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| | Chapter 13 |
 | | After all, Pindar and these two near-contemporaries come closest of all the nine canonical lyric poets to what we conceive as the historical period, where the continuous re-creation of knowledge through oral tradition was being replaced by the episodic recording of knowledge through writing. |
 | | The poet is represented as respectively praising and blaming what is right and wrong; in this capacity he is the watchdog of ritual and ethical correctness, as we see in the example of the poet whom Agamemnon had left behind to watch over Clytemnestra (Odyssey iii 267-271). |
 | | As I have argued, the medium of Archilochus was originally undifferentiated lyric, that is, sung and danced, and it developed eventually into differentiated nonlyric recitative in a complex and lengthy process of Panhellenization. |
| www.press.jhu.edu /books/nagy/PHTL/chapter13.html (12224 words) |
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