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| | The Myth of Musicology: Part 2 |
 | | She briefly describes the development of the discipline, its three fundamental tenets, the various types of feminism, and the connection and problems of postmodern thought in relation to feminism as well as intellectual movements such as gender studies. |
 | | Similar to the other movements in musicology, queer music theory has been influenced by, and has borrowed methodological procedures from, feminist and poststructuralist writings (both music and non-music sources) as well as the disciplines of gay studies, gender studies, and the history of sexuality. |
 | | A second article, which also recapitulates some of the ideas of the new musicology, is Jonathan Stock's "New Musicologies, Old Musicologies: Ethnomusicology and the Study of Western Music," but the main focus is a discussion of the avoidance by musicologists of ethnomusicological approaches and how and why this has happened. |
| sky.prohosting.com /acbm/en/review/32-3/myth.htm (5827 words) |
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