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| | Film Review (Site not responding. Last check: 2007-10-15) |
 | | The film opens with an underbelly shot of the spaceship Nostromo (after Joseph Conradís character), a commercial tug pulling refineries processing millions of tons of mineral ore back to Earth. |
 | | As we prowl the bowels of the Nostromo, the first sign of life is, tellingly, a technological one, a computer springing to life. |
 | | Lambert is the frightened, paralyzed version of feminine, but Ripleyís final scenes portray the evolving complexities of the feminine in showing her first as worker, then a sexual presence, a warrior, and, finally, sleeping beauty. |
| www.fortda.org /fall_98/film1.html (2356 words) |
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