Amazon.com: Odds & Sods: Music: The Who(Site not responding. Last check: 2007-10-11)
It's a true blessing that "Odds and Sods" is so highly recognized and appreciated as a solid effort, because many of these songs rank among some of Pete Townshend's most articulate songwriting and The Who's best performances in the studio.
Now, as collections of odd songs go, "Odds & Sods" is one of the true originals in The Who's catalogue ("Meaty Beatty Big and Bouncy" being the other).
What separates "Odds & Sods" from so-called greatest hits is its place in The Who's timeline; they were still a powerhouse band with everyone (more or less) present for duty.
Most of the time she has an odd accent that sounds either Scandinavian, or aristocratic English, or Grace Slick with her vocal passages unnaturally widened.
The rest of the album is at complete odds any attempt to simply think of them as "rock-jazz", because for the most part it's angry left-wing country rock.
What makes this odd is that despite Ransohoff's lame-o smiley-faced sound, it's done with all the earnestness of a pair of children's performers.
jhendrix110.tripod.com /OandS.html (16859 words)
eBay - odds and sods, CDs, Records items on eBay.com(Site not responding. Last check: 2007-10-11)
Of course, we here at Odds and Sods would never be so cynical as to accuse the Spanish press of fabricating and/or embellishing a story to make headlines.
We here at Odds and Sods expect him to join a portly Brazilian and inject some “youth” into the Milan front line next year.
Here is the Odds and Sods roundup of the 2006-7 season.
The most familiar tune here is probably "Long Live Rock," whose canny lyrics look back at the band's early days and boast, "We were the first band to vomit in the bar/and find the distance to the stage too far." A quirky collection that grows more appealing as time goes by.
I'm a huge Who fan, so I would buy this one even if it would be plenty of rubbish, but that's not the case because Odds & Sods is a fantastic collection of unknown/less known tracks.
No wonder Scalia and Breyer have time to take their show on the road: The SCOTUS calendar has 40% fewer cases on it this year compared to last year.
Never mind all the junior high school crap about who gets to chair a committee: Robert Reich says (and I agree) that the first real test of Democratic seriousness is over the fight between Big Pharma vs. Medicare.
It would make reading blogs more rewarding because you could zero in on the articles that had information in them that was of interest to you and leave the rest unread.
From the early mod hits, through the rock operas, to the arena rock classics, Connecticut's
With a fantastic light show, truly authentic tape loops created in the UK using the same gear as on the original tracks, and a very dynamic stage presence, "the Sods" honor the greatest rock band of all time, giving you a full arena show in your local bar!
Without the historical background, which I’ll concede for many is half the fun, Odds & Sods is simply a collection of songs that slipped through the cracks.
Some come from the failed Lifehouse project, others date from their earliest days, running the gamut as it were.
If you enjoyed Coda or The Kids Are Alright, odds are you’ll find Sods better company.
I suppose with any Website there are always "bits" that you are not sure where to put.
Firstly I wasn't sure how to spell miscellaneous (Joke) and secondly the header was getting a little crowded so I decided a shorter and more zappy name was required for the odds and sods I wanted to mention, so "Odds and Sods" it became.
Mexicans are not smart or fragrant enough to defeat the Asian peril
You inspire awe - Jobsite, The best people for the job
www.channelregister.co.uk /odds (184 words)
Tower Records - Odds And Sods [Remaster] - The Who(Site not responding. Last check: 2007-10-11)
Tower Records - Odds And Sods [Remaster] - The Who
Baby Don't You Do It - (previously unreleased, demo version)
ODDS AND SODS is a collection of outtakes and rarities from the 1960s through the early '70s, including "I'm The Face," recorded by The Who when they called themselves The High Numbers.
