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| | Pescarmona: Et[urn]al Existence (Site not responding. Last check: 2007-10-30) |
 | | Then, in urn fashion, Keats becomes as willfully ambiguous as the urn, ultimately haunting readers at the end of the poem by questioning the nature of Truth as represented by this urn and by his poem. |
 | | Keats's decision, therefore, to imbue, his enigmatic urn with a quasi-animate presence and to make it speak forth directly to the viewer had its origins in a convention that was clearly and abundantly evident to anyone interested at that time in the relics of Greek antiquity (Levine 40). |
 | | Therefore, the urn itself and the sculptor himself, both, by nature of the urn's existence, as well as its inscription, "speak"to modern viewers, allowing them a voice in a "dialogue."The sculptor, more importantly, is allowed a "quasi-animate"existence beyond his own years; he can communicate with future generations without even breathing. |
| prometheus.cc.emory.edu /panels/5C/Pescarmona.html (2624 words) |
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