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Topic: No Wave Cinema

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	No Wave - Wikipedia, the free encyclopedia
		No Wave was a short-lived but influential offshoot of punk rock centered in New York City during the late 1970s and early 1980s.
		The term No Wave was partly a satiric wordplay rejecting the commercial elements of the then-popular New Wave genre, and also a declaration of the music's experimental nature: No Wave music belonged to no fixed style or genre.
		No Wave filmmakers included Amos Poe, John Lurie, Scott B and Beth B, and led to the Cinema of Transgression and work by Nick Zedd and Richard Kern.
	en.wikipedia.org /wiki/No_wave (559 words)

	IN DEPENDENCE (Site not responding. Last check: 2007-10-01)
		Now, it could be argued that the no wave has no core politic or shared aesthetic and so does not constitute a 'sector' or a 'project' but such an argument would betray a basic misunderstanding of the nature and history of independent film and video.
		The LFMC originally subscribed to the term 'Underground Film' and initially functioned as a cinema which screened imported American work, as their membership expanded and they began to produce their own work the term Underground was dropped and replaced by 'avant-garde'.
		The no wave cinema scene is part of this culture and also a direct descendent of the first wave of underground filmmakers.
	www.explodingcinema.org /independence.html (1846 words)

	Steve Nottingham: The French New Wave
		During the late 1950s and early 1960s young film-makers in many countries were creating their own "new waves", for example the working-class cinema of the "angry young men" in Britain, but the new wave movement in France turned out to be the most influential.
		The core group of French New Wave directors initially collaborated and assisted each other, which helped in the development of a common and distinct use of form, style and narrative, which was to make their work instantly recognizable.
		The characters in French New Wave films are often marginalized, young anti-heroes and loners, with no family ties, who behave spontaneously, often act immorally and are frequently seen as anti-authoritarian.
	ourworld.compuserve.com /homepages/Stephen_Nottingham/cintxt2.htm (1843 words)

	GreenCine \| Iranian New Wave
		But since then it has become an international phenomenon, a New Wave on par with the French movement of the 1950s and 60s, the German movement of the 60s and 70s and the Hong Kong movement of the 80s and 90s.
		Before long, Makhmalbaf embarked on his "cinema trilogy": Once Upon a Time, Cinema (1992), The Actor (1993) and Salaam Cinema (1995), each of which traced and paid homage to his love for films both local and international.
		Cinema luminaries such as Akira Kurosawa and Jean-Luc Godard were quoted singing the film's praises.
	www.greencine.com /static/primers/iran-1.jsp (2862 words)

	UW Press - : A History of the French New Wave Cinema, Richard Neupert
		One important, permeating critical opinion that helped motivate the rise of an alternative, New Wave cinema in the 1950s was the broadly accepted notion that postWorld War II French cinema was in a stagnant condition and needed a dramatic overhaul.
		Throughout the world, cinema was seen as an important cultural barometer, and it was not lost on the French that, while Japan and Italy were earning greater respect each year, France was floundering.
		Understanding this general sentiment of a French cinema that had lost its cultural significance and artistic edge helps one appreciate that the arrival of what would be announced as a "wave" of new young directors really was an exciting change and even a victory for journalists and film buffs.
	www.wisc.edu /wisconsinpress/Presskits/Neupertpresskit.html (4712 words)

	Untitled Document (Site not responding. Last check: 2007-10-01)
		No Wave Cinema was a nearly nine year boom (1976-1985) in underground filmmaking on the Lower East Side neighborhood of New York City.
		Its name, much like its cousin No Wave music, was a stripped down style of guerilla/punk filmmaking that emphasized mood and texture above everything else.
		The filmmakers mainly associated with the movement included Amos Poe, Eric Mitchell, Beth B and Scott B, Vivienne Dick, John Lurie, Becky Johnston, and James Nares.
	www.xs4all.nl /~are/pub/film_theory/No_Wave_Cinema.htm (74 words)

