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Topic: Neysa McMein


In the News (Tue 14 Feb 12)

  
  neysa
Neysa McMein (1888-1949) was a popular magazine and advertising illustrator, a portrait artist, and a member of the Algonquin Round Table in the 1920s and 30s.
One of McMein's significant contributions to commercial art was her domestic design for the original Betty Crocker character.
McMein was born on Jan. 24, 1888 in Quincy, Illinois, and created covers for McCall's, Saturday Evening Post, McClure's, Woman's Home Companion, Liberty, Puck and Photoplay magazines.
www.geocities.com /swimmer53/neysa.html   (350 words)

  
  Neysa McMein at AllExperts
McMein studied at the Art Students' League for a few months and in 1914 sold her first drawing to the Boston Star.
During World War I she drew posters for the United States and French governments and spent six months in France as a lecturer and entertainer.
In 1921, McMein was among the first to join the Lucy Stone League, an organization that fought for women to preserve their maiden names after marriage.
en.allexperts.com /e/n/ne/neysa_mcmein.htm   (514 words)

  
 Quincy Herald-Whig
McMein was one of the most successful and highest-paid magazine cover artists in the United States She was known for multi-colored pastel drawings of women who projected an aura of confidence.
McMein was born Jan. 24, 1888, and christened Margery Edna.
McMein died of cancer May 12, 1949, and is buried in Rhinebeck, N.Y. Her friends made sure there were white dogwood branches at the funeral since that was her favorite flower.
www.whig.com /290559403733456.php   (659 words)

  
 Neysa McMein
A special thanks to Norm Platnick of Enchantment Ink for letting us know what 002 was used for.
NOTE: McMein was already an established artist when she did this pastel, and also one of the few novels she did the cover for; yet she isn't even mentioned in the book!
Arthur William Brown, who did the interior art, is the only listed illustrator.
www.americanartarchives.com /mcmein.htm   (193 words)

  
 ART Talk Neysa McMein pastel portraits Artist Profile
While most recognized commercial artists of her time were male, Neysa McMein excelled as one of the leading and most influential artists.
As her career flourished, Neysa Mc Mein was commissioned to create covers for McClure's, Liberty, Woman's Home Companion, Collier's, and Photoplay and did all covers for McCall's magazine between 1923 and 1937.
McMein is responsible for "inventing" the image of Betty Crocker, that vision of a fictional housewife that ended up portraying the wholesome likeness of American women.
www.arttalk.com /archives/vol-11/artv1110-4.htm   (488 words)

  
 Amazon.frĀ : Anything Goes: The Jazz Age Adventures of Neysa McMein and Her Extravagant Circle of Friends: Livres en ...   (Site not responding. Last check: )
One has to dig for Gallagher's story: "The jazz-age adventures of Neysa McMein and her extravagant circle of friends." The text's circumlocutions are a hindrance and so is the author's condescending air toward the witty company who made famous the Round Table at New York's Algonquin Hotel in the 1920s.
Margaret McMein (1888-1949) left her prosaic Quincy, Ill., hometown as a young woman and became a noted magazine illustrator in Manhattan.
Neysa McMein epitomized the Jazz Age flapper: beautiful, rich, and socially prominent.
amazon.fr /Anything-Goes-Adventures-Extravagant-Friends/dp/0812912152   (449 words)

  
 Comic creator: Neysa McMein
Neysa McMein, whose original name was Marjorie which she changed to Neysa on the advice of a numerologist, was a popular illustrator and portrait artist in the beginning of the twentieth century.
She was the artist on every cover of McCall's magazine between 1923 and 1938, and also provided covers for the Saturday Evening Post.
In her personal life, Neysa McMein was a very unconventional and avant-garde woman, involving herself with pro-suffrage demonstrations in the 1910s and the illustrious group of writers and artists called the Algonquin Round Table.
www.lambiek.net /artists/m/mcmein_neysa.htm   (112 words)

