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| | JULIANO - Chinese Pictorial Space at the Cultural Crossroads - Transoxiana Eran ud Aneran |
 | | The couches and sarcophagus were produced during a period in China that saw development of the pictorial arts, figure/landscape compositions, and the evolution of early Chinese landscape concepts that led to the eventual emergence of landscape as an independent genre. |
 | | An evaluation of this mortuary material in the larger context of northern Chinese mortuary and Buddhist traditions, preserved in tombs, in cave temples, on steles and on mortuary furniture, allows critical questions to be addressed: Are the figural landscape compositions on these four couches and the sarcophagus fundamentally Chinese in their conception? |
 | | During the Northern Zhou, the tomb occupant with the Shi family name had been appointed as a panshi (supervisor) of Liangzhou region, including the area from Wuwei to Pingliang in modern Gansu, to oversee the affairs of peoples coming from Sogdiana, Central Asia, and Western Asia into China. |
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