	Japanese New Wave Cinema Classics: Now On Sale
		Yet Imamura remains a critically important director, both as one of the seminal Japanese New Wave directors (along with Nagisa Oshima and Masahiro Shinoda) and as a chronicler of a side of Japan rarely seen in Mizoguchi movies or tourist brochures.
		His controversial films are frequently difficult, highly intellectual, and darkly funny; they revolutionized Japanese cinema by infusing it with sex and with biting social and political commentary.
		Born on March 31, 1932, in Kyoto, Oshima was the son of a civil servant of samurai descent.
	www.japanesenewwave.com (1747 words)

	Tehelka - The People's Paper
		The phenomenon of Iranian cinema becoming one of the most celebrated, Golden Lion-ed and Bear-ed film cultures of the world is an intriguing one.
		Iranian cinema offers us an alternative more to do with real ideas and emotions, important social, moral and philosophical issues, and which is not obsessed with stars, special effects, sensationalism and silly escapist stories.
		Milani has said her film is about “the negation of the identity of a human being”: living in a home that is no better than a prison, and being constantly baited by her husband, Fereshteh becomes a cipher.
	www.tehelka.com /story_main14.asp?filename=hub111205hitchcock.asp (2250 words)

	Bookshop: Books on Central and Eastern European Cinema
		Being an American, Cook tends to subscribe too heavily to the view that US cinema is the centre of it all, but this does not detract from the attention he applies to global film making.
		More than a feminist study of Russian cinema, this is a great all-round analysis of the social background to Soviet cinema which is both readable and recommended.
		Sadly, there is no cheaper alternative for those wishing to read about this fascinating and long-forgotten era of film history.
	www.ce-review.org /books/cinema.html (867 words)

	Meet the Independents 4 - April 17, 2004 at WAMC's Linda Norris Auditorium (Site not responding. Last check: 2007-10-01)
		Poe is considered by many to be the "father" of the modern independent American cinema and was one of the leading figures of the No Wave Cinema movement that grew out of the bustling New York City East Village music and art scene.
		Amos Poe is one of the leading figures of the No Wave Cinema movement (1976-85) that grew out of the bustling New York City East Village music and art scene.
		The No Wave Cinema included Jim Jarmusch, Eric Mitchell, Beth B and Scott B, Vivienne Dick, John Lurie, Becky Johnston, James Nares, Richard Kern and Nick Zedd, among others.
	www.wamcarts.org /overyonder.html (356 words)

	City Pages - Sayonara Cinema
		The Walker's "Japanese New Wave Cinema" is something of a mislabeled package, gathering movies from 1960s Japan that don't feature strutting samurai or an animated Atomic Boy (and which are extremely rare in these parts).
		It should be noted that "New Wave" is itself a loose handle: First applied to the style-breaking works of Truffaut, Godard, Varda, Rohmer, et al., it later denoted movies (and movements) in Sweden, Hungary, Cuba, Poland, the U.S., and elsewhere.
		No part of this service may be reproduced in any form without the express written permission of City Pages LLC except that an individual may download and/or forward articles via e-mail to a reasonable number of recipients for personal, non-commercial purposes.
	citypages.com /databank/20/945/article6982.asp (1292 words)

	Metro Cinema: Welcome, or No Trespassing
		It was released at the tail-end of the Soviet thaw, when the USSR's relations with foreign neighbours were amicable, and internal censorship and repression were at an all-time low.
		Klimov's first film, the satirical comedy Welcome, or No Trespassing, skewered the summer camps of the Young Communist League, and was banned because the protagonist's moon-faced grandmother looked too much like Krushchev.
		Throughout the sixties and seventies, Klimov and his wife, the Ukrainian-born director Larisa Shepitko, were regarded as the First Couple of Soviet Cinema.
	www.metrocinema.org /film_view?FILM_ID=960 (645 words)

	Hong Kong Cinema
		Thus Hong Kong cinema seems to be playing “Hollywood” in the age of global capitalism, only on a smaller scale.
		Through their historical examination of the rise of the Hong Kong New Wave cinema, both Law Kar and Hector Rodriguez also attempt to rediscover an historical and cultural identity for Hong Kong.
		Part One offers a comprehensive historical account of and research on Hong Kong’s New Wave as a “golden age.” The directors of that movement are united their understanding of film form, their being influenced by world cinema, and their commitment to articulating specific concerns related to Hong Kong’s local identity.
	www.ejumpcut.org /archive/jc45.2002/szeto (2030 words)

