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| | The voice of Shakespeare, the heart of a nihilist | Feb 19, 1999 |
 | | Locked in the Tower of London, dispossessed of his crown, Richard II murmurs into the darkness, "Thus play I in one person many people/ And none contented." Even moments before his death, Richard remains an actor, preparing his lines and toying with possible interpretations. |
 | | Such a contradictory response is just what one would demand from a production of a play that traffics in paradox to the extent that Richard II does. |
 | | Bardolators might take issue with the way Paraskevopoulos cuts a quick, decisive swath through many of Richard's speeches, which even in the depths of his despair are outbursts of opulent, even exuberant verbosity. |
| www.yaleherald.com /archive/xxvii/1999.02.19/ae/p18richard.html (801 words) |
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