NIME - New Interfaces for Musical Expression, May 26-28
		The 2005 International Conference on New Interfaces for Musical Expression is the 5th conference on new musical interface design and follows the initial NIME workshop at CHI 2001.
		The conference consists of a three full-day event where research papers, demos and performances will be presented on the state-of-the-art concerning new interfaces for musical expression.
	www.electro-music.com /forum/post-41268.html (296 words)

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