  
 Internet Archive: Details: Living Pages
McMein was a successful woman illustrator who was a member of the Algonquin Round table.
McMein and her model, financially independent women working outside of the home, present an image of women more compelling than the sentimentalized housewives concocted by McCall's.
McMein and Rose O'Neil (creator of the Kewpie doll) both did a lot of work of the magazine in the 1920s and 1930s.
www.archive.org /details/LivingPa1935   (954 words)

  
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Quick facts (Styles, locations, mediums, teachers, subjects, geography, etc.) (Neysa McMein)
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Neysa McMein is also mentioned in these AskART essays:
www.askart.com /askart/artist.aspx?artist=28821   (274 words)

  
 34¢ Neysa McMein PSA   (Site not responding. Last check: )
In addition to being an accomplished artist, Neysa McMein was one of the most fabulous social figures of the 1920s and 30s.
The editor was so impressed with her work that he signed her to an exclusive contract to create all the magazine's covers until 1937.
McMein was elected into the Society of Illustrators Hall of Fame in 1984.
www.unicover.com /EA1CAES8.htm   (420 words)

  
 Grapefruit Moon Gallery: A Portrait of Julia Hoyt
A serene and expertly rendered early original pastel from the Jazz Age female illustrator Neysa McMein.
McMein gained notoriety in the 1920's and 30's as an independent, feminist minded free spirit.
McMein used art to counter the stereotypical popular pretty smiling glamour girl imagery.
grapefruitmoongallery.com /illustrationandcoverart/323.shtml   (681 words)

  
 Amazon.com: Anything Goes: Books: Brian Gallagher   (Site not responding. Last check: )
One has to dig for Gallagher's story: "The jazz-age adventures of Neysa McMein and her extravagant circle of friends." The text's circumlocutions are a hindrance and so is the author's condescending air toward the witty company who made famous the Round Table at New York's Algonquin Hotel in the 1920s.
Margaret McMein (1888-1949) left her prosaic Quincy, Ill., hometown as a young woman and became a noted magazine illustrator in Manhattan.
Neysa McMein epitomized the Jazz Age flapper: beautiful, rich, and socially prominent.
www.amazon.com /Anything-Goes-Brian-Gallagher/dp/0812912152   (900 words)

  
 Radcliffe Quarterly: From the Schlesinger Library
Designed for the YMCA as a recruiting poster for its United War Work Campaign, it was an early work by McMein.
Born Margery Edna in Illinois in 1888, McMein changed her first name to Neysa on the advice of a numerologist.
By 1914, she had sold a cover to the Saturday Evening Post and had received commissions from the French and American governments and from private agencies for World War I propaganda posters.
www.radcliffe.edu /about/news/quarterly/200302/around3.html   (473 words)

  
 Notable New Yorkers
Neysa McMein said, “Why don't you buy a house?" This had never occurred to us.
Fleischmann and who owned a majority of the stock in the New Yorker when she died, and Mary Astor, who you may have heard of and who came into my life.
At any rate, when Chris came and when Neysa suggested “Buy a house,” I suddenly saw the one we're in right now: 132 East 62nd Street.
www.columbia.edu /cu/lweb/digital/collections/nny/cerfb/transcripts/cerfb_1_10_448.html   (161 words)

  
 Mom and Apple Pie
She had become such a personality that artist Neysa McMein was hired to create a face for the voice.
McMein created the image of an attractive, rather serious-looking woman in her 30s.
McMein's work was used for 20 years, the longest-running of the eight official portraits depicting Betty Crocker over 70 years.
promomagazine.com /mag/marketing_mom_apple_pie   (1254 words)

  
 The New York Times Store > Neysa McMein 1917   (Site not responding. Last check: )
Silver-gelatin photograph printed on fiber-based paper after being hand processed, toned, washed and air-dried according to strict archival guidelines - the gold-standard of the fine-art photography.
Neysa McMein, the popular illustrator and portrait artist, at age 29, carries the flag at a comfortable angle, 1917.
Publication, reproduction, use in advertising or for purpose of trade is prohibited without written permission.
www.nytstore.com /ProdDetail.aspx?prodId=1552   (149 words)

