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| | Odissi Repertoire |
 | | In Odissi, as in the other Indian classical dance styles, the dances are classified as nritta (pure technical dance with no meaning), nritya (expressional dance having meaning), and natya (drama). |
 | | In this dance, particularly, the interrelationship between temple sculptural art and Odissi dance is established with an array of sculpturesque poses taken directly from the innumerable dancing sculptures adorning the temples of Orissa. |
 | | Abhinaya, the fourth item of the Odissi repertoire, is mime or nritya using a most intricate language composed of facial expressions, hand gestures, and through the use of the body. |
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