| | Historic experience of modern Iranian poetry (Site not responding. Last check: 2007-11-04) |
 | | Nima not only upsets the three main, and restrictive, pillars of traditional poetry: balance in the length of the hemistiches, strained equality of the prosodic meter and the rhyming of the last word in each couplet; he removed all the artificial word-play and artifice from poetry restoring the poet’s natural approach to poetry. |
 | | Nima’s design, in his own words, was to return the natural order to poetry, to remove the unnatural proportions imposed on it, and to dispense with the extras that had to be imported in order to fill in for the awkwardness of these artificial proportions. |
 | | Nima lights up the emotional horizon of the poet purely in the light of his profound experimental deliberation and cleanses it from obvious emotional interference. |
| www.library.cornell.edu /colldev/mideast/khaksar.htm (2246 words) |