  
 Miskatonic University Department of Literature
September - The covers during this period by Neysa McMein were "Famous Fiction Heroes." September is Jane Eyre by Bronte.
This portrait is the eighth of a series of Famous Fiction Heroines painted by Neysa McMein.
This portrait is the ninth of a series of Famous Fiction Heroines painted by Neysa McMein.
www.yankeeclassic.com /miskatonic/library/stacks/periodicals/fictionmagazines1901/mccalls/mag-mcc.htm   (127 words)

  
 Neysa Mcmein Posters Prints - Advertisement for Adams California Fruit Chewing Gum Tutti Frutti Flavor Art Giclee Print ...
Neysa Mcmein Posters Prints - Advertisement for Adams California Fruit Chewing Gum Tutti Frutti Flavor Art Giclee Print - Artist: Neysa Mcmein - Poster Size: 18x24
Browse all your favorite Neysa Mcmein posters, art prints and framed art at Art.com, the World's # 1 Art Print and Poster store.
All other designated trademarks, copyrights and brands are the property of their respective owners.
www.shop.com /op/aprod-p50159582   (260 words)

  
 Castlebar - County Mayo - From The West of Ireland
Neysa McMein 1888-1949: Cynthia Gallaher has put together an interesting web page about this famous illustrator, her relative.
Neysa McMein's grandmother was Fannie Gallaher from Castlebar.
Neysa McMein had some very famous friends including Walt Disney, Harpo Marx and Dorothy Parker.
www.castlebar.ie /oldindex/sep2001/index30sep2001.html   (451 words)

  
 The Talk of the Town Musical Theater Review - Cabaret Scenes
I took delight in the ways that she brought numbers to life; I found myself looking forward to seeing how she'd handle numbers.
It's a fascinatng era; these were some of the sharpest writers of the era, and simply quoting their brittle, caustic, pithy put-downs sets a certain tone, and gets things off to a good start.
But when Neysa McMein, the least important character in the script, gets a song of her own, The Eye of the Hurricane, it simply slows the play up; it feels like a diversion.
www.cabaretscenes.com /PrinterFriendly/talkofthetownPrinterFriendly.htm   (1203 words)

  
 Neysa McMein - American Illustrators gifts by Harmony Designs (Bookmarks, Paperweights, Magnets and more.)
Neysa McMein - American Illustrators gifts by Harmony Designs (Bookmarks, Paperweights, Magnets and more.)
Neysa McMein (1888-1949) was a magazine and advertising illustrator, a portrait artist, and a member of the Algonquin Round Table.
This 34¢ stamp was issued by the United States Postal Service on February 1, 2001 as part of the American Illustrators Issue series.
www.harmonydesigns.com /product/detail.php?catalogNumber=3502Mcmein   (109 words)

  
 Mrs. Parker and the Vicious Circle (1994) : Directed by Alan Rudolph, reviewed by Nick Burton   (Site not responding. Last check: )
It was at the Algonquin "Round Table" that Parker found her wit, surrounding herself with the best and brightest in New York and hiding her unhappiness in her marriage to the drunk, morphine-addicted Eddie (Andrew McCarthy, in a surprisingly good performance).
Parker has a brief affair with writer Charles McArthur (a typically wooden Matthew Broderick), whom tags along to the Algonquin and to the studio of artist Neysa McMein, but when the affair ends abruptly, Parker tries suicide.
She is on hand when New Yorker magazine is launched as well, but Parker's insecurity over her writing and the intense loneliness of her life — love was sadly elusive for Parker — drive her to drink more and more, with Benchley always being there to pick up the pieces.
www.pifmagazine.com /SID/476   (468 words)

  
 TimesPoints: Neysa McMein - 1917
Neysa McMein - 1917 11 x 14 Framed
Neysa McMein - 1917 16 x 20 Framed
Neysa McMein, the popular illustrator and portrait artist, at age 29, carries the flag at a comfortable angle, 1917.
timespoints.nytimes.com /webapp/wcs/stores/servlet/TCProductDetailsDisplay?storeId=10001&catalogId=10001&productId=25863   (113 words)

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