	Film (Site not responding. Last check: 2007-10-01)
		A fine example of No Wave Cinema by one of the initial members of Colab, an alternative space in the East Village.
		Nares' Rome '78 is an ironic remake of the spectacle film, (I Claudius in particular).
		No Japs at my Funeral, 1980, A 60 min video interview with an IRA terrorist in which the viewer is made to see how historical chance forces an essentially likeable young man into situations where the option of a quiet life is impossible.
	www.jamesnares.com /film1.htm (163 words)

	‘No clowning with cinema’ - Deccan Herald (Site not responding. Last check: 2007-10-01)
		An FTII graduate from Pune, Rajat Kapoor is a must-have-actor in today’s new age cinema.
		But that does not mean we are at the threshold of any great movement in cinema.
		I have a producer for my next film and thankfully there is no interference.
	www.deccanherald.com /deccanherald/mar192005/metro13.asp (488 words)

	NCAM/A New Wave in Cinema
		If a new system that MacDonald sampled last week catches on with more films, she may soon be going back to the movies.
		It is the first in the state, and one of only six General Cinema theaters in the nation, to be equipped with MoPix, according to Andrew Trabosh, the theater's general manager.
		Times andlistings for the MoPix auditorium at the General Cinema Plymouth Meeting 12 are available at 610.397.0780.
	ncam.wgbh.org /news/mopixnews7.html (1215 words)

	No-Wave Cinema (Site not responding. Last check: 2007-10-01)
		No-Wave Cinema 1978-1987 organized by Matthew Yokobosky at the Whitney Museum is probably the most important exhibition in New York this Fall.
		Because the real energy of the 1980's art scene was being played out in the East Village at the clubs and in the small galleries that sprung up, not in the marketing bid-up blitz of Soho.
		From Rome '78 by James Nares to The Offenders by Scott and Beth B, these films are scenario driven portrayals of a volatile and fragile moment in time.
	old.thing.net /ttreview/octrev96.03.html (401 words)

	Free Williamsburg
		Lydia has been way ahead of the spin of the clock since she booted herself onto the New York City no wave music and film scene, nearly twenty years ago.
		The night that I was on with Matthew we would just show a few different clips and then discuss how no wave music actually influenced the no wave cinema scene and which then disintegrated into the Cinema of Transgression and then self-imploded, at that point.
		I did rise and write from 6am-12pm, and as a writer, you know, that there is no such thing as "writing from 6am-12pm." You're pacing.
	www.freewilliamsburg.com /still_fresh/lunch.html (1746 words)

	Modculture.com - British new wave cinema competition
		Acting became raw and emotional, the tone gritty and hard-hitting and the writers, influenced by the success of kitchen-sink drama in the theatre, explored previously taboo subjects.
		All Night Long featured at the recent British Mod Cinema season and is set in the jazz clubs of early 60s London.
		No question to be answered...simply fill in your details below for a chance to win.
	www.modculture.co.uk /competition/new_wave_competition.php (215 words)

	WAC \| Calendar \| January 1999 \| Japanese New Wave Cinema (Site not responding. Last check: 2007-10-01)
		This, his most extreme and controversial work, is decidedly not for the faint-hearted, the politically correct, or the transcendentally inclined.
		Suzuki uses looming CinemaScope close-ups, flagrantly fake and roughly lit sets, and garish color- coding to punch across his nightmarish vision of sexual savagery.
		Focusing on a group of delinquent boys in a reformatory, Hani fashions the gritty, real-life setting into an image, a microcosm, of the authoritarian country in which they live.
	www.walkerart.org /archive/0/B173714038D19BFC6161.htm (232 words)

	The Hindu : Digital wave hits cinema theatres
		Last week, David Monk, Managing Director of TI Europe and a digital projection expert, took time off during his visit to India to provide a privileged briefing to The Hindu on the technology that has now made possible a slow but steady global shift to digital cinematic exhibition.
		But the current wave sweeping the exhibitor business — almost a theatre a week is being digitised in Maharashtra since April this year — is enabled by the availability of cheaper DLP projectors where the viewing experience may be a shade inferior to the best currently obtainable via film.
		However, the cost of making a DVD print is negligible in comparison to a film print which is around Rs.
	www.hinduonnet.com /thehindu/2003/07/27/stories/2003072701421100.htm (702 words)

	Whitney Biennial 2006 :: Day for Night
		In the autobiographical Chronic (1996), she examines self-mutilation, setting the treated texture of the film into metaphorical relationship with lacerated skin.
		Invoking film noir and 1980s No Wave cinema, Darling International (1999) is an experimental narrative made in collaboration with MM Serra.
		Tracing the erotic exploits of several New York women, the filmmakers star respectively as a commanding executive (Serra) and a boyish metal worker-cum-femme (Reeves) against the backdrop of nighttime Manhattan shot in luscious fl and white.
	www.whitney.org /www/2006biennial/artists.php?artist=Reeves_Jennifer (218 words)

	English Literature: Module: lit3018 : New Wave British Cinema (Site not responding. Last check: 2007-10-01)
		The usual way with which Level 3 students will be familiar.
		There are no personal choice essays, but you can contribute topics to the subject lists of your choice, topics which if accepted for the lists can be worked on by all students.
		These topics must be submitted by dates given on the Course Schedule.
	www.shef.ac.uk /english/modules/lit3018/assessment.php (245 words)

	DVD Times - Cinema Latino Wave 5 in January (Site not responding. Last check: 2007-10-01)
		Fox Home Entertainment have announced their next wave of Cinema Latino titles on R1 DVD for 11th January 2005.
		No shouting - posting entirely in upper case will result in the removal of your comment.
		No links to or discussion of inappropriate sites - this includes linking to or discussion of other suppliers when a review copy has been obviously supplied by a specific retailer (such as our Sponsored Loaded247, DVDPacific and YesAsia reviews).
	www.dvdtimes.co.uk /content.php?contentid=12971 (394 words)

	Narrative and Feature Film (Site not responding. Last check: 2007-10-01)
		These include Mitchell's appearance as a general in English abstract painter James Nares' low-budget costume epic Rome '78 (1978), the most elaborate New Cinema feature.
		He followed Scum with the cartoonish and mannered horror movie pastiche Geek Maggot Bingo, a self-critical epic meander starring punk rocker Richard Hell.
		At the same time Zedd acted in other films that made up what he called the "Cinema of Transgression,'' movies that directly engage death fantasies and brutal sexual escapades, most notably the Hardcore work of Richard Kern.
	www.brickhaus.com /amoore/MWFdoc3.html (474 words)

	List of punk movies - Wikipedia, the free encyclopedia
		The Foreigner (1978) Amos Poe, No Wave Cinema
		The Punk Rock Movie (1978) Don Letts (also known as The Punk Rock Movie from England)
		DIY ethic - Punk pioneers - First wave - Second wave - Punk subculture -
	en.wikipedia.org /wiki/List_of_punk_movies (254 words)

	Matador Records \| The New Pornographers
		The band's June visit to the East Coast was highlighted by a massive free gig in Brooklyn's Prospect Park, along with recording a session for Brian Turner's WFMU program, which will air on August 16 between 3-6pm.
		An MP3 of 'Twin Cinema's' "Use It" can now be downloaded at your convenience.
		The first MP3, the title track, has been posted from the upcoming 'Twin Cinema' album, to be released on August 23.
	www.matadorrecords.com /the_new_pornographers (2200 words)

	AMOSPOE
		- Eddie Cockrell, The American Film Institute/Washington DC Amos Poe is one of the leading figures of the No Wave Cinema movement (1976-85) that grew out of the bustling East Village music and art scene.
		This NYC based group embraced B-movie genres, the avant-garde and the French New Wave, to create a fresh, vibrant American art cinema.
		Poe is considered by many (see John Pierson's book, "Spike, Mike, Slackers and Dykes") to be the "father" of the modern independent American cinema.
	www.remodernist.com /AMOSPOE.html (640 words)

	Document not found (Site not responding. Last check: 2007-10-01)
		A typing error - the address may have been mis-typed or the wrong case used within the address.
		The page no longer exists - the page may have been deleted or may now be in a different location.
		There may be restricted access to the page - some of the pages on our website are only accessible from University of Sheffield computers.
	shef.ac.uk /english/modules/lit3018/docs/LIT2018_3018_CourseDoc_2003... (100 words)

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